a_chinn Flawed but interesting black comedy about cults and deprogramming. The film starts out overtly comedic about a down on his luck author and cult expert on a very low rent book tour. On this darkly funny and depressing book tour he's approached by a couple who want his help rescuing their daughter form a cult. Their daughter, an excellent Mary Elizabeth Winstead, is then held captive in a a hotel room with the cult expert for a character duel along the lines of "Death and the Maiden" or "Oleanna," where interesting power dynamics emerge between the two. Leland Orser, who's on my list of great one-scene-performances for his one scene in "Seven" as the lust victim in the massage parlor, gives a great performance here as the troubled cult expert, though it's really Winstead who steals the film. While the script doesn't seem to gel as a whole and the end in particular seemed a bit contrived, the performances make this one worth watching.

Seth_Rogue_One Faults is a movie that doesn't really fit into a specific genre, but it has elements of dark comedy, drama and a bit of mystery while being set more as a character study piece.Great performances all around with Leland Orsher and Mary Elizabeth Winstead (who I will definitely be looking forward seeing more from) in the 2 leads.It's about a man (Orsher) who's a specialist on cults and mind-control who's asked to revert a cult-member's mind (Winstead) to a 'normal' way of thinking.More part of the movie takes place in one setting but it never gets boring as the characters are rich and interesting.

sol- Hired to deprogram a young woman who has fallen victim to an abusive cult, an expert in mind control techniques starts to question whether or not there is actually some value to her cult in this curious independent film. From the outset, the movie seems like a contemporary updating of the likes of 'Split Image' and 'Ticket to Heaven' -- two sensational films from the early 1980s about rescuing youths from religious cults -- but the results here are decidedly different as the film ends up as anything but a straight drama. There are elements of comedy, drama, mystery, thriller, horror and even fantasy throughout, and while all this genre-hopping is sometimes detrimental (none of the comedy really works and the scenes with the protagonist's publisher and his hired goon do not quite fit in) for the most part, the multi-genre style renders the film a perfectly unsettling experience. As a viewer, we never feel entirely in control, placed on the exact same level as the protagonist with all his doubts and insecurities. Speaking of which, Leland Orser is excellent in the role. While he initially seems money-grubbing and pathetic, he gradually becomes a sympathetic lonely soul for whom the world seems to have turned against. Mary Elizabeth Winstead (best known as McClane's daughter in the 'Die Hard' series) is also superb as the young cultist. As for the rest of the film, it is best viewed with minimal plot expectations. Suffice it to say though, the ending is endlessly creepy and for a film that is not overtly horror, the chill that 'Faults' sends down the spine is incredible.

mjsreg Original, well acted, and well produced/edited.This film is well worth seeing if you like original, well produced movies.From the beginning you are never really sure where the characters are heading - until the end.The characters draw you into their world and keep you there. Each event and emotion portrayed by brilliant acting. I had never seen any of the cast in previous movies, so it was refreshing seeing new faces (to me) bring the story to life.Whatever expectations you have for this film just forget them and let the story telling take you where it is going to go.