cortezthekill50 This review is for the extended cut of this movie.I first watched Dragon Lord when I bought it on DVD many years ago. I always liked this movie and you can read some of the more positive reviews of it to get the general idea.That being said. I've always found the storyline a bit confusing. The movie is, after all, a love story. And it always seemed strange to me that a love story should end with a 20 minute fight scene.Well, in the extended version this is no longer so. The old "original" version begins off with a huge barrel-climb/rugby-like sequence which is the new ending sequence in the extended version. The opening sequence is Dragon(Jackie Chan) hanging around his house and pretending to be training and reciting whenever his father is around.Other sequenced have also been shift or prolonged in the extended cut and the story makes a lot more sense when you watch it. The pacing is also better and overall it just works better. It feels more like a love story and doesn't leave you asking questions about why it ends so drastically and dramatically as the regular version does.I suggest everyone who is a Hong-Kong cinema, or just plain Jackie Chan fanatic to get a hold of the extended version and watch the movie the way it was originally intended.(Or at least that's how I think it was intended. Why else would they make it and rearrange some of the scenes) When I was done watching it, I felt like I had watched a completely new Jackie Chan movie although most of the sequences were the same.

bob the moo His father wishes that Young Dragon would be a great student and attend to his classes, but Dragon himself is full of youth and is just as interested in fighting and chasing girls. Full of arrogance and confident in his own knowledge, Dragon continues down this path until he finds that he has stumbled onto a plot to steal Chinese artefacts.Everyone has said it before me but I will add my voice to those here that believe, for the vast majority, this is a very poor Jackie Chan film which sort of redeems itself towards the end. This surprised me because I have been watching a few early Chan movies recently and, for all their faults boring is never a word that I have had occasion to use – until now. It is probably because the plot is so weak for the entire film – even by the standards set by martial arts films of the period. For the first two-thirds of the film what we get is light comedy and some sports action involving a game where you chase an egg and also a cross between football and badminton. These are interesting ideas I'm sure but they do not come off in practice, with even the impressive moves in these sequences being lost in a sea of banality. The usual bed of comedy that can normally be relied upon in Chan films is also much weaker than normal, with basic pratfalls and little in the way of witty dialogue.A lot of this comes from the writing but reaction shots are also weak – not down to the cast being unable to deliver but rather Chan the director not catching them. It is hard to describe but, if you wrote a list of the things that normally work in a Jackie Chan film – pretty much none of those come off here. Fortunately we do have a very strong final twenty minutes and I credit any roundly positive review with only having remembered this part of the film. It is here that finally we get a decent fight scene and it turns out to be a really good one where everything fires on all cylinders. Firstly it is shot really well and I mention that first because of the barn location making it difficult to get a good shot, but here we get good use of angles and long static shots to show that the action was not created in the edit room but on the set. It is also tough and really well choreographed with plenty of impressive and engaging moves all well pulled together. It is literally the reward for making it through the previous 70-odd minutes to get to this sequence.So Dragon Lord as a total product deserves to be remembered as pretty poor film. The plot is weak, the comedy basic and the total delivery leaves much to be desired. Thanks goodness then for the final fight that does wash the taste out of your mouth by how much fun it all is in a generally excellent final 20 minutes that makes you wonder where this Chan was for the rest of it.

Andrei Pavlov The movie is great: funny, crazy, violent (though with minimum gore), and all the way energetic to the core. Enjoyed every single bit of it. No computer effects, no extensive use of wires - just a solid good old kung fu flick that shows how physically apt a man can be. The final brawl deserves praise. And the "Chinese football" play at the beginning of the movie is completely nuts with dozens of actors doing insane dangerous tricks. And it is just a little Hong Kong cinema made for fun, not pretending to be "Star Wars".Having a DVD with English soundtrack is not a problem with this movie. It does not spoil the atmosphere to me.Can't help mentioning a very neat theatrical play. Some of you, suppose, won't like it. As to me - it's amazing. Have a look at the Dragon's friend who is talking in a brave manner to the criminals and all of a sudden gets a fist punch in his left side of the head. His face expression changes into something whimsical and he comes up to Dragon with a baby expression. And take a look at the menacing size of his mouth - it's nearly from one ear to the other long when he makes grimaces.This movie deserves a higher rating and a thousand comments from people all over the world. If you want to see Jackie Chan in full blossom and flourish - do not miss this little known treasure.A total 10 out of 10 - a legendary movie in its genre and a good piece of family entertainment with substance (do not rob your own country) and style (just have a look at the final battle). Thank you for attention.

winner55 This film has to be viewed in the right frame of mind. First, the central father-son relationship makes it pretty clear that the film was intended as a prequel to his Wong Fei Hung film "Drunken Master" (ideas from this film recur in "Drunken Master II), and not "Young Master"; that Chan backed away from this plan and renamed the characters indicates that he himself was not convinced the material was coming together properly; and, indeed, the film conveys a sense of being incomplete; for instance, the romantic relationship around which half the plot turns is left utterly hanging at the end of the film. "Young Master", from the same period, also feels underdone, but at least all its central threads are tied together at the end. This film feels as though Chan wrestled with the plot and characters trying to find his central theme, only to abandon the effort, possibly due to time and budget.Or perhaps the film is simply over-ambitious. This is an important turning point film in Chan's career, because he commits himself to development of the central character above all other concerns - which is why there's such a lack of kung fu throughout the film. Chan wants to make an historical romantic comedy that just happens to have kung fu in it. But both the historical element and the romantic element come across as little more than plot-twists.That leaves us with the comedy. Since Chan's concern is character-development, the comedy is largely character driven - as in the conflict between Chan's character and his best friend, an argument over a girl. But there's plenty of slapstick as well. Frankly, I find the comedy amusing enough to forgive the incompleteness of the plot.This film represents an effort on Chan's part to find a viable formula that he can use and develop over time. It doesn't quite work, and Chan would only find that formula after abandoning the historical elements of his earlier films, with the making of the contemporary action comedy "Police Story". But going back to view this film is still very informative as to how Chan worked his way through the historical genre, and perhaps why he abandoned it.