Snaggletooth . After experiencing Aftermath I sat down to watch this thinking I was in for another gross out horror-fest, but how wrong I was. Genesis couldn't be further away from the full on gore of Aftermath if it tried. Its just beautiful, simply beautiful. The use of Classical music (which Im not even a fan of) ebbs in and out like waves on a shore, and there's a point about half way through where some light choral music rises in the background almost bringing you to tears. I will watch this again for sure, and Im so pleased to have it in my collection. In a way Im glad this director returned with something to show hes not just a one trick pony trying to sicken people with controversial horror. Genesis surely is a recommended short for anyone into dark cinema or not.

urutsini It's best if you approach this short without knowing what to expect. Then you can immerse yourself in the journey that it takes you on. In particular, the use of colour is brilliant. Genesis is washed out and if colour is used it is mostly weak sepia tones. This serves as a stark backdrop to the occasional, yet perfectly timed, splashes of vibrant colour. Reds, greens and even flesh tones are heightened to a level rarely seen elsewhere.The slow and deliberate orchestral score provides the only narrative to this piece. Not that it needs anything else. This is all about exploring how much the artist (both the director and the lead character) is willing to invest in their art.I can see why this would be too slow for some, but anyone who feels that way is missing the point. Accept it for what it is and you will walk away enlightened, like any good piece of art should.

Casey_Moriarty This film is an interesting one- I'll start by saying I rented the DVD out of curiosity to see Aftermath, but I'm very glad this was included too. It's a haunting short film, and to see Pep Tosar in this role right after I watched his depraved Aftermath character is certainly interesting- this guy's a damn good actor. The film itself speaks about a man's obsession with his deceased wife- and it tells the story with no dialogue of any kind, just a series of images, many of which are very powerful and well structured. I particularly like the one where Tosar's character is midway through the transformation he undergoes in this movie and is staring across the room at the statue of his wife. Really a beautiful image. It's interesting because I was recently in a discussion where the proposition was put forth that the only way to immortality is to obsess over your work. In 'Genesis' the sculptor definitely obsesses... and as a result he is able to see his wife in the land of the living again, just before the last of his own flesh and blood hardens to stone. A very interesting motion picture.

HumanoidOfFlesh I'm a rabid fan of Nacho Cerda's artful necro-shocker "Aftermath",but "Genesis" simply blew me away,when I first saw it on cinema screen in Warsaw nearly two years ago.This stunningly beautiful horror/short concentrates more on an extensive plot and theme,but still carries with it Cerda's taste for highly disturbing and confrontational imagery.Seemingly inspired by the classic Greek tale of Pygmalion and Galatea,"Genesis" concerns a sculptor whose wife has died suddenly in a car accident.Unable to cope with his grief,he begins to create a sculpture in her image.But as his work progresses,the sculpture begins to become flesh and blood,even as its maker's own skin becomes hard and stone-like."Genesis" is extremely beautiful,sad and heart-wrenching film about undying love and merciless death.Absolutely recommended.10 out of 10-what else?