Dimitar Nikolov This movie captures the real spirit of the time. Without conspiracy theories, Illuminati and even without radical ideas it presents the causes and solutions to the problems we're facing today. It is like the Zeitgeist movies but much more logical and insightful. Instead of provoking fear it provokes thought - going as far back in time as the collapse of the Roman empire and as far in the future as the collapse of the Western global empire. Which is actually just around the corner. There are no secret societies, aliens, demons or specific ethnic groups that are to blame. The problem is in the system and if we remove its head it will just grow another one. The problem is in all of us and all of us are to blame for tolerating the system. And change is not so difficult. The movie offers classical, realistic and tested solutions like the gold standard of money and taxation based on consumption and resource extraction instead of income. And there's optimism in the end. Just like Guthenberg changed the world and ended so much suffering with a simple invention - the printing press, another invention is now causing a new Reformation and Enlightenment. The internet is the new printing press and neoclassical capitalism is the new feudalism and the new Inquisition it is fighting. In the end ideas prevail over greed. Perhaps this time it will happen with less bloodshed.

john5050 There's so much in 4 HORSEMEN. Yes it is talk-heavy, very densely- presented in places but it makes brilliant connections. It's like the big-idea documentaries by Adam Curtis. It's provocative and deliberately big picture. Some of the above crits feel petty in this regard, the point is to stay global.It's also gripping & urgent. It squares up to the biggest crisis we're facing and has much to say that is fresh.Surprisingly, it was also been made in the UK on a shoestring. Not that you could tell.HIGHLY, HIGHLY RECOMMENDED!

Richard When a documentary attempts to tackle the most important issues of a generation, from financial instability, to environmental degradation and terrorism, it really needs to be backed up with a lot of solid research. Unfortunately, Four Horsemen hopelessly fails to live up to its ambitions. It touches on everything from the decline of empires, to the expansion of credit and disastrous banking deregulation. It rightfully highlights the asset bubbles, the failures of foreign aid and the counter productive nature of much of the west's foreign policy. But touch is the generous word, as most issues are addressed with little more than a talking head tied together with some slick animation and stock footage. The film is strongest when stating the obvious, highlighting the offences of the banking industry, the predatory lending and illegal foreclosures. Indeed, when describing exactly what is wrong, Four Horsemen takes few risks and lands some critical blows, a welcome reintroduction for a debate that is most conspicuous by its absence. But the first warning sign for the film is when the entire history of human economics is framed in the terms of Classical versus Neoclassical, followed by the pushing of quite extreme Libertarian pet causes proposed as the only possible solutions. It marks wholly disingenuous connections regarding the glory days of the gold standard and becomes almost comical when it praises FDR on one hand and then claims 'income tax is inherently unconstitutional' on the other. A few quotes from the US Constitution and a lecture on the decline of morality, and the whole film starts to feel like a Ron Paul 2012 direct to YouTube creation. Then when casual remarks drop like: 'perhaps global warming isn't the greatest threat to our planet, but the depletion of resources', (a statement that so comprehensively against mainstream scientific opinion which contends we cannot afford to burn even the oil we have found), and the film starts to make Zeitgeist appear the model of impartial reasoning.When this is rapidly followed by 'all foreign aid is bad', suddenly the minuscule on screen presence of the most lauded guests, such highly respected development economic Ha-Joon Chang (who appears on screen just twice for a total of about sixty seconds), and the motives behind the recurring presence of the gold and silver traders becomes a little clearer. The producers of Four Horsemen may be well meaning, and who isn't rightfully outraged at the 'heads we win, tails you lose' attitude of Goldman Sachs and their ilk, or the ridiculous disconnect between real wages and real estate prices? I also doubt the proposition that 'we need more employee owned businesses' would ever lose a show of hands outside a GOP convention. But overflowing as the film is with justified indignation, the proposed solutions have all the hallmarks of a stock Libertarian: 'tax is theft, government is bad' economic thesis, albeit cleverly packaged to sneak in front of a left leaning cinema audience.

mariebolens I had the opportunity to go to the Four Horsemen UK premiere in London and I've been positively surprised. The documentary is done in an artistic way and the animations very pleasant to watch. So as soon as the film starts you are captivated by its energy. Nothing to see with some boring and interminable documentary. The different interviewees speak out without sensationalism. Although the film has an opinion, it is also full of irrefutable facts. And you don't need to have a high level of economics knowledge because everything is done to make understanding some complex concepts. So this documentary can touch everybody. As well the people who question about the current or future problems in the world that people who are just interested in good documentary features. I can just advise you to watch it! First because the film rocks and also because this is the kind of film which leaves you plenty of ideas.