MartinHafer "Criminal Court" proves that just because a film is a B-movie (with a small budget and brief running time) that is can STILL be a heck of a good film. Due to really good writing and acting, it works and is worth your time.The film begins with Steve Barnes running for District Attorney (Tom Conway) on a true platform to clean up the government. He and a group of his colleagues have done a lot to investigate graft--and they've finally got the evidence to make heads roll. However, a local mobster (Robert Armstrong) is not about to let his organization be brought down without a fight. And, during a confrontation between the two men, the hood draws a gun Steve and tries to kill him. Barnes is able to get the gun away from him and when it falls, it goes off--killing the gangster! This is a bit difficult to believe, I know but stick with the film. Where it all goes next kept surprising me. Time and again, little twists came that took the film in directions I hadn't anticipated--which is rare, as B-movies are often very predictable. I would say more but just don't to spoil the film.Other reviews have mentioned this, but Conway was George Sanders' brother. Both were incredibly erudite and spoke with a glorious accent--and brought a nice sophistication to even the simplest of roles. Exciting and worth your time--this is yet another one of Conway's B performances that elevated the material to a slightly better level.

Michael_Elliott Criminal Court (1946) ** 1/2 (out of 4) Robert Wise directed this RKO noir about lawyer Steve Barnes (Tom Conway) who accidentally kills a gangster (Robert Armstrong) but he's thrown for a loop when his girlfriend (Martha O'Driscoll) is accused of the crime because she worked at his nightclub. The lawyer, who just happens to be running for D.A., tries to confess to the crime but no one believes him so he must find another way to prove her innocence. CRIMINAL COURT is a "B" movie that is so far-fetched that at times you really have to laugh wondering if the screenwriter wasn't just making things up as the filming went along. I say that because there are so many twists and turns in this film yet every single one of them are ones that you'll see coming from a mile away. It certainly doesn't help that all of them perfectly fit in place not because they're smart but because they're just so obvious. As far as a mystery goes, this thing is about as simple as they come but none of this completely kills the film thanks in large part to some fine direction by Wise and some fun performances. Conway is completely believable in his role as the hot shot lawyer who will stop at nothing to win a case. Montgomery only appears in half the film but he was a lot of fun as well. Both O'Driscoll and June Clayworth are good in their parts even though both of their characters are probably the weakest in the film. CRIMINIAL COURT certainly isn't going to win any awards but at just 63-minutes the thing moves along well enough that fans of the genre should enjoy it.

kidboots Although always in his brother's shadow - he even took over the Falcon series that his brother (George Sanders) had originated - Tom Conway improved every film that he appeared in. A lot more light hearted in his acting than his brother, who often portrayed the world weary cynic. In this early directorial effort of Robert Wise, he plays Steve Barnes, a lawyer, who just finds out that his girlfriend Georgia has secured a singing spot at the Club Circle, run by the notorious Vic Wright (Robert Armstrong, looking great and always good to watch). Georgia is played by Martha O'Driscoll, a beautiful, under-rated actress who retired way too early. In this film she gets to sing 2 popular songs - "I Couldn't Sleep a Wink Last Night" and "This is a Lovely Way to Spend an Evening" and she puts them over really well.Wright is involved in a shooting and has bribed one of his dumb henchmen to identify an innocent man as the murderer. By producing a gun in court and causing a sensation Barnes proves the man is lying. Meanwhile photos have been taken of Vic's brother Frank (Steve Brodie) making a payment to an ex vice cop. Vic calls Steve to offer him money for his campaign (Steve is running for District Attorney) on condition that he doesn't show the pictures to the police. When Steve is summoned to Vic's office a scuffle breaks out and Vic is accidentally shot. Georgia calls into his office after her song and is then accused of murder.The rest of the film deals with Steve and his efforts to get people to believe his confession. Georgia comes to him for help and he promises to represent her. His secretary, Jane, was in reality, in the pay of Vic and had been feeding him information about Steve. She saw the whole thing from a panel in the door and confesses to the big crime boss (Robert Warwick) that it was wholly accidental but is told to keep quiet. Steve then has to prove that he is the guilty one and enlists his secretary to leave no stone unturned to find the lone witness to the event (Steve still has no idea that Jane had been working for Vic). Jane is played by June Clayworth, who made her film debut as a talentless singer in a Lee Morse musical short "The Music Racket"(1930).At only an hour this film really moves along and is recommended.

pyamada Director Robert Wise, near the beginning of his career, made a decent lawyer film with a good ending. There's not much suspense, and the plot device owes much to the play, "Hat, Coat and Glove"; and it is no surprise that Tom Conway was in a film re-make of that play when it was made into a movie a second time. While this might not be great noir, it is certainly a "B movie" that is easy to watch.