Leofwine_draca Fans of the Italian film scene will no doubt be aware that despite all of the imaginative highs, a fair amount of cheap knock-offs of popular movies have been made in the land of pizza and pasta over the years. SOS CONCORDE is one of these movies, a yawningly routine variation on the '70s disaster movie staple which was released in the same year and with a similar title to a genuine American disaster film in an attempt to fool viewers into thinking the films were one and the same. Although not an entirely worthless film, this is doubly disappointing when considering the wonderful staple cast and crew behind the movie, all of whom had been involved in (and were later involved in) much better, more wonderful things. Not only did top giallo screenwriter Ernesto Gastaldi work on the script, but infamous horror director Ruggero Deodato (here called "Roger Deodata"), best known for his highly controversial film CANNIBAL HOLOCAUST, helmed the movie. Sadly the direction is weak at best, with little being made of the various suspenseful situations or action.The stalwart cast sees James Franciscus headlining as the dashing heroic lead, a vain reporter seeking out a conspiracy behind a missing Concorde and finding himself pursued by various shifty henchmen, all invariably smartly dressed, slightly sweaty, unshaven, and with sinister glasses. Although there is plenty of scope for action, only towards the end of the movie does the film deliver with an exciting shoot-out in a bank and a couple of cool stunts and car chases. Also, for the film's finale, we are offered a genuine disaster situation, with a Concorde loaded with passengers racing towards destruction unless our hero can save it. Somewhat contrivedly, the key lies in an amnesia victim's memory, a former stewardess who must try to remember the reason the first plane crashed. A once-youthful Mimsy Farmer plays the too-often hysterical stewardess but seems miscast in the part.Of course, ripping off an AIRPORT-style disaster movie wasn't enough, so in come scenes similar to those in JAWS and THE DEEP, two films which fuelled the late '70s underwater adventure genre. Lots of slow scuba-diving is involved, along with a killer shark and a wonderfully gruesome death for a diver, who is shot through the head from behind with a high-powered rifle, resulting in a huge wash of blood pouring from his shattered goggles. Sadly this is the film's only gory moment, again something of a surprise considering the director's filmography, although there is another cheesy moment in which an unlucky fisherman (played by a cameoing Dakkar from ZOMBIE FLESH EATERS) is mowed down by a speedboat. Other casting dependables include an ancient Joseph Cotton as one of the shady executives behind the Concorde, and his partner, the ever-hammy Edmund Purdom; Van Johnson as the unlikely pilot-in-peril; even Robert Kerman popping up for the finale as an air traffic controller who helps to guide the plane to safety. Yet despite the cast and scope for mucho excitement, the pacing is sluggish throughout, the scripting often uninteresting, and the special effects cheap, minimal and cheesy. Therefore only die-hard Euro buffs need to bother seeking this one out.

marbleann Incredibly bad, but I loved it. Particularly the quasi disco song played through the action scenes and the closing credits. And the passengers having panic attacks while the plane seemingly is crashing, Which is the most accurate part of any of these type movies. There was only a skeleton crew of big stars from Hollywood Golden Years. No Gloria Swanson here. But we do have Joseph Cotton and Van Johnson and Edmund Purdum. The big difference with this movie and the other movies of this type like all of the Airport movies is that this plane actually crashes in the beginning. Which sets off the events for the rest of the movie The plot was a little bit like the the Airport 75, also a Concord. Some corporate bigwigs know the plane is faulty but doesn't care and are after anybody who survives the accident or anybody who knows her. Opposed to a reporter having the goods on her boyfriend and he wants to target her by crashing a whole plane. Which was the plot of Airport 75. The reason for the plane crashing was sort of like one of my favorite plane disaster movie which is actually a good movie, Fate is the Hunter with Glenn Ford. Ford puts on a great performance. Like this movie the only survivor is a stewardess and she serves coffee right before the disaster. I think Fate is the Hunter is so underrated a lot of people never saw the connection between this movie and that. James Fraciscus and ex-patriot Mimsy Farmer are the two leads. He is the reporter who has the story about the faulty plane. The movie spends most of its time chasing those two around. Also there is some catchy quasi disco music they use for some chase scenes and the ending credits. I have to say I was entertained and that is what a movie is suppose to do. But it still goes on my so bad it's good list. Just think 25 years from now we will have Space Shuttle 2027 staring Tom Cruise and Brad Pitt, Denzel Washington, Beyonce as the singing nun and Sharon Stone as the 80 year old grandmother escorting her grand daughter to get a new heart.

itsmrbigtoyou Well, I finally got my copy of the movie today. Very old version of the movie with some mild sound and vision problems, yet this is marketed as an official release!!!! Anywhoo, as for the plot, there is an awfully large amount of stock footgae of British Airways Concorde's used. The film is not necessarily a disaster movie per say, but more of a drama. The start of the movie consists of a Concorde taking a serious nose-dive into the ocean. It looks tropical. It is made to look as though everybody on the jet has been killed upon impact. Some impressive effects (for the time - 1979!) were used and it looks quite good. After this, two fishermen pick up a girl in a life-jacket. The only survivor of the crash - Miss Jean Beneyton, a pretty young flight attendant played by Mimsy Farmer.Soon after, Jean is captured by the guys responsible for the previous Concorde's fate, helmed by Joseph Cotten. Coming to her rescue is the likable actor James Franciscus as Moses Brody, a reporter. His wife (also a reporter) found out about the Concorde crashing into the ocean and was subsequently murdered to keep the event's quiet.Finally, Jean and Moses come to know that another Concorde jet is next on the sabotage list and it is up to them to stop this next Concorde from having the same fate as the previous!!!Important Film Details:Violence: Some, mild. Bad Language: Twice, strong. Sex/Nudity: None whatsoever. Other: One mild reference to pregnancy.

Michael A. Martinez I finally managed to track down copy of this CONCORDE: AIRPORT 79 cash-in directed by the the violence-obsessed Ruggero Deodato. I'm surprised this flick doesn't come up in discussion more often since it does have a pretty fantastic cast and crew and a pretty good storyline too.Joseph Cotten and Edmund Purdom are big New York executives who are informed that the Concorde has failed numerous safety checks, yet they have them fly anyway. Right away of course, a Concorde crashes into the Carribbean Sea leaving a stewardess (Mimsy Farmer) as the only survivor. Of course she is first picked up by some members of an international mob (including Richard Raymond and Venantino Venantini). They demand a million dollars ransom for the girl to the hotshot executives, who respond by unleashing their hit men on everyone who knows about the crash in a vain attempt to cover it up. Enter James Franciscus as the heroic journalist who steps in and rescues the stewardess from the mobsters and barely gets her to the authorities in time to learn a second Concorde (piloted by Van Johnson!) is experiencing similar trouble and may also crash if she doesn't remember what caused her flight trouble. Turns out the mobsters were behind the whole thing and that they're all in a little over their heads.This oddity certainly doesn't pack the best special effects I've seen (the Concorde footage is all either stock footage or cheesy little model airplanes), CONCORDE AFFAIR 79 still manages to be a lot of fun. There's murder, mobsters, & mayhem, and an underwater scubadiver fight or two. The cast is top notch, with even Robert Kerman dropping by as an air traffic controller who has to talk Mimsy Farmer to her senses at the end. Genre veterans may also recognise that same black guy from ZOMBIE and DOCTOR BUTCHER M.D. as one of the fishermen who rescues farmer and is promptly killed off. The photography, in this case by both Federico Zanni and Gianlorenzo Battaglia is pretty good, but fails to make the Godzilla movie-ish miniatures seem realistic. Stelvio Cipriani's musical score is about exactly usual for his work, yet adding a couple interesting new variations.All in all, I think this flick was alright. It's totally rare and impossible to find in a decent quality print, but in my opinion it's well worth the effort tracking down.