atlasmb As a fan of William Holden, I can't say this is one of his better films, but it is entertaining enough if you can get past the dubbing of his singing voice. "Born Yesterday" and "Sunset Boulevard" would be released in the same year (1950).Holden plays Johnny Rutledge, a self-described loafer who says, "The prettiest girl in the world couldn't get me--I'm woman-proof!" But he manages to get hitched to five orphaned siblings and finds himself settling into respectability and facing responsibility.He does his best to provide for the kids. He even tries to sew a dress for the little girl May (Mary Jane Saunders) with comic results. Eventually, he realizes that a mother figure might be useful in bringing up children.I think Mary Jane Saunders is one of the highlights of this film. She reminds me of Shirley Temple--cute and bright.This is very light fare. There's even a scene where a life-altering decision is decided on the flip of a coin.

mark.waltz Some people might think that William Holden was a bit miscast in this light-hearted comedy that doesn't feature laughs as much as smiles. This was before his rise from respectable actor with only two classics at that time ("Golden Boy" and "Our Town") under his belt. But with two of 1950's top rated films ("Born Yesterday" and "Sunset Boulevard") just down the road, he would be ranked a lot higher than he was throughout the 40's.The film's simple story is of a traveling medicine man (Charles Winninger) who ends up in jail for fraud, while his minstrel man (Holden) comes across five orphaned children and reluctantly takes on the job of being their papa. At first, he only breaks bread with them to get some greens to eat with the fish he has caught, but soon, is taken in by the sweet Mary Jane Saunders, the youngest of the children, all named after the first five months of the year. A concerned citizen (Colleen Gray) looks in on them and believes Holden to be their uncle. When Holden is forced to remain around after beating up a nasty local who insulted the children, he finds he has no choice to continue the facade. The town's shady lawyer (Clinton Sundberg) blackmails him into becoming engaged to one of his spinster sisters, but its obvious that the kids won't have anybody else but the lovely Ms. Gray for their newly found "uncle".There is nothing to criticize about this film other than its formulatic and predictable plot. The children aren't all sappy, and the songs are pleasant, if unremarkable. Everything is resolved nicely, something a growing cynical audience in 1950 wanted. Holden and Gray are a nice team, and Saunders is adorable without being an imitation of Shirley Temple or Margaret O"Brien. It won't win any awards, but that also means it won't be on any worst list either.

bkoganbing Father Is A Bachelor marked the end of what William Holden termed his 'Smiling Jim' roles. His next film would be for Paramount and would be Sunset Boulevard which forever changed his screen image. This film was done for his other studio master, Columbia.When it was decided that Columbia would have next call on his services for Father Is A Bachelor, Holden must have brought over the script from Paramount because if there ever was a Bing Crosby picture that Bing didn't do, this was it. This actually might have been a classic had Crosby done this over at Paramount.Bill Holden for the one and only time in a film sang although not with his voice. The voice of Buddy Clark who was one of the great radio singers back in the day and rival of Bing Crosby was the voice that Holden used. Holden/Clark sang about eight numbers all public domain stuff. Had it been done at Paramount Burke-Van Heusen or Livingston- Evans would have done an original score for Crosby.Buddy Clark was heard posthumously coming out of Bill Holden's mouth. He was killed in a private plane crash in the fall of 1949. Clark was also the singing voice of Jack Haley in Wake Up And Live and he had one of the most pleasant voices to listen to ever.The story has Holden singing in black-face the opening number in a medicine show run by Charles Winninger. One of the crowd recognizes Winninger as a guy who bilked a few customers a time or two before. Though the black-face is demeaning to black people it actually serves a purpose in the plot because after Holden has wiped off the burnt cork, no one recognizes him and he's free while Winninger is in the slam.But he doesn't stay free for long because the free and easy Holden gets involved with a family of five orphans who are trying to stay together and avoid an orphanage or being divided up with several families.Coleen Gray is Holden's love interest in this film, she's the daughter of Lloyd Corrigan the judge who Winninger is before. Stu Erwin is the sheriff and the orphans are Gary Gray, Billy Gray, Wayne Farlow, Warren Farlow, and Mary Jane Saunders. Sig Ruman has a nice part as the owner of a beer garden who employs Holden as a singing waiter. The biggest crisis in the film comes from the closest thing to a villain in the piece, sleazy lawyer Clinton Sundberg. He finds out that Holden is really no kin to those kids and he offers him a choice, marry one of old maid sisters either Peggy Converse or Lillian Bronson, either one doesn't make any difference to him. It's quite a pickle Holden's got himself in.Father Is A Bachelor is a nice family entertainment film, but it was also the kind of film Holden was trying to get out of doing and succeeded magnificently in his next work. Besides though Holden was good, he certainly was poaching on the territory of Der Bingle.

David (Handlinghandel) This movie has many charms. It has a fine cast. William Holden, in an atypical role, is fun as the dreamer who sings many standard songs. (It opens with him singing in black-face, though. That is always shocking when encountered today. And I wonder if it wasn't viewed as somewhat inappropriate even in 1950 when this was released.) Coleen Gray makes a charming love interest for Holden. And Charles Winninger is always a welcome presence.The supporting cast is excellent too. Stuart Erwin gets low billing but what a fine actor he as! And the two spinster sisters who are interested in Holden are nicely cast also.It is indeed a pleasure to see Columbia pictures other than the Capra films and those with Judy Holliday (whom I love) turn up. A few with Jean Arthur have been around in the VHS/DVD era but none to compare with the great number to which we were treated in the 1960s and seventies when local TV stations showed old movies.However, the print of this one was terrible. At first I thought it was a nighttime scene. But it wasn't. It was very, very dark.I am delighted at the Columbia movies trickling out again. Now, what about the Republic movies other than the ones that star John Wayne?