Hitchcoc Despite some silly religious symbolism, it was fun, as usual, to watch the painful expressions of the great Vincent Price. The poor guy sentences this guy to death. After he is dead, whatever was inside him that made him evil, goes into Price's body. From then on, this thing called the Horla becomes the driving force in Price's life. When he gets this cheesy green glow in his eyes, he becomes murderous. Price tries to find peace in his avocation, sculpture, but the cute little model he hires becomes his obsession. She is already married but Vincent has designs on her. But worse than the nasty mother of the girl is his Horla friend who makes the relationship impossible. Besides, she was indeed a fortune hunter. This is one of those fun 1960's horror films that I enjoyed when I was a kid. One shouldn't take it too seriously or analyze it too much. Just enjoy the story.

utgard14 This one had the makings of a great Vincent Price horror flick but somehow just manages to be 'ok.' I think part of the problem is that it just sort of hovers around the middle the entire time. It never rises above. No great scenes or moments. It's all competently produced and enjoyable but still there's something missing. Perhaps if director Reginald Le Borg's original vision of the Horla as being some distorted evil voice had been allowed it might have added an extra bit of creepiness to it that would have elevated the picture. But the studio didn't like that idea so we got the rather ordinary and underwhelming voice for the Horla instead.Basically it's a nice sort of Jekyll & Hyde movie with nothing exceptional about it except for the beauty of Nancy Kovack. Wow she was a stunner. I enjoyed it though and I would recommend it to all Price fans or classic horror fans, with the understanding that it's a movie with its limitations. Still entertaining though.

Coventry Since he's my favorite actor of all times, I just owe it to myself to track down and watch every single movie, TV-episode, cartoon and narrated documentary the almighty Vincent Price has ever been involved in. This has been going on for several years now, so naturally I have seen the most widely acclaimed and easily available ones numerous times already, and the ones I still occasionally discover are often obscure and practically forgotten for a reason. "Diary of a Madman", for example, certainly isn't a highlight in Price's career and understandably got pushed to the background when it came out in between much bigger crowd-pleasers like "The Raven", "The Haunted Palace", "Last Man on Earth" and "The Masque of Red Death". But seriously, even a mediocre Vincent Price film is still very much worth checking out, and "Diary of a Madman" is actually quite underrated and very entertaining. Simon Cordier has always been known as wealthy and highly respected magistrate, but nevertheless he was an emotionally tormented soul ever since he lost his first wife and child. The movie opens with Cordier's funeral service and a bizarrely horrific confession through his carefully updated diary. Whilst visiting a condemned man in jail, Cordier "inherits" his possession with an evil spirit called "The Horla". The next few days, Simon Cordier undergoes a mental metamorphosis and become restless and aggressive. He decides to take up his old hobby of sculpting again, and by doing so he meets and falls in love with a beautiful model named Odette. But The Horla homing inside Cordier is stronger and forces him to murder the girl and even abuse his magistrate position to have her ex-husband charged for it. Perhaps the main reason why "Diary of a Madman" isn't that great or memorable – not to me, at least – lies with the type of evil good old Vincent struggles with here. "The Horla", spawn from the mind of French novelist Guy De Maupassant, is sort of like a variant on "Dr. Jekyll and Mr. Hyde" without the physical transformations. The evil spirit talks aloud (and way too much) to his host and behaves itself quite pompous and superior. Whenever Simon Cordier feels its presence, his eyes are covered in flashy green light and the widows blow open. But even worse than its attitude is the fact that the Horla doesn't specifically wants or needs anything. It gains absolutely nothing from possessing Cordier and even less from murdering the poor girl. Fans of obscure and almost- forgotten 60's horror will surely still enjoy "Diary of a Madman" is spite some of the defaults. The dialogs, choreography, camera-work and acting performances are splendid. Reginald Le Borg's direction is a bit absent occasionally. The murder sequence is quite gruesome and sadist for its time and the scenario touches some fairly progressive themes, like adultery.

MarieGabrielle The dissociation of a madman, this film is great fun and terror from Vincent Price, mater of the horror genre of 1960-1970's.In this film as Judge Simon Corday, he is a judge who has recently witnessed the public hanging of a heinous murderer. Somehow the evil spirit enters his mind, and controls his evil side.He also has the vocation of painting portraits of beautiful women, (the lovely Debra Kovacs one of them). Of course after their interlude, the evil spirit of the "horla" takes over and causes much evil.The sets of 18th century Paris and costumes are lovely, and this is a small gem worth renting for Halloween. Price always delivers, never fails to disappoint. 8/10.