mike hatton Nuovomondo, a thought-provoking film about the Italian immigrants who left for the States many moons ago. I have seldom seen a film shot so tight and claustrophobically. At the same time it captures an experience that appeals to our connectedness as humanity rather than as individuals. When I lived in New York, I would go some days to Ellis Island, lie in the grass and gaze upon Manhattan Island and I would feel comforted by the ghosts of the dreamers from long ago.They were people humbled by hardship and confounded by the abstractions that tried to put a value on them. Although I am a loner, I will often lose myself in the joys that humanity does provide. A good film that provides a somewhat less glamorized view of the immigrant experience than that typified by a reveal on the Statue of Liberty.

D A The Golden Door attempts to play out with authenticity and old world charm as we watch an early 20th century Italian family brave the rough waters to America. With decent production value and some fine cinematography we are led on a brief-but-extended, pseudo-epic journey which may please older emigrated families, but rarely will please film buffs craving some of the restrained vision this film pretends to have.For one it just seems the film's creator, Emanuele Crialese, is a bit young to be relaying this tale in such a detailed scope, and at times it really shows. Contrasting his often contrived and over-extended scenes with some inventive imagery might have been more successful had the surrealism been implemented a bit more maturely, but here the direction mostly comes across as silly or distracting.

film_riot "Nuovomondo" was a great experience. Many filmmakers tell their stories to a big extent via dialogue. Emanuele Crialese directs his film very visually driven. For everything he wants to tell, he finds powerful images that are able to stand for themselves. Thus, he understands film as a medium that primarily tells its stories over the pictures on screen. Particularly European cinema is often very dialogue-driven (and many of the young US-American directors are strongly influenced by that). Crialese's opposite attitude was really the point, that made this film special for me. It has also a very interesting topic that is wrapped up in a quite unusual story and told with humour. Vincenzo Amato is outstanding as family head Salvatore, as well as the amazing Charlotte Gainsbourg, who I enjoy watching in every single one of her movies. There are many great sequences in this movie. Just to pick one: When the ship leaves Italy and the people just quietly stare. This scene is great, particularly if you consider the pop cultural references that go with it (Titanic!).

lauralmhs The Golden Door is the story of the Mancuso family's journey to America at the turn of the last century. The movie can be thought of in three distinct segments: the life the immigrants left behind in "the old country," the Atlantic passage to America, and the processing through Ellis Island.The opening scenes, although they take place a mere 100 or so years ago, conjure up the Dark Ages. For all the superstition, illiteracy and darkness that pervaded peasant life in Italy at that time, it might very well have been that era.Once the family decides to depart (only after receiving a "sign" from a saint to whom the patriarch prays), the horrendous conditions in steerage make it hard to imagine that these poor souls took on this voyage voluntarily. But they went. They went seeking out a life in a new land where money grows on trees and rivers run with milk (two of the more surreal themes in the movie).The processing on Ellis Island – which could end in forced return to the old country – included every kind of indignity, including communal showers, medical exams en massed, intelligence testing that today would be denounced as "culturally biased," and brokered engagements held in an almost auction-like public setting. When it is inquired why all this is necessary, it is pronounced that America does not want the taint of inferior people.Running as a subplot to the story of the Mancuso family is the story of Salvatore Mancuso and Lucy Reed, an English gentlewoman on board the ship who proposes to him as a means of gaining her admission to America where sponsorship is required of immigrant women. Although she claims that this will be nothing more than a marriage of convenience (and "not for love"), her eyes tell a different story, whereas Salvatore is clearly smitten with her.This is a gritty and richly detailed movie. One scene where an elderly grandmother holds her grandson's hands in hers focuses on the dirt embedded under their finger nails.The soundtrack is great, although not appropriate to time or place, alternating between too modern (the music playing over the credits) and more Middle Eastern-sounding than Italian (the folk music played by the immigrants while on board ship).To witness the hardships that our forebears forbore to pass through "the golden door" is to be jolted out of our American complacency and to appreciate what they endured to pave the way for the lives we enjoy today.Laura L.