sborges The theme seems somewhat of interest, and it could have held attention if it were not for Daniel Brühl's character, "Chris", who is annoying to an extreme. For some reason, that the viewer is never able to understand, the incredibly innocuous Chris is able to screw up everything he touches from scene one until the grand finale. Anyone with even half a brain, finding himself in such a perilous state, would lay the lowest profile possible in an attempt to merely survive - which is the exact opposite route taken by Brühl's highly infantile and ridiculous character. After 30 minutes into the flick, you come to detest the guy's guts, wishing that the hostile crew would just fling the half-wit overboard and get it over with.Do yourself a favour - skip this flop.

bahuna Even though I really enjoyed "Cargo", I would like to share a goof I just discovered: After Chris is hit over the head, a crew member examines and cleans the wounds on his forehead. No blood is left on his brow. In the next scene, however, which shows Chris sitting on his berth, the old blood stain has miraculously made its way back to right below Chris' hairline. Other than that, the plot seems perfectly consistent. The setting on an old rotting freighter keeping a dark secret in its bowels surely contributes to the film's overall spooky atmosphere. All the acting is credible, and character development is subtle and thoughtful, although the portrayal of crazy old Herman seems a little cliché-ridden and overdone. Even if it may not quite play in the league of Hitchcock and the likes, "Cargo" is miles above cheap, brainless and inconclusive torture flicks in the fashion of "Hostel."

nochap You don't often see gems like this. I saw it at the Raindance Film Festival. Having no idea what it was about, I just needed to fill a gap between two films that I did want to see. I was so gripped that I missed the following film. Dare I say this film is faultless? Dark, moody and understated. Acting brilliant, lighting superb etc etc. There are some unusual, non standard plot twists that I like to have in a film. This is not the usual Hollywood script and treatment and so much the better for that. The suspense is held wonderfully well and there is no padding, and no overlong reaction shots dragging on the narrative. And I almost forgot the Music/Sound effect work, I have never, ever heard that done so well, Oscar? On an independent? Not a hope. Beautifully merged to jar your senses, this is great.

kent-104 Daniel Brühl stars as Chris, a plucky German traveler in Africa who stands up to pretty much everyone. In trouble with the local law and having lost his passport, he stows away on a cargo ship headed for Spain. Peter Mullan is brilliantly cast as the captain, Brookes, whose throaty drawl and demeanor are perfectly cast as a captain.Once Chris is exposed as a stowaway on the ship, he becomes a part of the crew, but slowly starts to realize that the law and morality have no meaning on the high seas.The film is moody, well shot, and the acting is exceptional. While many scenes are high intensity and very suspenseful, there is no excessive gore or any "boo" horror therein. The mood and the unanswered (and answered) questions leave the viewer questioning reality and what severe isolation must do to a crew of men such as these.Daniel Bruhl is perfectly cast as Chris; his charisma turns on and off at will, and he transforms his character from complacent to annoyed in a second.Peter Mullan accompanies Bruhl with his stolid, cryptic, and persistent mood, yet comes across as a character you have to like because he demands to be in charge.For a moody, tense thriller with an intelligent back story, see this movie.