carlesmiquel One feat may be this film was shot in a five-year period of time. Boyhood in twelve. No problem. But a great deal, anyway. The thing is the story. Always the story. Here, Winterbottom takes us in the lives of people who have to do what they have to do, every day. And it's exactly that every day life which gives meaning to any life. The kids (I imagine all of them siblings in real life) are just themselves all the time. No hidden tricks, no acting. They are the glue of everything here. And yes, they deliver what any kid their age would do in life: living as a kid. It has the feel of a documentary. The hand held camera is a clear sign of this, as is also the camera in the car, the perfectly captured whispers... as if we were intruding in their every day lives.The beauty of the story is the chiaroscuro of its scenes and of its pace. Quiet and bucolic at times, raucous and city-driven in other moments. I applaud the way this film was made and all the people involved in making it happen. Beautiful.

[email protected] The film appears to have been shot in Lincolnshire and Norfolk, much in the Stamford area, and focuses on one family over five years, as they wait for the father to be released from prison. This is not one of those depressing 'true life' stories, but is a non-judgemental documentary style piece about a family living with an edge of expectation of what's round the corner, with real life pending for the moment. The film benefits from being shot over five years, as there are no changes of actors as the children age. John Simm and Shirley Henderson are completely believable ordinary parents, and the natural performances of the children, who are real-life siblings, help create the documentary feel.

Fairbrit Take one art-house director, use non-actors in the most emotionally engaging roles (the children) and film it over five years. There you have it! A piece of work that receives amazing reviews and attention. Yet this drama has left me feeling strangely unmoved and disengaged. I wasn't interested in the adults and didn't care one iota about them, perhaps through the fault of the director? The only people that mattered to me were the kids but even their amazingly sensitive and natural performances struggled to keep my interest. Simm and Henderson were good, as they always are in their work, but no better than many other dramatic actors in far superior dramas. The scenes in Everyday were slow, and I found the accompanying music sounded like the film score from a Hallmark movie. Winterbottom's final shot was something that I have seen in endless films before... So why is everyone applauding this film? IS IT ME? Or is this truly a case of the Emperor's Clothing?

Roger Pettit It's not very often that I enjoy a film in which very little actually happens! But "Everyday" is an exception. I saw it recently when it premiered at the BFI London Film Festival. It's a thoughtful, understated film with excellent performances. It held my interest right up until the end. And I enjoyed it very much. Filmed over 5 years, "Everyday" is a worthy but never dull film about how a mother and her four young children cope while her husband and their father serves a term of imprisonment. Karen (Shirley Henderson) spends the time accompanying her children to and from school, trying to keep the family's home-life on a reasonably even keel and visiting her husband Ian (John Simm) with the children. At the same time, she is trying to hold down her job as a barmaid at the local pub. She is also having an affair with one of her customers. "Everyday" examines the impact of Ian's absence on his wife and children. It does so in a naturalistic and unassuming way. There are no histrionics or very dramatic scenes. What we get are quietly effective vignettes that show how disruptive a husband and father's extended absence from home can be, particularly on young children. The acting is first rate. Henderson and Simm are very good indeed, as are all four youngsters who play the couple's children. The direction and the camera-work are also very effective. "Everyday" is a visually confident and a very impressive film. 8/10.