Maziun Based on one of Christie's weakest books this movie doesn't have much to offer. The updating of the movie to the 80's hurts , not as much as in "Murder in three acts" , but still. I usually don't mind hairstyles and clothes typical for a certain decade ( In few years people will be laughing how we dress now, the fashion changes so quick) , but to see Poirot standing next to a guy looking like an 80's rock star is simply embarrassing. There is serious lack of 50's atmosphere.I can accept Peter Ustinov as Poirot. He doesn't look like him at all and makes him look like a clown on more than few occasions , but overall he does an adequate job. Jonathan Cecil is once again awful as Captain Hastings. He is simply idiotic and unlikable , not like Hugh Fraser in Poirot TV series. Jean Stapleton is OK as Mrs. Oliver , but Zoë Wanamaker was much better in Suchet's TV series. The rest of the cast is mediocre at best or simply awful like Nicolette Sheridan and Tim Piggot-Smith. The whole movie has a bland feel to it. Starting from the production design through music and direction. The whole mystery isn't thrilling , but more rather trite. There is no pacing or structure to it , it just goes from one commercial break to another.The story itself has few very odd details. It takes only about 8 minutes to figure out who kills and that there is something suspicious about certain character. I did read the book first , long time before watching this movie , however I believe that even retarded chimpanzee would notice the not-so-subtle clues that the movie is giving to the viewer. Hastings is simply a pointless character , until the end of movie where he out of the blue appears to have important connections. What's with the Russian and Poirot ? Why inspector Bland allows Mrs.Oliver and Amanda Brewis to join the investigation and they walk with him EVERYWHERE. The way how Poirot comes to his solution of the mystery seems very forced and lucky.Anyone not familiar with Agatha's Christie writing would never pick up one of her books from viewing this film (or the other Ustinov TV movies). I give it 1/10.

Robert J. Maxwell Ustinov, as Poirot, is invited quite casually to a party at a mansion in the country by mystery writer, Jean Stapleton. Nobody ever invites me to a party at a country estate and I've begun to resent it. I'm more handsome than Hercule Poirot, and more charming and witty too, especially when drunk. If you doubt, ask my psychiatrist or any of my ex wives.Peter Ustinov, sadly, looks older and perhaps a bit less vigorous than in his big-screen portrayals like "Death on the Nile" although he was only in his mid-60s. He was an enormously talented man who wrote plays, directed operas, and was chancellor of Durham University from 1992 on. He devoted much of his later years to UNICEF, and not just on ceremonial occasions.Jean Stapleton still looks and sounds like Archie Bunker's wife, but it's largely a comic part and she fits the role. Jonathan Cecil is Captain Hastings. I'm afraid he has the face of one of the seven dwarfs -- I forget which one. Maybe Dopey, if Dopey were caught and stretched while in the embrace of a celestial black hole. It lacks all dignity. You'll see what I mean.There is the usual assembly of guests at the party -- one victim and many suspects. The beautiful but brainless bride of the host is Nicolette Sheridan, who is I gather famous for some reason or other. At any rate, nobody in the movie seems to like her very much. Hubby is the jealous and arrogant Sir George Stubbs, played by Tim Piggot-Smith, whose narrative voice has added euphonious elaborations to several documentary films.One of the sneakier characters in the tale is Jeff Yager as Eddie South, slick, with disgustingly even features,a big yacht, medallions, and a Hollywood hair style with a pompadour up front. It was a disappointment when he didn't turn out to be the killer.Well, actually, there was no single murderer but rather two people who had cooked up an elaborate plot, and there are several red herrings strewn across the path to the solution. Nice photography, though, and scenic location shooting.

mark.waltz If another actor had assumed the role of the great Belgian detective, setting this in the present day may not have been so jarring. But with Peter Ustinov having been seen in two feature films of this already ("Death on the Nile" and "Evil Under the Sun") and one more on the way ("Appointment With Death"), that is really shocking here, especially since the films were very popular, beginning with Albert Finney 12 years before in "Murder on the Orient Express".Taking away the period costumes and exotic places and putting in young men with mullets, trashilly dressed young women and a dotty mystery writer (Jean Stapleton, taking on a similar role that she had turned down for "Murder She Wrote" much to Angela Lansbury's better luck), the missing qualities are all the more obvious. Still present though are the obvious facts of Poirot being in the right place at the right time (unless you are one of the suspects) to overhear plots being hatched or collect various clues, and the result seems very forced. In this case, it surrounds a murder at a British country estate which includes false identities, disguises and even attempted matricide. Veteran actress Constance Cummings is a delight to find in this film, her character of a broke heiress with many secrets the highlight of the film.Even more obvious is the break to the commercials, sometimes returning with another character repeating what another character had just said. That gives this an aura of being rushed into production and ultimately the weakest of Ustinov's Poirot entries.

Elswet This installment of Agatha Christie's adaptations features none other than Jean Stapleton! This is a clever adaptation, directed by Clive Donner (Arthur the King, 1985; A Christmas Carol, 1984; Oliver Twist, 1982; and What's New Pussycat, 1965) with a near-slick production quality (especially for its time!) and a great cast! This one was a tad more difficult to puzzle, but more's the fun when you're talking about an Agatha Christie murder mystery and Peter Ustinov! (Far and away my favorite Poirot.) Nothing silly, not a single moment of wasted film, and a fantastic contribution by each and every one. I highly recommend this one to anyone with a love of mystery.All in all? This is great fodder for the younger teen in assisting in the development of their analytical mind.It rates a 7.6/10 from...the Fiend :.