kreisbanaan Given the actors, the era, and the previous reviews, I would have expected this to be even worse than the average Chuck Norris movie from the same period. I was pleasantly surprised to be entertained by a movie that's obviously a step above the average Chuck Norris movie from the era. Although it can't hold a candle to , for example, Predator or Platoon, from the same period, the acting is actually pretty decent, the script is definitely not too bad, and the characters come across as real human beings. For a bunch of B-actors, a low budget movie, and obviously a lack of some decent camera equipment, I think they've made the best with what they could do. two major minuses: One: the music is kinda campy & cheesy and continuously detracts from the visible effort the actors put into to it. It might have been in vogue when Madonna made 'Vogue' but it's sooooo dated now. Think a drunk Vangelis on a Monday morning and you're halfway.Two: The movie obviously suffers from not having proper camera equipment and not being able to make 'expensive' shots. Nowadays you can make a better movie with a cheap 200 $ drone camera..but of course they didnt have that back then. Although they DID have helicopters in the movie, they just never bothered to use them for any good looking shots. Cinematography: 3 out of 10.But I think the acting is a LOT better then I had expected, and it's a shame this movie is relegated to obscurity because of it's flaws.

Leofwine_draca Here's yet another jungle adventure yarn from Antonio Margheriti, following on from his previous Warbeck quartet. While this movie lacks Warbeck, it makes up for his absence by having a great exploitation cast to die for. I thoroughly enjoyed this action-packed adventure yarn which may be cheesy, far-fetched and predictable, but is nonetheless violent, and showcases some top actors going through their motions as they struggle for survival in the jungle. Probably the main disappointment is the music, which, as the credits proudly proclaim, is produced on Yamaha keyboards! The film begins with a shoot-em-up in the dark scene. I don't know what relevance it bears to the rest of the film, but it starts the move in an action-packed way so I'll let it pass. We are initially introduced to the characters at a bigwig meeting presided over by the immortal Ernest Borgnine. Why immortal? Well, he always seems to keep on making films and never letting his age worry him! Borgnine here is the team leader, so his job is to fret behind a desk for the film's course. Sadly he doesn't engage in any of the action in the movie.Pretty soon, Margheriti's obsession with miniature effects comes into play during a car chase, in which cars fly up the walls of a tunnel. Hilariously these are matchbox models by the look of it, and are easily spotted due to the lack of people in the supposed vehicles! Pointless stuff, but it's fun anyway. Shortly afterwards, our hero Wesley (Lewis Collins) assembles his team and ventures into the jungle at night. The first action scene is an attack on a village, and contains a hilarious moment where a soldier jumps through the roof of a thatched hut and gets a huge spike through his arm! Surely the door would have been a better bet.The film gets better as it goes on, and the next action sequence is to steal a helicopter and is very well done. It isn't anything you won't have seen before, but there's lots of bloody death and incessant shots of guards tumbling out of guard towers. Oh yeah, and around a dozen bad guys get knives thrown into their chests for variety. The film climaxes at around the halfway mark with a successful attack on the enemy base which culminates in our heroes' helicopter being destroyed - big surprise.They then have to make their way on foot to another enemy base and destroy that as well. Along the way they stop briefly at a jungle church (!) run by none other than Margheriti's old friend Luciano Pigozzi as the priest. Pigozzi is just one of the familiar faces to reappear from Margheriti's previous movies. The native guy from TIGER JOE is also here. Keep your eyes peeled and you'll see the witch doctor from HUNTERS OF THE GOLDEN COBRA as a prisoner in one brief shot. This goes to show that, like with Hammer Studios, Margheriti tended to employ the same actors again and again in his films.Well, the enemy shows up and Pigozzi gets attacked in the film's most horrific scene, enlivened by the quality acting. This is probaby one of Pigozzi's finest moments. Our heroes continue, their numble dwindling all the while, stopping briefly to blow up a (miniature) train and unsuccessfully negotiate a minefield. The excellent finale sees an all-out assault on the enemy base, and a surprise traitor attacking.Lewis Collins is rather bland as the film's hero, but not a total loss. He tries to be David Warbeck for a lot of the time but doesn't have the same laidback charm. Spaghetti western icon Lee Van Cleef pops up in one of his last appearances as an ex-con helicopter pilot and delivers a solid performance as usual. Borgnine's role is limited but he's there for name value alone. Former giallo star Mimsy Farmer is also around as an opium addict-turned-gunfighting hero. Finally, we have Klaus Kinski doing his patented psycho shtick, at one point drilling a corpse with his machine gun and going berserk! Good stuff, and a fine action/war film which is easy on the brain but looks good and has lots of shooting and explosions for those who like them. Personally, I found this to be a superior action flick and I recommend it to all.

Chase_Witherspoon Antonio Margheriti (that's the linguine Anthony Dawson) directs this in-name only second sequel to "The Wild Geese", with ex-Professionals' Lewis Collins as the indomitable Commander Robin Wesley (a very masculine sounding name befitting the tough guy profile), and his band of rag-tag mercenaries as they venture into the jungles of Borneo or thereabouts for a supposedly benign mission to bust an opium operation. But the evil, double crossing Charleton (crazy-eyed Kinski) is playing both sides, and the group find themselves taking refuge in a mission with language assistance from expatriate American (Farmer) as they search for an escape route.Glorious colour tones, stylish costumes and jazzy synthesisers give this jungle war opus the Armani makeover that was en vogue at the time. Collins' suave sophistication and stiff upper lip as he delivers painfully awkward dialogue is so artificial, it's cringe worthy. Ernest Borgnine looks sedated in his brief cameo, while Kinski, conversely, is so over the top, he's hilarious. Only Van Cleef offers some restraint, but he's a passenger. The set designers, special effects crew and pyrotechnic personnel showed flair with their multitude of explosions, and the bodies blown apart in gory detail give it that Euro-trash touch you've come to expect.But while the action sequences are fluent and well constructed, and the general gist of the film is easy to follow, there's still an awful lot of stilted dialogue and overly intense acting. Perhaps as a box set with its younger siblings, this could be a cool if somewhat hokey trilogy. Nice try, but in spite of Collins' penchant for smoking stogies, no cigar.

ma-cortes This action-packed picture concerns upon a troop of commandos-for-hire(Lewis Collins, Manfred Lehmann)is assigned by a businessman as financial backers and the Drug Enforcement Administration DEA(in charge of a histrionic Ernest Borgnine) to obliterate Golden Triangle between Laos , Cambodia and Thailand. The commando is led by captain Wesley, a tough, two-fisted mercenary . He contacts an inmate, expert on helicopters(Lee Van Cleef in similar role to Snake-Kurt Russell in rescue in N.Y). The adventure starts when the veteran band of mercenaries land deep inside the jungle to destroy opium traffic and smuggling commanded by General Khan. Another mercenary( Klaus Kinski)as back-up , in case they run into problems. They help out the jungle's inhabitants along with a kidnapped reporter(Mimsy Farmer). The mission meets an unexpected turns and twists when they're betrayed. Meanwhile they find a Catholic priest(Alan Collins or Luciano Pigozzi ,the Italian Peter Lorre)ruling a mission in middle of jungle. The jungle countrymen are submitted to drug-lords and the Reds Jemeres . This fast-paced film packs adventures, large-scale blow-up,routine plot, and lots of action for the most part. Cheesy scenes about a car races throughout a tunnel under construction with embarrassing scale models such the director previously made in his film ¨Car crash(1980)¨, but contains a better scenario on the bridge explosions and over the burning installations with helicopter scenes. Cinematography is quite nicely , capturing the atmosphere of everywhere, from Hong Kong's skyscrapers to a Thailand jungle pretty cool, furthermore some stirring images filmed with camera above the shoulder. Lousy musical score by means of synthesizer by Nemec and isn't composed by Ennio Morricone. The film is produced in middling budget by Erwin C Dietrich , habitual director and producer of soft-cores and Jesus Franco's usual financier.The film was made in the wake of ¨Wild Geese¨(Andrew McLagen with Burton, Moore and Richard Harris) and Wild Geese II(Peter Hunt with Scott Glenn, Edward Fox, Barbara Carrera)which depended in their all star cast. And belongs a trilogy directed by Anthony M Dawson(Margheriti) formed by ¨Commando Leopard(1985)¨ and ¨Der Commander(1988)¨ repeating similar actors, Collins, Kinski, and Manfred Lemann, technicians and screenwriter, Tito Carpi.These jungle-setting exploitation films from the 80s will like to action lovers and euro-trash enthusiastic.