higherall7 This is one of the most satisfying resolutions to a trilogy I have ever seen. Makes me recall the ending to THE WONDERFUL COUNTRY starring Bob Mitchum, where when you came to the ending you KNEW it was over. When the hero of the piece appeals for education over reward for martial prowess you have something special on your hands. The ending of ONCE UPON A TIME IN CHINA III will stay with me for a long time.The thing that stands out for me is the characters this time. I really don't want to say too much as that would spoil all the fun. The Dowager Empress reminds me of my INTRODUCTION TO THE NOVEL teacher Miss Gomez and my Cub Scout Den Mother Mrs. Dubose. I loved all the colors of the costumes and the masks. At times it was almost a comment on the spectacular martial arts fights and stunts, making them at times seem childish and cartoonish. The characters are every one of them painted with a broad brush, but it was exhilarating to see that Tsui Hark was relying very thoroughly on Chinese theatrical traditions and not going out of his way to cater to Western tastes and appetites. A great judgment call in my estimation because you really come to feel warmly for all the characters as though you've finally come to know them at the end.I must say Rosamund Kwan comes across as more beautiful and glamorous in this third installment than ever before, and very nearly steals the show. Unlike a 'Bond Girl' whom we know will only be eye candy and 007's sexual conquest for a single adventure, we are now seeing Aunt 13 for the third time and the sense of chemistry and monogamy between her and Wong Fei-Hung is stronger than ever. I cannot easily remember where I have seen romantic character development across three movies like this.Love the chaos of the climatic scene at the Lion Dance competition! It seems so intricate that you just know some parts of it required improvisation to tie up inevitable loose ends. It is wild and woolly, and filled with all kinds of color in motion; like a circus parade unraveling itself. You truly have no idea what is going to happen next or what direction it will be coming from, and you also have a sneaking suspicion that some of the actors feel this way as well, as they are just trying this out that way and then trying that out this way through the various takes. The choreography of this feels like something that would defy even Hitchcock's attempts at story-boarding although I cannot vouch for how true that might be. But that wordless comment '-what the hell is going on???!!-' definitely comes to mind to this viewer with thrilling, giddy glee. This seems so suggestive of the internal social and political turmoil that Chinese society must have been experiencing at this time.Leave it to our hero Wong Fei-Hung to make sense out of all this somehow and bring order to this seemingly inexhaustible bedlam and melee. That he does indeed seem to do so and even gives the moral of the story to the audience in a way that is far from cheesy with nary a hair out of place in his Confucian reserve is a delight to behold. He marches away with polite indignation and we are called to stand in our hearts to a hero's anthem that exhorts us to improve ourselves every day.Here at the end, you feel this is what Wong Fei-Hung means to the Chinese people. This is their culture hero who will always exhort them to educate themselves to be better than they are.May I be excused?

BA_Harrison The Empress of China decides to hold a Lion King competition as a show of strength to foreigners; rather than uniting her people, the impending event causes fights to break out between rival martial arts schools across the country. Out to ensure that as many potential winners are quashed before the contest even takes place, the nasty Chiu Tim-ba and his men attack the other competitors, including the father of the legendary Wong Fei Hung.Wong (Jet Li) steps in to protect his old man, gets in a few scraps, and eventually becomes involved in foiling an assassination attempt on a high ranking governor, whilst at the same time trying to make sure that the ex-boyfriend of his sweetheart stays his distance.As a big fan of Jet Li, I really have tried my utmost to enjoy the OUATIC movies, but, even with the incredible cinematography, lavish sets and costumes, powerful score, and welcome appearances from industry greats such as Yuen Baio and Donnie Yen, the series has left me rather unimpressed.And Part 3 does nothing to change that.This chapter moves the action from Canton to Beijing, but almost everything else stays the same. We get more xenophobia, more silly wire-work enhanced fight scenes, more playful romance between Wong and his girl (the gorgeous Rosamund Kwan), more lame comedy, and not enough memorable martial arts action from Li. And this time round we also get lion dances. Lots and lots of lion dances.If the sight of men dancing and leaping about in brightly coloured lion costumes doesn't sound like fun to you, then I strongly suggest you do not watch this film (lion dance fetishists, however, will have a field day!).I had always found the traditional Chinese lion dance rather interesting to watch, but this film has dampened my enthusiasm for them more than just a tad. OUATIC 3 starts with lion dances, has a few lion dances throughout, and end with lots of... you guessed it.... lion dances!!! Sure, some of the lions have booby trapped mouths which fire arrows, and another has blades attached to it, and there's a humongous lion at the end to spice things up, but there's only so much wiggling of lion bodies, jiggling of lion heads, snapping of lion mouths and fluttering of big lion eyes that I can take.In fact, only the presence of the delightful Miss Kwan as Aunt (or is it cousin?) Yee kept me sane. Once again, she is a joy to behold and makes the whole lion-infested film worth enduring.5.5/10, rounded up to 6 for IMDb.

drngor In order to unite the people of China and strengthen their spirit, the Qing government decides to hold a lion dance competition to promote the study of kung fu. This only leads to violence and conflict. Wong Fei Hung, who is visiting Beijing, sees this and is disgusted by the way it's being handled. However, his efforts to get through to the government are futile. He finds himself having to join the competition when he discovers a plot by the Russians to assassinate President Li Hung Chang.This was the first movie in the OUATIC series that I saw. I was actually quite disappointed when I first saw it. I thought the fighting lacked intensity and the end seemed anti-climatic. It's not that the choreography is bad. Jet looks fit and is in great fighting shape for the film. However, there are no good one-on-one battles for him. His duel with Xiong Xin Xin in the street is short and disappointing, as is the finale against the head of the oil factory. The lion dance scenes are cool.The story on the other hand, is really good. It has just the right amount of romance, humor, and historical background to sustain itself between the fight scenes. This would be the last of the truly historically relevant entries of the series, as the following films were either over-the-top or would not even focus on historical matters.Overall, this is good watching. This is not one of Jet's greatest performances fighting-wise. The story makes up for it. Oh, and let me add that Rosamund Kwan is cuter than ever in this movie.

Anonymoo-2 Jet Li's "acting" series whips around for a third time in this somewhat disappointing movie. I say "disappointing" because all his previous movies were more about the fighting and less about character development and goofy love triangles. Not that character development is a bad thing, I just feel that it doesn't have much place in a kung-fu film, and ESPECIALLY a Tsui Hark film. While break-dancer Club Foot does some incredible kicks, his character really drops low in the last half hour of the movie, and you wonder why the directors make him do what he does. Jet Li does some incredible fighting as the famous Wong Fei-Hung, but I was truly hoping that Tianbao from "Tai Ji Zhang San Feng" would come in and start a GOOD fight amidst all this lion-dancing crap. C'mon, I wanna see poles, swords, three-part staffs, and nunchaku, not these cumbersome lion masks!