Eat Locals

2017 "Guess Who's Coming To Dinner?"
5.4| 1h33m| en| More Info
Released: 06 April 2017 Released
Producted By: Evolution Pictures
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

In a quiet countryside farmhouse, Britain's vampires gather for their once-every-fifty-years meeting. Others will be joining them too; Sebastian Crockett, an unwitting Essex boy who thinks he's on a promise with sexy cougar Vanessa; and a detachment of Special Forces vampire killers who have bitten off more than they can chew. This is certainly going to be a night to remember... and for some of them it will be their last.

... View More
Stream Online

Stream with Prime Video

Director

Producted By

Evolution Pictures

Trailers & Images

Reviews

rogue-trooper1 I dont get the negative reviews and low scores from some people. Maybe they just don't get the British sense of humour. I saw the cast list and just had to give this film a go. And I'm so glad I did. Anyway..great cast..funny script...superb first time directing from Jason Flemyng. I'm hoping for a sequel.
Stephen Abell Oh, dear, I had some big hopes for this flick. For starters, it's written by Danny King, who was responsible for the witty Wild Bill (worth a watch) and directed by Jason Flemyng, who I've admired as an actor since his chilling lead role in George Romero's Bruiser. I thought that if somebody could add a new take on the vampyre mythos then these could be the two to do it... I have to admit they did try... but failed miserably.So what's so bad? It's full of great actors? It's the entire concept which bothered me. Vampire Overlords gathering together at a local farmhouse to discuss territory and quotas... so much for all-powerful beings who need to be feared. These are the most boring undead I've ever witnessed. It wouldn't have been too bad but both King and Flemyng spend too much time on this opening scene and idea. Even when things could have raised the action up a notch, like finding out one of them was taking more than their share, it's handled in a dull and tiresome way.Then when the army arrives, under the command of the church, I began to get my hopes up. Though Flemyng does a wonderful job of filming, adding interesting camera shots and angles - he's even pretty good with the action and fight scenes, he's not too good at creating atmosphere and this only adds to the sense of tedium. When the action finally heats up we are given a new vision of vampires. Not as all-powerful but as quite weak and powerless individuals. If you're wanting gore then there's very little in the film. In fact, the most blood in this film is in the farmer's fridge... along with loads of body parts... Sounds interesting, doesn't it(?) However, the farmer is just another wasted opportunity.Another thing that's wasted is the opportunities for comedy. The scene where Alice (Crosbie) wobbles out on a zimmer frame to take on the soldiers offers a lot of possibilities for both verbal and sight gags. However, what we get is a week killing and a cut away to another scene, only to later return to find Alice has been slain.And this is another letdown of the film. There are too many cut-aways. I don't mind when a director uses this as a way to cut down on gore. When handled correctly this style of filmmaking forces the audience to use their imagination, which usually is better than the filmmaker can provide. However, Flemyng doesn't just cut at gore and this gives the film a disjointed feel. The above scene, I mentioned, left me feeling unsatisfied.It's the actors that add the power and interest to the film. Even though their characters are lacking in appeal and are two-dimensional in structure they do breath a spark into them. It's just a shame that we don't get more of the Farmer, Mr Thatcher as I think Fletcher does a brilliant job with him. Eve Myles tries to Vamp it up as Vanessa but doesn't quite come across sexy enough - close though. Then you have the likes of Tony Curran as Boniface, Mackenzie Cook as Larousse, and Annette Crosbie as Alice... all of which are underused.So what we have is a nicely directed and well acted mostly dull and boring story. The entire thing would do well with a complete overhaul. The idea is strong and sound it just needed handling better, especially with the horror and comedic elements.I wouldn't recommend this to anyone who likes vampires or horror movies to rush out and grab a copy. Wait for it to come onto telly... and then, only if there's nothing else worth watching.
robbieskillicorn-312-616986 This film doesn't take itself to seriously and that's what we enjoyed about it. Pity some of the reviewers on here take themselves so seriously. Funny film with some cracking one liners. Annette Crosbie as a machine gun toting granny is a must see. If your anal about your films then don't watch it but if you like a laugh definitely give it a go.
Alex Heaton (azanti0029) Once every few years, a secret coven of modern-day vampires meets to discuss the quotas and divisions of feeding territories in the United Kingdom. Gathering at a remote farm, this time they're joined by a potential new recruit/light snack in the form of Seb (Billy Cook, a new talent to look out for) Unknown to them they have been tracked by the team of Larousse (Mackenzie Crook) and Bingham (Robert Portal) but trapping Vampires is not easy, even with an army and soon its a battle of wits to see who is still standing by sun- up.Eat Local had a cracking script from the beginning but sadly director Jason Flemyng, probably the hardest working actor in the UK, had to get the money from Johnathon Sothcott to shoot it - So the budget was clearly nowhere what it should have been. With such restrictions, the film struggles to hit its notes at times and occasionally the plot becomes lost. That aside Flemyng has assembled an impressive cast from Charlie Cox, Vincent Reagen, Freema Agyeman, Tony Curran, Annette Crosbie and Eve Myles who all perform terrifically on the side of the Vampires, while cameos from Nick Moran, Nicolas Rowe, Dexter Fletcher, Elly Fairman and Johnny Palmerio fill out the rest of the cast, often with very funny one-liners. A less respected person in the industry would not have been able to assemble anywhere near as much talent on screen. In the hands of anyone else such an ambitious project probably would have fallen foul of really poor casting and direction by Flemyng brings the elements together as well as can be expected and raises the bar considerably above anything else with Sothcott's name in the credits. The action in the film is well handled within the restrictive budget and comedy turns by Dexter Fletcher add much fun to the mix with his deadpan dialogue. Jason gives a nod to 12 Angry Men in his framing of the opening scene as the members of the Coven arrive and there are various other shots giving a wink to numerous other movies including The Great Escape. The score for the film is found a little wanting at times. Despite all this not everything works in the film as well it should have but films are rarely if ever, made with the budget or generous shooting schedule that one would like to have. This film, however, is nowhere near as bad as some other reviewers have suggested. The cast give it their all and are clearly having a good time. It won't be everyone's cup of tea, but if you liked the movie Tremors and other similar B-Movie Comedy Horror then this should be right up your street.