gridoon2018 By this point, the Charlie Chan series seemed to be going on autopilot: neither the director nor the cast (save maybe for Mantan Moreland) were showing much enthusiasm for the proceedings. In "Golden Eye", about half of the "action" takes place inside a mine, which makes the film look even cheaper and more underlit than usual. It's a bargain-basement and sleep-inducing production, and there aren't even any memorable lines for Chan! There is, however, (precisely) one scene that I did like: Wanda McKay grabbing a fake "nun/nurse" from behind and struggling a gun away from her; such initiative from a woman in a 1940s movie is uncommon to see. *1/2 out of 4.

Hitchcoc Instead of taking precautions to aid a man who is in grave danger, Charlie again waits to do anything. He is approached by an old friend who says that someone is trying to kill him. It has something to do with an old gold mine, The Golden Eye, that has begun producing after many lean years. The gang find themselves on a dude ranch where things aren't' as they should be. The old friend supposedly falls down a shaft and is left a broken man, fighting for his life. Once again, there are a couple bodies that need to be dealt with. Charlie pretends to be a jade merchant and exposes his identity to an old detective friend who seems to be aware of the goings on. The problem, as it often is in these poorly done old films, is the slipshod work of everyone as they do nothing to protect those in danger. It was good that this series slowly plodded to an end.

bkoganbing Contrary to what you might originally think The Golden Eye is not an original version of the James Bond classic. It's the name of a played out gold mine which has suddenly sprung to life. But its owner Forrest Taylor is so fearful of his that he goes to San Francisco to seek out Charlie Chan.The writers of the Charlie Chan series were getting terribly uninspired in doing this film. Roland Winters goes to a dude ranch with number 2 son Victor Sen Yung and the comical relief of chauffeur Mantan Moreland along to oversee the investigation. While there they meet Tim Ryan of the San Francisco PD who is doing a nice drunk act as a blind because they eventually find out they're on the same case which involves smuggling.Not much mystery here because just about every other cast member is involved some way in the racket. Evelyn Brent plays a nun, but none too successfully. She gives her disguise away in a truly stupid manner and you didn't need to be Charlie Chan to figure out she was a phony.Definitely not one of the better Charlie Chan features.

MartinHafer This is one of the last of the Monogram series of Charlie Chan films. By 1948, the series had been around for many years--since the late 1920s. Through the decades, Warner Oland and Sidney Toler had made a ton of these fun murder mysteries. By the death Toler in 1946, it was obvious that the series had been gasping for life for several years. However, instead of calling a halt to the films, Monogram plodded along with several more Chan films that starred Roland Winters. Now Winters wasn't too bad--after all, with makeup he was able to look like Chan and his delivery was rather Chan-like (though a bit rapid). However, the wit of the Sidney Toler version was noticeably absent. Another problem is that by 1948, the movies just weren't as interesting and were usually written in such a hasty manner that plot holes abounded--and this one looked rather Swiss cheesy at that! I know this to be so because I have seen all of the Fox Charlie Chan films that are in existence and almost all the Monogram ones--the slide is obvious.Charlie is out west to investigate how a supposedly played out gold mine is suddenly brimming with gold. During the investigation, the man who hired Chan is supposedly hurt and his entire face is wrapped in gauze and doctors won't let anyone in to see him. It's so completely obvious to anyone with half a brain that either this isn't the man or he's being drugged. Oddly, Chan allows this ruse to continue for some time--even though someone's life might be at risk. Even when the nurse/nun who is caring for him reveals she's an idiot and practically knows nothing about medicine, Chan does nothing.In addition to lots of inaction, the film is brimming with dull and awkward performances. About the only one who comes off reasonably well is Tommy Chan--who oddly was re-named Tommy even though he'd been Jimmy in the earlier films and was still played by the same actor (Victor Sen Yung). Even the usual comic relief from Mantan Moreland seems very subdued in this film. There simply is no energy or life to this film and a few really broad performances sink the film further.The bottom line is that there isn't much of a mystery and Chan could easily get to the bottom of it. Instead, the amazingly subdued Chan sits back and lets the film go on for some time until the conclusion. Dull and uninspired.