Cristi_Ciopron This one is the movie with the warehouse, the inmates and the mysterious truck, and with the proverbs and one-liners, also one of Toler's livelier performances; as always, a neat production. Sometimes the comedy gives the viewer the impression which Birmingham and the younger Chan must have, that the case is almost like a business of the grownups, and meantime there is, for now, the fun. Good timeless comedy, because the detecting tends to be average, the '40s equivalent of something like later TV series, or perhaps crime teleplays, but the comedy in it is delightful, and Toler's acting looks more dynamic than in other movies, it was cool to have a duo for the comic relief, a comic team (like O'Brian and Kerr), but the puzzle plot is good too, a puzzling mystery, how were the fingerprints forged, if they were, Wong visited people, but Chan does more than that, he visits milieus, here he has a lot of proverbs to offer, advices, some or funny, most are really useful, the scenes in the warehouse were effective, and there are the occasional bursts of violence (a girl is killed, an inmate shots himself), but there's also the characters' insouciance regardless of the body count, Chan's cases are about pretty ingenious means of crime and murder, and give a good sense of the places, the sets.

Tom Willett (yonhope) I was a fan of Charlie Chan when the films were first released. I did not realize Sydney was past 70 when he made this movie. There is a lot of humor in the prison scenes. There are a couple of big scenes that come as a surprise for a film that had a shoestring budget. One is the interior of a real prison with the convicts going into their cells in unison. That scene is melded into a stage copy of the same action but slightly more modest. Another scene has a big moving camera set as the cast enters a police lab. There are a lot of familiar faces in the supporting cast. Everyone does a great job with their role. There are some exterior shots of the old cars and trucks which were not that old when the movie was made. This is a good old movie to watch to get a glimpse of what the world was like right after World War II. While watching it you will want to check the ladies hair styles and the interior of the old rooming house and telephones.

MartinHafer While the quality of this Charlie Chan film isn't quite up to the exceptional quality of most of the Twentieth-Century Fox Chan films, it does rank among the better films of the series produced by Monogram Pictures. Most of this is because the mystery itself is more interesting--more of a real mystery than you find in most of the films.As usual, one of the Chan clan is on hand to provide help for their father. Tommy Chan (Benson Fong) actually is a bit more helpful and resourceful than usual. However, the acerbic tongue of Sidney Toler (as Charlie) is as cutting as ever as he makes many amusing comments about the "help" usually provided by Tommy and their driver, Birmingham.This film begins with a man being convicted of robbery and murder. However, the man swears he didn't do it. Charlie is called in my the family to try to sort out how the man's finger prints could be at the crime scene and yet he be an innocent man. While the technology to fake prints isn't apparently possible, how Chan is able to piece it all together is pretty interesting and makes for an excellent plot.By the way, Mantan Moreland and his old stage partner Ben Carter do a couple old comedy routines together throughout the film. They also did a similar scene in another Chan film, SCARLET CLUE. Many might find this and the antics of Moreland throughout the film an offensive Black stereotype in film, though they are pretty entertaining despite their political incorrectness.

NativeTexan Monogram Pictures had a hit-or-miss record with the Chan series, but for fans of the characters and of Sidney Toler, Mantan Moreland and Benson Fong, "Dark Alibi" can make a rainy afternoon more enjoyable. To see Benson Fong in his best role, also watch "Flower Drum Song."