the_diceman Jet Li is a writer of pulpy Adventure novels with his alter ego acting as the main hero, while in real life he's trying to solve some serious relationship-issues with his girlfriend. Naturally the Adventure part taking place in a fictional scenario (and thankfully using up most of the movie's screen time) is the more entertaining one of those two story lines. Unfortunately plot-twists gradually become more random and ridiculous, so atmospheric visuals and fight-scenes remain as the only redeeming factor. Action focuses on effect and not so much on realism, Jet Li battling a Ninja-Squad is a blast, though. The "Indiana Jones"-feel is there, but without the suspense or energy. SFX are looking good and carry a certain trashy charm to them, while events in the real world stick to being a rather dull affair. Some good jokes here and there, but in the end there's nothing really to remember. Subtitles on the HK-DVD are of worst kind imaginably, they make no sense at all.

winner55 Thomas Weissman, who wrote a supposedly major text on Asian cinema (which unfortunately probably blocked publication of better texts for some time) pee-ed off a lot of fans of Hong Kong cinema. One of the reasons is that he knows dam' well the difference between a good movie and a good "genre" film, but, instead of developing this difference critically, he prefers to smudge it, and thus frequently leaves readers with misconceptions.Weissman's review of this film promised a real avant-garde transgression of time and space, of pulp and serious narrative. I'm afraid that's not what's happening here.For one thing, we get no closer to any of this characters than we do in any other Hong Kong genre film. That's important; to make real transgressions of time, space, genre, etc., we need to see what's going on from a particular point of view. (If one doesn't care for "The Singing Detective" - and I don't - then refer to "Slaughterhouse Five".) Since this is really an "action-comedy". it can't do that. Instead, it scrambles its plot around from several different points of view; but the heart of the narrative remains action, not 'perspective'.Well, is it a good action comedy? yeah, I enjoyed it, I'll probably watch it again. IS it the super-duper-transgressive New-wave make or break film that Weissman and a few others have touted it as? Nope. For that see Wong Kar Wai's "Ashes of Time".But not every film has to be really really serious or 'great'. This is a fun film, with some weird displacements of time and space, just to make it interesting. Enjoy it as such.

laadolf Dr. Wai and the Scripture With No Words is a rousing adventure tale set in the middle part of the 20th century. Dr. Wai, known as the King of Adventurers, is a writer and archaeologist in the mold of Indiana Jones, and a renowned finder of missing artifacts.He is also the alter-ego of his creator, Chow Si-Kit, played by Jet Li. Chow Si-Kit is a beleaguered writer of serialized adventure tales whose own life is in a tailspin. His wife, Monica (Rosamund Kwan) wants a separation and is going to great lengths to insure the break with her husband up to and including engaging in the equivalent of phone sex with her husband's employer in Si-Kit's presence. Later, at a dinner requested by Monica to discuss divorce, a famous movie star--another apparent romantic swain of Monica's-- barges in, lawyer in tow, offering the barrister's services for the divorce.His rotten home-life is intruding upon Si-kit's work. He is suffering from writers block and cannot seem to move the adventures of Dr. Wai forward--risking his livelihood.Fortunately, Chow Si-Kit has friends in the publishing house where he works. Shing (Takeshi Kaneshiro) is an eager young writer who befriends Si-Kit and tries his best to support him in his marital troubles and help break his writer's block. When that effort is unsuccessful, he enlists the aid of Yvonne, a pretty young colleague, and together they begin to ghost write the adventure of Dr. Wai and the Scripture With No Words. Shing is represented in the tale by an alter-ego--also named Shing who is sidekick and disciple to Dr. Wai The Scripture is actually a two fold artifact which has, in the course of time been sundered into its components. The first is a seemingly ordinary wooden box, with an inscribed lid--which can kill and maim the unsuspecting who open it. The second is a scripture scroll which, when joined with the box creates an oracle which can tell the future. Many nefarious and greedy types are looking for the two artifacts for their own ends. Dr Wai has more than one occasion to engage the villains in martial arts battle, providing a showcase for Jet Li's impressive physical prowess.Shing and Yvonne, who are engaged in a budding romance of their own, soon steer the serial into the area of romance, even while Chow Si-Kit is being ever more plagued by his personal life.The plot of the film within the film lurches forward in a somewhat non-linear way as a "novel by committee" is wrested to and fro between its authors. Ultimately the lines between reality and fiction become less distinct, as a convalescing Monica begins to see her husband in a new light. Coming into his room and finding him asleep and his friends gone, she makes contributions to the novel herself.The dual plots wind down, one to a bittersweet end, the other more hopeful.Jet Li is very appealing in the dual roles of Chow Si-Kit and Dr. Wai "King of Adventurers". Where Chow Si-Kit is a bit of a bumbler and a man victimized by life, Dr. Wai is capable and fearless in his pursuit of his objective. Takeshi Kaneshiro shines as the two Shings, both stalwart and steadfast in their support of their friends.Rosamund Kwan is the perfect ice princess as Monica, and her alter ego, Cammy. Charlie Yeung is excellent as Yvonne and the editor's assistant who is instrumental in bringing the two aspects of the Scripture With No Words together.=

YTSL This movie has an interesting premise (the depiction of and flip-flopping between a writer's fictional life as The King of Adventurers and his "real", problem-ridden -- he is in the middle of a huge writer's block precipitated by marital problems -- life). Although there may appear to be echoes of and borrowings from such American movies as "Romancing the Stone" and "Raiders of the Lost Ark", it turns out to have characteristically Hong Kong elements ("wire fu" fights, cross-dressing, etc. -- all featuring the hero, as played by Jet Li; action -- in one case, whip-wielding -- women) as well as its own attractions (I particularly like the idea of the pen as a real as well as metaphorical weapon). All this having been said, it still seems to lack the extremes of and thus seem surprisingly tame compared to many another Hong Kong movie...which may explain why it is not a particular favorite of many Hong Kong movie fans. On the other hand, for those (relatively) unused to the pace, gore and quick mood changes of so many movies from that part of the world, this would be recommended as a movie which showcases the imagination of Hong Kong movie makers and the ability -- in terms of quality but also range of possibility -- of its actors and actresses.