hellraiser7 Dreams have always fascinated me because their always carry such a mystery, to how surreal they are as well as what content they hold; sometimes they mean something and sometimes nothing. This film is an under the radar 80's gem that I really enjoyed, because you never quite seen a film like it there really aren't that many that tackle the subject matter on dreams let alone really that many psychic suspense thrillers; this film was one of the first and one of the best examples in my book anyway. The plot is solid if not entirely unique, it's the typical conspiracy against the president plot that I've seen in dozens of suspense thrillers, but here their using the dream realm which I felt was a different spin on this plot and helps make it slightly interesting. The music in the film is good there are a few memorable tracks. The characters are solid, I like the protagonist Alex Gardner (Dennis Quaid) he's an expert psychic but a rookie in entering dreams. He's slightly arrogant but in a good way, has a little charisma, he's a bit sympathetic because he feels responsible for not saving his father despite the fact he only got the vision when he was a child, but he's willing to take the psychic hero gig whether he wants to or not because there's no one else. Kate Capshaw was good as Jane DeVries she was a good number two for Alex, whom is smart, slightly useful, can hold her own against danger. Both have decent chemistry together both platonic and romantic wise.And the antagonists I thought were good opponents. Christopher Plumber was decent, I don't have much to say for him since he's kinda a typical two dimensional head villain. But it's really David Patrick Kelly that stands out for the main villain, he has played villains before I thought was once again a good villain. He's basically an butt head psycho psychic for hire whom surprising turns out to be intimidating due to how well he utilizes the dream world, let alone a more experienced psychic which unfortunately gives him a slight advantage over Alex. He's also kinda funny from some of the charisma he delivers.But really were in this film for the Dreamscape sequences which are the highlight of the film and they don't disappoint, there something you just have to see to believe. It's true that there have been some TV episodes and movies that have utilizes dream sequences, but these dream sequences in this film still stand out because of how unique they are and how elaborate in detail and atmosphere.I really like how it's shot and certain effects and set pieces which successfully created a surreal landscape, and it felt accurate because that's basically what most of our dreams are they never really look or behave like our contemporary reality because anything could happen and does. Alex's reactions to them help because were in the same boat as him in the sequences, the Dreamscape is trippy, fascinating and even a little scary. One of the things that stand out no doubt is the Snake Man, I still think is a memorable monster. I really like the design of it, it sort of looks like Cobra Ka from "He-Man". The way it just behaves and looks is creepy, and personally I find snakes at times creepy anyway.My favorite Dreamscape was in the final conflict, I just really like the post apocalyptic setting, but also just the back and forth in the physical (or psychic) confrontation between Alex and Tommy. I just like how Tommy is just throwing different things against Alex, like having a ninja uniform and using nunchkus; as well as other things I don't want to give away.It's true this films journey isn't without it's bumps. Certain scenes where Alex isn't in the Dreamscape weren't that interesting and useless, like the gambling scene. One dream scape journey to a divorced couple was out of place and look like something out of a bad soap. And certain effects don't quite hold up.But there are all minor problems due to the just the pacing of the film and the pulp fun tone to it, so I can get past these things.Overall it's a solid film that deserves a look. In the world of dreams anything can happen.Rating: 3 stars

Tss5078 I really wish that I had seen this film, before I saw Inception. Of course you can't compare the graphics or special effects, in fact, the effects in Dreamscape are laughable by today's standards, but this was really the first movie to explore entering someones dreams. The story is wonderfully creative with unlimited possibilities, but at the time it was made, you couldn't rely on the special effects to make the movie, the way some films today do. What Dreamscape really needed was a young charismatic star to put the film over the top, and they found him in Dennis Quaid. The difference in his personality and the types of roles he chooses to take have done a complete turnaround over the last thirty years. The Dennis Quaid of today is a strong, emotionless character, who is determined to do whatever he sets his mind to. In Dreamscape he's funny, ambitious, and absolutely adds character to a story that could have gone either way. What the film loses in predictability and the sometimes slow pace, is more than made up for with Quaid's standout performance. I'd always heard good things about Dreamscape and how it was the inspiration for Inception, but it's a thirty year old film with outdated effects and some really cheesy stuff, I really didn't expect it to be as good it as it was.

moonspinner55 Dennis Quaid, self-confidently impudent and smirking, plays a young psychic who is enlisted by scientists to telepathically link his mind with a series of patients who are suffering troubled dream states, sending him down the very same wormhole as the dreamer; this is merely training, however, as a very important subject--no less than the President of the United States himself!--is in need of some dream therapy, though there may be a saboteur or two in the mix. Predictably written and directed fantasy, with several cardboard supporting characters adding little to the mix and a production which fails to live up to expectations. The villains are exposed too early on, and there's no mystery or wonder in the dream sequences. Still, Quaid is a surprise; moving easily through this unconvincing scenario (which should be over-the-top but never gets up enough energy to bring itself there), the actor slips around corners and into forbidden rooms like a teen detective from a comic book. Quaid holds his own with acting stalwarts such as Max Von Sydow and Christopher Plummer, and emerges as a happily-horny hero who's not above a little dirty pool. ** from ****

Scarecrow-88 I've always been fond of movies whose topic is about dreams because it provides room for filmmakers to be unpredictable, imaginative, and inventive, both visually and thematically. While Joseph Ruben's Dreamscape carries the oft-used plot of a shadowy government conspiracy regarding a dangerous bureaucrat with powerful ties whose plan is to kill the President of the United States because of fears that he'll weaken our country due to his desires to start nuclear disarmament talks, I thought the movie's bread and butter is the many dream sequences where we go inside the night terrors which plague certain human subjects.Achieving the power to enter the dreams of troubled people who have become so deeply affected they aren't able to function normally in society or in life in general, Dr. Paul Novotny(Max Von Sydow)recruits powerful telepaths to work in his "dream chamber" in an attempt to help those in need of rescue. Alex Gardner(Dennis Quaid) is such a telepath, incredibly gifted and intelligent, but lacks the motivation or care to use them towards the greater good. Reluctantly committing to Novotny's experiments, Gardner finds that helping others recover from the nightmares that haunt them is an exciting, wonderful ability which he gradually embraces and finds rewarding. Meanwhile Bob Blair(Christopher Plummer), responsible for funding Novotny's project, prepares to murder the President(Eddie Albert), believing he's weakening our country due to how he's allowed his nightmares to affect his conduct as the nation's leader. Blair intends to use a psychopathic telepath, Tommy Ray Glatman(David Patrick Kelly in one of his customary smarmy creep roles)to kill the President inside his dream. It'll be up to Alex, and Jane(Kate Capshaw), Novotny's assistant, to stop Blair or else risk equipping a tool of destruction into the hands of dangerous people willing to exploit it's power. A horror novelist, Charlie(George Wendt)risks his life getting vital information to Alex, motivating his cause to upend Blair and his nefarious schemes.I personally found the whole political intrigue rather ho-hum, really enjoying the angle of the ability to enter the dreams to help those in need instead. Alex uses the term "cerebral voyeurs" as their title which I thought was an apt description of us, the viewers, as well. I particularly found the journeys into the nightmares of a little boy tormented by a killer snake man, and the President's nuclear holocaust where the world represents destruction and ruin(..with diseased and dead asking why they were victimized)rather harrowing and thrilling. This, I felt, was where the movie really hums. The sub-plot, however, allows the horrifying idea of how such abilities can be used negatively in the wrong hands, where, initially, the project was for the betterment of the human race. Plummer is the perfect choice to portray a governmental sociopath in a suit and tie, more than willing to kill whoever in order to see that America remains the way he thinks it ought to be. Eddie Albert, albeit a small role, has a pivotal part as the President, particularly when he and Alex are protecting themselves against Tommy, who has become a major threat since being given a place to practice his homicidal tendencies. Quaid is a young hunk, with a charming smile, and has a likable air about him, despite his cocky reckless behavior, with the on-going crisis asking him to grow up and get serious about the developing situation. Capshaw, in a rather thankless role, has the part of attractive love-interest who helps Alex in their mission to stop Blair(..her train car fantasy with Quaid gets quite steamy, interrupted before they get busy). Max von Sydow is the disappointed scientist who thought his work offered the world a benefit, saddened that Blair had other plans for the dream project, with designs on using it to kill instead of heal.When Alex enters the dreams of subjects, we witness a path through a type of multi-colored wormhole. Most of the dreams are shot using soft focus light, with Ruben often incorporating odd angles, creating a disorienting atmosphere that projects a unique universe for which Alex operates within the subjects he wishes to help. The conclusion is nice and tidy, rather predictable, those with malevolent intentions getting their just desserts.You can really see why Quaid became a star, with his looks and talent on display.