petra_ste Hugo Pratt was a master narrator. His comic book adventures of Corto Maltese were elegant and unique, with charismatic dreamer Corto, his ruthless companion Rasputin (a creature of pure Id and malevolence who still miraculously came across as sympathetic), exotic settings and memorable secondary characters.La Cour Secrète des Arcanes is a worthy adaptation of Corto's best adventure. With stylish art direction, a pleasant soundtrack and an effective atmosphere, this cartoon is intriguing and features characters of remarkable depth like Ungern Khan and the exceptional Shangai Lil.End of WWI: adventurer Corto Maltese is recruited by a secret society to recover the treasure of the Tsars; his companions are friendly rival Rasputin and enigmatic Shangai Lil. To say more would be a pity - don't be deceived by the outrageously low IMDb rating.I believe Pratt would have loved this, and there can be no greater compliment.8/10

tatamata1 I think the director and animators did a tremendous job. I am a big fan of Pratt's art, and to be honest didn't expect much from the movie. The comic has a recognizable atmosphere, that I sincerely doubted can be successfully moved to the screen.But luckily - I was wrong. I was delighted with the final result. The atmosphere was there, just the way it should be - I actually felt like reading the comic.But beware - if you are not familiar with Pratt's work, or if you don't really love it - I doubt you can appreciate this piece. Also, this is a European movie, not American. It is very, very non-typical, and I fear that most of American public may find it confusing, probably even boring.The scenes are long and slow, the director doesn't rush anywhere, takes the time to show each facial expression, to give a weight to every said word. Just as the comic does.Also, in order to enjoy Pratt's art, you have to know a lot - you have to be interested in history, geography, legends, culture of various nations, mysticism, different religions and beliefs... And the same is true for this film. So - no, this is definitely not a movie for a typical American consumer.In short - if you know and like Pratt's work, you will probably enjoy the movie. Otherwise - you probably won't like it at all.

vidsark This is overall a nice proof that there is enough room in the movie/animation world for something different, concerning almost all factors of animated movie-making: direction, animation, dramaturgy, plot, message, visual narration and least but not last, the thing movies are best at, connecting different means of expression, like music, visual art, literature... etc. This feature animation based on (almost literally) Hugo Pratt's graphic novel Corto Maltese in Siberia encompasses all above-mentioned features beautifully, and I think meets some comic readers' secret expectations about how a cartoon on this subject should look like. Recommended is of course that you look up some historical facts and names appearing in the movie, of course the best you can do is to read the graphic novel. This may be the least effective side of the film, namely the plot and character positioning may be pretty confusing if you're not familiar with at least some of the facts manipulated in the film. The first thing that convinced me in the movie was beautiful transition from Pratt's black&white comics to this full color extravaganza. Even though colors are a totally different medium, here they speak in favor of Pratt's narration, whose main quality is a kind of storyboard organization of the plot. I've always wondered how his comics would look in full color. In contrast to the later editions of his comics in color, here the formula works excellently, whereas in the comics, merely colorized black&white drawings, the charm gets lost. The second thing I couldn't miss, but has no connection whatsoever with Pratts novels, was the music. This is the main addition to the general mysteriously melancholic air of his comics, that the film makers can be credited for. All in all a beautiful achievement, cinematically and literary, mainly for affectionados, but a little bit too short for the ones used to Pratts comics.

tomimt Corto Maltese is one of the greatest graphical novel characters, or even literature characters for that matter, ever created. He's an adventurer, a pirate, a murderer and a lover, what ever suits his needs. Or then again he might spend entire story by just watching other people do all the adventuring. Then he just disappears just to turn out from somewhere else.This particular story is from the more action end: Rasputin (Corto's insane Russian friend, who without any doubt is The Rasputin) and Corto are after Russian gold train, but then again so are lots of other people too. This gives a change to display some action scenes and conflicts between Corto and other parts of the story: Chinese, Russians, Mongols.As for all Pratt's stories go, the story line is rather multi threaded, but it's hardly explained in any part, sometimes things just seem to happen and no one is explaining why. But then again there's no real need for that either, it's just the way these stories are told.Animation is mostly well done, there are some parts which are little lacking, especially the human animation is little blocky in some places. All the special effects scenes are done with 3D animation, but they blend in with the painted backgrounds and characters rather seamlessly in most cases. Though there are some places where the difference is too visible.This movie should be a treat for all Hugo Pratt fans, as I myself found it to have same mood that most of Pratt's comics have. I wouldn't mind having more of this.