Scott LeBrun Eddie Tor Swenson (Johan Rudebeck) is a mild mannered film technician who is one day transferred to the Splatter and Gore Department at his company. His new job is to go through the MILES of gore footage assembled for a slasher series called "Loose Limbs", and edit it for distribution. Within a short time, the task has driven him insane and made him murderous. As Eddie suffers various hallucinations, one of his would be victims (Per Lofberg) realizes that he will have to play the hero role.This viewer went into this one totally blind, not sure what to expect. What he got was basically what the ad copy asserted: an effectively gory love letter to some of the nastiest horror films of the 1980s and early 1990s. "The Evil Dead", "Re-Animator", Peter Jacksons' early output, etc. Horror fans are certain to be delighted, at least for a while. The movie has a refreshingly unpredictable quality (for the most part), and it does mix a healthy amount of surrealism into its outrageousness. After a while, though, it does lose a little steam, with the best material (like a WTF sequence with a hungry imp in a refrigerator) over and done with. In true slasher fashion, Eddie becomes a one man wrecking crew, making mincemeat out of the majority of the people who would foil him.The makeup effects are quite fun. While it's never as truly over the top splattery as, say, Jacksons' "Braindead", it dishes out some choice brutality. On his way to becoming the hero, Lofberg takes more than his fair share of punishment.Some of the performances are pretty straight-faced, if the characters call for it, but the ones who have the most fun are the ones who go the broadest. Rudebeck looks like he's having a ball as a horror-comedy heavy. And there's a respectable bevy of very sexy female cast members.Pretty funny, overall, if never quite uproarious.Director Anders Jacobsson plays a car driver; American genre star Bill Moseley is billed as giving a special guest star vocal performance.Seven out of 10.

merklekranz "Evil Ed" is a warning sent to the American film industry from Sweden of all places. If you do no stop churning out repetitive, boring, horror movies, we will unleash our secret weapon on the cinema world. This weapon will come in the form of an over the top "black comedy", with a mean spirited script, adequate acting, and outlandish special effects. This will bury your "slasher in the woods" parade of trash horror films, and create a whole new genre for generations of fans yet unborn. From the grenade in the mouth exploding head beginning, to the flying limbs conclusion, movie goers will be mesmerized by Ed's evilness. Creativity lives, and it comes from Sweden. - MERK

Horror Banana-nanza Ever hear of the Splatter and Gore Department? I wish I could work there.So this movie comes from Sweden. I really wish more like this came from there, because this movie had my sides splitting from laughter. There's in-jokes, ridiculous characters, gore, goofy dialogue, and some of the creepiest film reels you'll ever see.Ed works as a film editor, but after a previous editor for the Splatter and Gore Department goes nuts and is killed while working, Sam Campbell (get it?) puts Ed in charge in his place. He puts Ed up in a nice secluded house, where the movies he edits begin to mess with Ed's head. He starts seeing body parts in place of food and monsters in the refrigerator. So he tries to tell Campbell that he doesn't want the job anymore.The scene with Ed in Campbell's office is outrageous, due mostly to the sound effects that Campbell has running in the background all day long. My favorite line from this sound collage? "It's molestin' time!" Wow. What the hell movie was that? Not to mention the "Beaver Rape Scene" that Ed cut from the movie, which Campbell demands stays in, claiming it's not offensive. Well, I mean, I've never seen or heard of a beaver rape scene, so I don't know if it would be or not. But probably, yeah.So Ed goes progressively crazier, killing people who deliver film to the house, or pretty much anyone who comes to the house. He even goes after his wife and kid, before finally tracking down Campbell, and well, Ed loses his head. In more ways than one.This movie is completely nuts. It's tongue in cheek, it's funny as hell, and it needs to be seen by more people. So yeah, watch it, then spread the word. It deserves viewers.

Espen The glorious Edward gets to move up in the world when his supervisor tells him that he can drop those filthy Swedish drama movies and head up stairs to the splatter and gore department. Excited along with his big anticipations for the new type of movies he soon will be going to edit, he asks all sorts of questions, about the wage, his workspace and lunch brake. Well, not really. Edward is maybe quite the opposite. Calm, stuttering guy, on top of that, he got glasses. With the exception when he's insane. I guess that created a much creepier atmosphere.Evil Ed is with all reason a Swedish movie, but somehow a magical force came across the good actors and turned their lovely Swedish accents into stereotypical American voices. I guess that's some of the expertise an actor needs these days. The acting is very….wooden, as in they are inflexible, not bendable (well hey, what did you actually expect?). On top of that the movie has a jamming techno theme song, sounds like its E-Type. In any case, this only makes the movie experience worse. Since I'm fairly harsh against this movie so far, there will usually be a breaking point where I tone the level of happiness up. But there's really not much to say. The blueprints look good, but somehow 'Hanz' spelt coffee over it and partially destroyed it. That's how I look at this movie. If the movie ended where Edward is taken to a mental institute and they refurnished the parts from where he goes insane and kills people, the result would have been much better, but that's just my radical view. I would also like to see more footage from the lose limbs movies.There are also illogical things to discover in this piece of movie. Let's to say that the actors really are American, living in America, why would they then work on a Swedish movie, like Edward did? And also, that delivery man, why is it that he never uses the doorbell which is located directly beside him? Instead he goes away with tapping softly at the door. Good old Edward really got some good ears to hear all that while he is editing.Anyway, this movie had its moments, it's just a shame there were not that many. But that doesn't mean I would not recommend it. It's a rather cheap movie, go ahead and buy. It's almost like I see a pattern for the price and the movie. On the other side; if you like watching dubbed movies getting crappier by the second this might be IT. My verdict would then be a rock solid 4.