jdesando "The Old West is not a certain place in a certain time; it's a state of mind. It's whatever you want it to be. -" Tom MixI should have liked the Zellner brothers' Western comedy, Damsel, much better than I did. It has elements of Mel Brooks and the Coen brothers when they mine the satire of a genre very long in the tooth. The difference: writing. Brooks with his inspired goofiness (Blazing Saddles) and the Coens with their light-hearted larceny (Raising Arizona), have characters using language much smarter than they are, whereas The Zellners' lines are deadpan but dull even though they use elevated diction as the Coens so often do. Using contemporary lingo like "win win" and "real deal" doesn't titillate as it should. In addition, Zellners' language lacks strong affinity with bigger issues.Samuel (Robert Pattinson), a rich pioneer, engages a sham preacher, Henry (David Zellner), to officiate at Samuel's wedding to Penelope (Mia Wasikowska). In their journey with a miniature horse, gift to Penelope (not the waiting Penelope of the Odyssey), the two must deal with their naiveté and the vagaries of raw Western staples like rot-gut whiskey, duplicitous Indians, and bad campfire ballads (Samuel's ballad to Penelope, called My Honeybun, is a weak companion to Brooks' notorious campfire scene) While this set-up is rich fodder for satire, most of the jokes fall as flat as Penelope's affect and as dry as the joke about a fool in a barrel being strung up for no obvious reasons. Westerns are ripe for satire, but the flat line here comes not from the fine performances but the tepid minimalist script and uninspired cinematography. Wasikowska is marvelous as the independent and bitter love interest, Pattinson showing once again that he is much more than a teen heart-throb. The Zellners have the right motif about loneliness; they just need to beef up the languid language and droll action.

mtrusk This is "subversionist western" at its least emotional. There's a very good movie somewhere in this script, but the Zellners arent wise enough to execute to their full potential here. The cinematography, score, and acting (especially from David Zellner who channels the best of Woody Harrelson to combine it with a wimpier persona) all shoot well above par, making watching Damsel rather enjoyable. There are isolated moments that approach near perfection, but unlike better Westerns there is not the tonal confidence to glue the rest together. The Zellners set up rather intriguing backstories for the characters only to never explain them and squander the runtime on a three-quarters-baked attempt at cranking up a Coen brothers blend of comedy. It's usually very funny and well meaning, but I can't quite shake the feeling that this movie would have done better without repeated depictions of how strong the lone female character is against a slew of weak-minded males. The message is fine, but the time spent on it and the hammer over the head tone is apalling at times. It feels like they ran out of things to write about in the middle of the second act. In the end this movie gives you a lot to chew on but not much to really sink your teeth into.

Metaflix 'Damsel' is bold and rather peculiar offering from the Zellner brothers that threads together the notion of a western, comedy, and drama.Robert Pattinson and Mia Wasikowska are entertaining as hell to watch and the film is unequivocally beautifully shot--equal credit needs to be given to both the location scout and the cinematographer. However, it becomes clearer and clearer as the film unfolds that the story isn't quite fully fleshed out. While there are a handful of meaningful themes and existential musings that the Zellners work into the plot, they never leap off the screen and burrow as thoughts that further germinate inside one's mind after leaving the theater.

BaltimoreDancingmike I'm well into my 70's and it seemed as though half the movies of my youth were westerns. So i'm tired of the typical approach. Who has something new for me?Well, the Zellers deliver a comedic western that kept me involved the whole way through. Starting with an unusual looking character arriving in a rowboat with a crate holding a miniature palomino horse. He shows up in a town full of characters that make him seem almost normal. It turns out he's there to meet a "preacher" and to find and marry the girl of his dreams. In the film intro we see him dancing with this girl. Well, it's been a couple years since his contact with her and his focus is such that he hasn't considered the girl might not be of like mind. When that turns out to be the case, it turns out he's become so obsessed with this marriage he's become downright delusional. Things, to put it mildly, don't go his way.The Zellers seem to have a deft touch with delusional characters. In Kumiko, The Treasure Hunter, Kumiko is beautifully portrayed with great empathy. Here, our "hero" is shown to be equally possessed, and while both characters meet their demise, I felt great empathy for both. Unlike Kumiko, our "hero" finds out what he wants will not be his. Even though he had no reasonable expectation of success, I still felt empathy for him. The "Damsel" was played straight by Mia Wasikowska with no humor coming directly from her, and you can't blame her. I was reminded of the Coen Brothers True Grit and the way Hailee Steinfeld played Mattie Ross -- all business (even though her wicked sarcasm did elicit a few laughs). It created a great contrast to the rest of the not-so-usual characters. I saw this film at The Baltimore Film Festival and can't wait to see it again. I know there were a number of funny spots and sight gags I missed the first time through. I also appreciated it for the Zellers' breaking of traditional western genre molds. While not as high on my list as the Coen's True Grit or Fred Schepisi's Barbarosa, Damsel is a worth addition to my "oddball western" list. It's also a worthy follower to the wonderful Kumiko. I'm going to keep my eye on the Zellers and can't wait for their next film!