bohemianbird If you want true life - then maybe you should watch this. However, if you want escapism and the belief that dreams can come true - enjoy watching this posse of actors at, what i believe to be, their best. Basil Rathbone excels as the alter-egotistical villain whilst Arturo De Cordova gives dash and swashbuckling joy to die for! He excels as the dashing Frenchman set lose on the Cornish coastline and Joan Fontaine is delicious as his (almost) tomboy sidekick who is all woman. no remake ever came close to this original costume dramatic effort. What's more, the storyline stays almost entirely true to the original writings of Daphne De Maurier and that can't be a bad thing! . Fantastic, romantic enjoyment at its best!

Dick Gardner (RickyofL) This film was shot in Mendocino County and should be in the list of films shot in that area. The creek itself is the Albion River. The boat used in the film was left in the river and was resting on the bottom when I saw it and boarded it in 1944 or 5. My grandparents had an orchard and farm outside the community of Albion. A couple of the crew members stayed at their place when the film was being shot. There were some other locations on the coast that were used as well. The residence was removed and just the leveled field it was situated on and the plants the studio planted to surround the site remained for many years after. This location was outside of Albion near dark Gulch and was just west of highway 1 that runs along the coast in Mendocino and adjacent counties as far south as San Simeon. I have never seen the complete film, so would not to vote on it at this time.

Greg Couture I've never seen this fanciful costumer in a theater but a TV broadcast, quite a few years ago, fairly leapt from the screen - the three-strip Technicolor had transferred to video as if it were a pristine print. Paramount obviously spared no expense on this one and, despite some minor objections, I recall being thoroughly entertained by it, especially that absolutely savage battle-to-the-death between Basil Rathbone's quintessentially dastardly villain and a desperately determined Joan Fontaine.Some years back I somewhere read that, while waiting in full makeup and costumes for the lighting technicians to work their magic, Miss Fontaine rather scathingly queried her costar, Arturo de Cordova, why he was pursuing a career as an actor, apparently with the implication that it was an occupation unworthy of a man. If that's the kind of treatment he had to undergo at the hands of a Hollywood leading lady, one can confidently guess that his much greater success in Latin American cinema left him with few regrets that his Hollywood sojourn never amounted to much.

alicecbr Unless you're in for real camp, where the men are prettier than the women, especially in their wigs......then pass on this one. I rolled on the floor with laughter at the histrionics....breasts heaving an all (Joan Fontaine's, not mine). Not that I know it was made in 1944, when we were in a horrible war, I can understand why there was so little emphasis on the screen play. Escapist lore at it's funniest: think of one of those little romance novels that high school housewives love to read....that's the level you're looking at.But hey, it's pretty color. And unconsciously funny.