wes-connors In a small New Zealand (as Illinois) town, future acclaimed filmmaker Bill Condon (as Bryan Morgan) is stabbed in silhouette after his parents leave him home alone. Elsewhere, aging teenager Dan Shor (as Pete Brady) is having trouble persuading "top cop" father Michael Murphy (as John) to sponsor an application to Galesburg College. To raise money, Mr. Shor accompanies pal Marc McClure (as Oliver Myerhoff) to the college's psychology department, where the lads are paid $200 to volunteer for some supposedly harmless experiment. Administered by creepily sexy Fiona Lewis (as Gwen Parkinson), you can bet the experiment has something to do with the film's rising body count... "Strange Behavior" features some of the usual genre missteps, but they're interjected with freshness. The characters are introduced uniquely. Shor shows his cheeks, and Mr. Murphy clips his toenails at the breakfast table. Louise Fletcher (as Barbara Moorehead) is okay, but in a much smaller role than heralded. Best of all is a sixties TV costume party kicked off by Lou Christie's hit single "Lightnin' Strikes" (1966) and ending in what can be described as "Uncle Fester" stabbing "Hoss Cartwright" to death. The Tangerine Dream soundtrack is sweet. Director Michael Laughlin, working with Mr. Condon, nicely mixes fright with fun, and they neatly construct an unexpected plot twist.****** Strange Behavior (10/16/81) Michael Laughlin ~ Dan Shor, Michael Murphy, Fiona Lewis, Louise Fletcher

BA_Harrison Set in the US, but shot in New Zealand by an Australian, Strange Behaviour stars Dan Shor as teenager Pete Brady who unwisely volunteers as a test subject for an experimental drug, in order to raise some much-needed cash. What Pete doesn't know, however, is that the scientist who has developed the treatment is a few sandwiches short of a picnic, and is turning his human lab-rats into knife-wielding assassins.'Strange' is a very fitting word for this early 80s movie, which opts to buck the trends of the day—gratuitous gore and nudity—to deliver a very unique horror experience. Although the basic premise of a mad scientist using human guinea pigs to carry out nefarious acts might be considered fairly routine material for the genre, this film proves to be far removed from other similarly themed fare, and totally unlike the mainstream horrors of the era: there is a small helping of nasty violence in Strange Behaviour, but it is director Michael Laughlin's distinctly offbeat style and the promise of much weirdness that has lead fans of cult/drive-in movies to seek out the film.An impromptu formation dance routine at a 50s themed party, set to the sound of Lou Christie's "Lighting Strikes"; a psycho bitch scientist (played by Fiona Lewis) who is handy with a syringe; a gratuitous toenail clipping scene; Jimmy Olsen from Superman in crap fancy dress; Louise Fletcher NOT playing an evil cow; a creepy kid in a rubber mask and a murderous fat girl: it's all very quirky, and yet, somehow, it works—at least until the lacklustre final act, which fails to keep the levels of lunacy sufficiently high, and which is capped by a very abrupt ending that sorely needs a clever twist or suitably bizarre revelation to round off things in a satisfactory manner.

lastliberal This video nasty, released as "Human Experiments" with 26 seconds cut in 1994, and also known as "Dead Kids" in the US was one of the 74 films banned in Britain.Now, some may be grossed out quickly by Michael Murphy clipping his toenails at the breakfast table, Yech! I assure you there are more hideous things awaiting. It has lots of exciting scenes like the knife in the head, blood and screams, more blood and more screams.What it didn't have, however, was anything that would make this something to ban. Those 26 seconds must have been horrendous.I did enjoy seeing Louise Fletcher in a good role.

innocuous SB is definitely not a reminder of the teen slasher/slasher runs loose at camp/sorority house serial killer films of the 80s. The violence is quite mild (with the possible exception of a certain bathroom scene), there's no mystery about who the killer is or why they're killing, and there's no gratuitous nudity. (In fact, I don't recall any nudity at all.) The plot, which revolves around the ability of mad scientist types to remotely control the behavior of teens and to make them commit murder, is hackneyed and dated even by the standards of the early 80s. The viewer is let in on the plot fairly early in the film. Combined with the low overall body count (and some inexplicable gaps in the storyline,) the film can be both boring and puzzling.Several well-known actors put in obligatory roles, but only Louise Fletcher seems embarrassed by her marginal and insignificant character. Fiona Lewis plays...well, Fiona Lewis. Charles Lane appears in the movie, but we're never sure exactly why. Dan Shor is a somewhat odd and inappropriate choice as the teen lead. He was 25 when the movie was made and while this is not uncommon in casting teens, he is not able to pull it off. Besides being a couple inches shorter than the romantic interest, he walks around like a zombie BEFORE he's zombified and his face makes him look like he's just come off a three-day bender. From the right angle, he'll remind you of William Katt, but with none of Katt's charm or boyish sense of humor.One distinctive touch to this movie is the odd little scene that serves as a coda. The scene does not really serve any purpose...there are no revelations...no suggestions that "the evil" will return...no surprises or shocks...no final resolution of the fate of Fiona Lewis's character. It's just filler stuck on the end.In spite of all the film's flaws, it is fairly well-made and the NZ scenery does stand in well for Illinois. Overall, it's quite competent, just not memorable.Strictly for those who enjoy such movies, as there is little else to recommend it other than the genre.