marym52 One of the many things I love about TCM is that it shows the big studio programmers that gave their character actors and up and coming stars a chance to shine.You can always depend on Edward Arnold giving a good performance-- including all the crooked politicians and irascible millionaires that were his bread and butter. But here he sinks his teeth into the role of a blind detective who is aided by a wonder of a seeing eye dog. Arnold is funny, clever, and charming throughout.The mystery, as many viewers note, is solved in Act Two. The film is mainly concerned with putting detective Duncan Maclain in a jam and seeing how he gets out of it and captures a Nazi spy ring.The cast is excellent and includes Anne Harding, Reginald Denny, Mantan Mooreland, and Friday the German Shepherd. Oops-- I almost forgot Donna Reed playing against type as a poisonous debutante! Arnold only made two of the Duncan Maclain films. Too bad-- I could happily sit through several more.

wes-connors Blind detective Edward Arnold (as Duncan "Mac" Maclain) and his faithful dog "Friday" are visited by actress friend Ann Harding (as Norma Lawry). Retired from the stage, Ms. Harding is worried because an old flame is making love to her bratty teenage step-daughter Donna Reed (as Barbara). Harding attempts to visit Ms. Reed at her lover's apartment and finds a dead body. Reed thinks Harding committed the murder and demands she leave husband and father Reginald Denny (as Stephen Lawry). Harding asks Mr. Arnold to investigate, but the dead body is missing...To investigate, Arnold moves into Harding's estate posing as her heretofore unknown "Uncle Mac" and finds the household staff infiltrated with Nazi spies. Next to show up as a guest is playwright Katherine Emery (as Cheli Scott), who plays a surprisingly central role. Everyone has a lot of fun, especially Arnold and his dog "Friday". New director Fred Zinnemann handles his second full-length feature assignment well. This was the first in a series of crime dramas starring Arnold as the disabled detective. "The Hidden Eye" (1945) was a belated second, and last, adventure.****** Eyes in the Night (10/16/42) Fred Zinnemann ~ Edward Arnold, Ann Harding, Donna Reed, Katherine Emery

Spikeopath Eyes in the Night is directed by Fred Zinnemann and adapted to screenplay by Guy Trosper and Howard Emett Rogers from Baynard Kendrick's novel The Odor of Violets. It stars Edward Arnold, Ann Harding, Donna Reed, Stephen McNally, Katherine Emery, Allen Jenkins, Stanley Ridges and Friday the dog. Photography is shared between Robert Planck and Charles Lawton and the music is scored by Lennie Hayton. Plot finds Arnold as blind detective Duncan Maclain, also a judo expert, he is always accompanied by his intelligent seeing-eye dog, Friday. Maclain is called on to a murder case for his friend, Norma Lawry (Harding), but the body is missing and there appears to be something very sinister going on at the Lawry family home.A cracking little thriller boosted by a top cast (Donna Reed playing a bitch step-daughter!) and moody photography. What it lacks in simplicity of plot it more than makes up for in terms of execution and tone, with the added "gimmick" of the detective being blind further enhancing the effectiveness of the picture. In fact, that Arnold is so good, and his dog so brilliant (seriously, this is one great dog), it marks this out as ingenious considering the limits of the Wartime story. Zinnemann knits it together skillfully, never letting the pace sag or the tension drop, while there's some great scenes dotted throughout: such as one filmed in total darkness, lit up intermittently by the flash of pistol fire. With the film 99% set at night of in darkened rooms, this lets Planck (The Canterville Ghost/Moonfleet) & Lawton (3:10 To Yuma/The Tall T) dally in atmospheric shadows and murky low lights.Clocking in at a slim 80 minutes with never a dull moment, Eyes in the Night is one of the more enjoyable film's of its type. Deserves a bigger audience. 7.5/10

robert-temple-1 Fred Zinnemann's early directorial career yielded many interesting films and this is one of them. Here Zinnemann directs the young Donna Reed (who plays a character who is appallingly arrogant, spoilt and pig-headed, very convincingly), and eleven years later in 'From Here to Eternity' (1953), he would turn to her again for a part where she would win the Oscar for Best Supporting Actress. The main character in the film is a blind detective, Duncan Maclain, played to perfection by Edward Arnold. He has a seeing-eye dog, Friday, who responds to the most complex commands, opens doors by turning the door handles with his teeth, leaps out of basements through high windows, and does many impossible things. Dog lovers will be fascinated by this film. There are some hilarious scenes between the dog and Arnold's butler, played by Mantan Moreland, where the butler is constantly having his job taken away from him by the dog (Friday fetches his master's slippers before the butler can reach the closet, etc.) The haunted looks of Ann Harding are good for her part, her eyes dreamy and distant, her complexion pale, all good mystery stuff. There is an eerie chill cast by the excellent performance of Katherine Emery, with strong lesbian implications as she looks at Donna Reed in 'a certain way'. The scenes where Edward Arnold searches for clues in the dark, because being blind he does not need light, are highly effective. As an early wartime thriller with a certain relevance to the dangers of 'the enemy', this film avoids being hackneyed and is fresh and stands on its own, transcending any propaganda aspects. What less would be expect from Fred Zinnemann?