TheLittleSongbird Love classic film and crime dramas/mysteries even more so. The more than capable cast further added to the interest (Glenn Ford and Donna Reed are always watchable and wanted to see how Leslie Nielson would fare in a very early dramatic role) and the idea was a great one with plenty of room for tension.'Ransom!' turned out to be a nifty and well above average film. It had room for improvement, on the other hand the good things were numerous and enormous. The Mel Gibson film may be better known, but like many others (although that film was quite well done and particularly worth watching for Gary Sinise), there there is a personal preference for the darker, more mysterious and more suspenseful yet not as flashy and more staid perhaps 1956 film, which today is criminally undervalued and generally has more substance.Is 'Ransom!' without faults? No. Donna Reed tries her best but the character is underdeveloped and lacks subtlety, causing Reed to overdo the hysteria especially. Occasionally it's a bit static.Plus it would have been even better if the villains were not as thinly sketched, though that they remained unseen did provide a mysterious edge, and the ending (although slightly touching and thankfully not improbable) less anti-climactic, overwrought and lacking resolve.However, 'Ransom!' is particularly worth seeing for Glenn Ford who gives a superb performance, very deeply felt, suitably stern and often restrained. Juano Hernandez is a sympathetic and heartfelt moral compass (the subplot gave the film heart), while Robert Keith and Juanita Moore are good support. Leslie Nielson fares well in a dramatic early role though he did go on to better things. The villains could have had more meat to them but they do provide some menace and there is a good amount of tension where one cares for the situation (helped by that the lead character here is better fleshed out), something that Gibson's version didn't quite have.The story is more deliberate, but there is a real air of suspense and dread without any gratuity or overblown action to cheapen it. It is also generally far more plausible, whereas Gibson's version unravelled in that aspect near the end. The script is taut, lean and thoughtful while the film is competently if not always imaginatively directed. 'Ransom!' looks suitably atmospheric and is very nicely shot.Overall, good and well done film if not without things that could have done with some tweaking. 7/10 Bethany Cox

vincentlynch-moonoi One thing that made me feel good about the IMDb reviews of this film is that people do recognize what a top notch actor Glenn Ford was, though he was not in the upper echelons of the Cary Grants and the Laurence Oliviers. But, Ford was a steady, dependable actor, and this may well be his best performance.His co-star here was Donna Reed, and unfortunately she succumbed to the world of television sitcoms. Although this film was made concurrently with her sitcom, we often forget that, like Ford, Reed was a dependable actor in almost any type of role, whether it be Jimmy Stewart's wife in "It's A Wonderful Life" or Dean Martin's girlfriend in "The Caddy", or one of the four leads in "From Here To Eternity".I think one of the things that made this film so riveting, is that it looked at a kidnapping from multiple perspectives, more so than many films on the topic. And, it was actually better for the FBI not being called into the case.The supporting actors here do an excellent job, as well. In particular, Leslie Neilsen as the newspaper reporter, back before he had turned to comedy. Also of note was Robert Keith as the police chief. And, while the role was not particularly outstanding, Juano Hernandez was a welcome addition as the servant.In terms of what to criticize here? I can't think of a thing. Some of our reviewers felt it would have been more logical for the little boy who had been kidnapped to be killed. But that would have subjected the kidnappers to a federal felony likely resulting in the death penalty. While not illogical, it would be just as likely that they would not kill the boy when they realized they would not be getting the money.Highly recommended! And this is one of those films I never forgot after seeing it on one of the network movie nights of the early 1960s. You won't forget it either.

Larry41OnEbay-2 RANSOM! Premiered August 27th of 1956, it was both produced and distributed by Metro-Goldwyn-Mayer studio. The screenplay was written by Cyril Hume and Richard Maibaum and was based on their teleplay "Fearful Decision" for the ABC network television show The U.S. Steel Hour (1954). I like that original title better, FEARFUL DECISION. Of the director Alex Segal little is known other than he mostly worked in television and aside from tonight's film he is best remembered for making NO TIME FOR SERGEANTS, ALL THE WAY HOME, JOY IN THE MORNING and winning an Emmy for his 1966 version of DEATH OF A SALESMAN. During the 1950's -- Hollywood's originality was on a decline and often filled with remakes of sequels. (not like today!) On the fast growing medium of television more risks were being taking and better stories were then sold to Hollywood to make feature films. Other examples of original TV productions becoming major motion pictures are MARTY, REQUIEM FOR A HEAVYWEIGHT, 12 ANGRY MEN, DAYS OF WINE AND ROSES, etc. Among tonight's character actors to look for are: Juanita Moore the sweet round faced African-American actress who plays Shirley. Juanita Moore would be Oscar nominated three years after this for her amazing performance in the 1959 version of IMITATION OF LIFE.Next look for Alexander Scourby who plays Dr. Paul Gorman. He was famous for his rich British accent that he used in voiceovers and narration, seldom did he mention the fact that he was really from Brooklyn, New York. Most of you will recognize the balding actor playing Chief Jim Brackett but you may not know his name, that's Robert Keith who in real life was the father of Brian Keith of TV's FAMILY AFFAIR fame. Juano Herandez plays Uncle Jesse Chapman that's always quoting the bible. Hernandez was one of the first "new style" black screen actors, who neither sang nor danced but played characters just as white actors did. He's amazing in a little southern drama called INTRUDER IN THE DUST. How many of you are fans of the 1980 comedy AIRPLANE? Well AIRPLANE made a major star out of Leslie Nielsen who has appeared in over 100 movies… RANSOM was his very first movie! Leslie plays Charlie Telfer is still working today at the age of 83! Nielsen was born in remote Saskatchewan, Canada the son of a Canadian Mountie. He studied acting at a school run by future Bonanza TV star Lorne Greene and studied dance under no less than Martha Graham! After RANSOM he appeared in the sci-fi classic FORBIDDEN PLANET, the romantic comedy TAMMY AND THE BACHELOR with Debbie Reynolds, then later the disaster epic POSEIDON ADVENTURE. After returning to television in POLICE SQUAD he found even more success making THE NAKED GUN films and there many spin offs. Wholesome Donna Reed was discovered to no surprise in a beauty pageant and with rare exceptions, she mostly portrayed sincere, wholesome types, loving wives and girlfriends. Her most famous role was playing Jimmy Stewart's sweetheart in IT'S A WONDERFUL LIFE but when she played a prostitute in FROM HERE TO ETERNITY she won an Oscar for Best Supporting Actress of the year! Soon after this film she retired from the big screen and was a great success starring in her own TV series, THE DONNA REED SHOW which ran from 1958 through 1966. But the real star of tonight's film is the under rated Glenn Ford who was so good at drama, comedy and westerns… he made it look easy. Gwyllyn Samuel Newton Ford was also Canadian and didn't go on stage until the ripe old age of 4 in Tom Thumb's Wedding. After his family moved to California he excelled in theater and was put under contract by Columbia studios who kept him busy in lower budget B films until WWII came along and he joined the Marines. After the war he jump-starting his career in 1946 with the film noir classic GILDA, co-starring Rita Hayworth (they would become life long friends, neighbors and when she passed in 1987 he was one of her pallbearers.) While he insisted that he "never played anyone but himself on screen," Ford's range was quite extensive. He was equally effective as a tormented film noir hero (THE BIG HEAT & HUMAN DESIRE) as he was in light comedy (TEAHOUSE OF THE AUGUST MOON & THE GAZEBO). Nearly half of his films were Westerns, many of which — THE DESPERADOES, THE FASTEST GUN ALIVE, 3:10 TO YUMA, COWBOY — were among the best and most successful examples of that highly specialized genre. He was also quite effective at conveying courage under pressure: While it was clear that his characters in such films as THE BLACKBOARD JUNGLE and RANSOM were terrified by the circumstances surrounding them, it was also obvious that they weren't about to let that terror get the better of them. In 1958, Ford was voted the number one male box-office attraction. He would go on to make more films and appear in several TV series but illness forced him to finally retire in the 1990s and he never got that Oscar for lifetime achievement that many, like myself believe he deserved. He passed away in 2006 but fortunately we still have most of his 106 titles preserved so that we can enjoy spending a little more time with this fine actor. In 1996 director Ron Howard remade this film with stars Mel Gibson and Rene Russo and it's a fine film, but the writers added several subplots, car chases and explosions. I think they just wanted to sell more tickets but this earlier version wanted to a story.

keesha45 While I enjoyed the Mel Gibson remake of this picture and was pleased to see him in a serious role where he could display his acting chops, I thought the whole idea was a little divorced from reality, although it made perfect sense at that time as it must have seemed forty years earlier. The notion of a kidnapping victim's family refusing to pay any ransom and using it instead as a tool to convince the perpetrators to turn the boy loose sounds logical enough, but in real life such an act would bring such universal condemnation upon the father in a real-life scenario that no one has ever considered doing it for real. Part of the reason is that so few children are snatched for money, but usually for other more nefarious reasons by mentally warped individuals who generally work alone and don't confide their plans to friends and associates, making such threats to kidnappers at best useless or at worst counterproductive. Because the villain was evident in the Ron Howard remake, the story had to take a turn whereby the father would have to confront the kidnapper one on one. In this original, the snatchers are virtually unseen, so all the drama rests with the victimized family and how they interact with those who come to their aid or to view the spectacle. As such, it gives the principals, Ford and Reed, the chance to emote and they perform very well. Donna Reed was an unusually gifted actress as her Oscar win and Emmy nominations attest and Glenn Ford was an underrated actor in his day, probably best known by younger generations as Superman's adopting father in the final stages of his career. Sad to say, there's very little suspense in the narrative, and one wonders how great directors like Hitchcock, Zinneman or Kazan might have turned this into a great film. If you've only seen the newer version of the two films, take the time to watch the original. Some of the acting is exceptionally good, and it's mostly a well-crafted film. If nothing else, it's interesting to see how different generations of filmmakers can put totally differing spins on essentially the same story. Dale Roloff