MartinHafer This film begins much like "Rosemary's Baby", though in this case Beelzebub apparently got a girl--a girl who grew up and had no idea she was the child of pure EVIL!! During much of the first part of the film, she is wooed by a creepy suitor (Dack Rambo)--who is supposed to be romantic because he won't take NO for an answer (I sure was getting rapist vibes from this!). Then, abruptly, the film switches and you hear nothing more about the lady after she is hypnotized! The plot changes to a child who is possessed and her mother (a young Kim Cattrall)--and the viewer is left wandering what happened to the Devil's daughter?! And, by the end of the film, you have absolutely no idea whatsoever! The film just abruptly ends! "Good Against Evil" was apparently a failed TV series pitched by ABC. It's hard to imagine now, but with the popularity of books and films such as "The Exorcist" and "The Omen", someone at the network thought it would be a good idea to create a TV series about the fight between the followers of Satan and God. The problem is that although this MIGHT have worked, the DVD for this is amazingly unsatisfying to watch--it's not really a movie but PART of a plot for a film that was never completed. What they did show really isn't very good and since there is no ending or even a reasonable stopping point, I can't see any reason to recommend it. It literally stops as if they just ran out of film!! Not worth your time.

wes-connors "A young couple is forced to confront the ultimate horror when Satan decides to claim the young woman as his own. The boyfriend consults with two priests in the hopes of getting guidance on his spiritual dilemma. The two priests in turn decide to perform an exorcism in order to rid the woman of her possession. The boyfriend and the exorcists are pitted in a battle for the woman's soul with Satan and his clan of worshipers," according to the DVD sleeve's synopsis.This television movie has its strengths; however, the story is very weak, and the production values do not entirely satisfy the need for horrific moments. For example, the cats perform well -- but, they are not very scary. Still, writer Jimmy Sangster and director Paul Wendkos handle the assignment well. The reason the Satanists could not simply kill the hero was one of the nicer touches (though, arguably, it's inconsistent). The unsatisfying ending suggests a sequel or series was planned. There are several fine performances.Dack Rambo (as Andy Stuart) is quite likable in the lead role; he is very appealing as the persistent, romantic magazine writer who meets fashion designer Elyssa Davalos in San Francisco, after denting her car. Due to an opening prologue, we know Ms. Davalos is likely the woman chosen to birth the "Anti-Christ". Davalos provides the "Rosemary's Baby" recall, and Kim Cattrall (as Linda) helps add "The Exorcist" to the proceedings. Thankfully, Mr. Rambo and his co-stars stay focused on their characterizations, and don't venture "over the top".Priestly John Harkins (as Father Wheatley) is always a welcome supporting player; he was unforgettable on "Dark Shadows", blackmailing Chris Pennock and frightening Joan Bennett; and, of course, Mr. Harkins delivered the eulogy for the dearly departed "Chuckles the Clown", causing Mary Tyler Moore's laughing fit. Priestly Dan O'Herlihy (as Father Kemschler) was a part of the "Shadows"-swipe "Dark Mansions" and essayed many memorable characters; his supporting roles in "RoboCop" and "Twin Peaks" are memorable. Devilish Richard Lynch (as Rimmin), meddling Erica Yohn (as Agnes), and resolute Peggy McCay (as Irene) are also appealing. If only the story were better… ***** Good Against Evil (5/22/77) Paul Wendkos ~ Dack Rambo, Elyssa Davalos, Richard Lynch

rsoonsa This was meant as a pilot film, being an initial sequence for a projected television series that did not come about, and it is quite clear why it was not found to be acceptable, since it is immensely uninventive, with both its format and attitudes plainly copied from William Friedkin's THE EXORCIST, released but a few years prior, and the 1968 ROSEMARY'S BABY, directed by Roman Polanski. Two primary threads are woven into the narrative, the first relating the efforts of one Mister Rimmin (Richard Lynch), who is in fact Astaroth a Grand Duke of Hell, to breed with a young woman, Jessica (Elyssa Davalos), who has been reared and protected by a coterie of Satanists from infancy through her 22nd year (the present), with an objective to produce a child that will rule the world in favour of The Forces Of Evil. Since Satan and his court, whose acolytes are legion, may readily mate with any number of women at any time that they choose, there seems to be little point in Rimmin tarrying for Jessica. However, such flaws in logic are matched with those of risible continuity issues. The second principal theme in the plot is of the soap opera variety, a blithely groundless love affair between Jessica and a young man, Andy (Dack Rambo) whose romantic role in Jessica's life upsets the Duke of Darkness no end. His attempts to interfere with the budding relationship of the young lovers is empty of those cunning components that are requisite for films of the "Thriller" genre. The original television airing was for only 72 minutes, and the reason is revealed by an ongoing spate of orchestral crescendi along with fades indicating arrival of commercial interruptions. The release in the DVD format adds about 25 minutes, with little overall improvement, because of uninspired parallel editing that fails to engage a viewer with either of the contrasting story lines. There is even an exorcism here, in spite of its having little significant connection to the narrative but rather a bit more with the Friedkin film that it partially apes. Direction seems to be unfocused, and few able acting turns are to be found; nonetheless Richard Lynch, playing Astaroth as earthling, is impressive as ever. The film ends abruptly, with some lead-in dialogue to subsequent chapters that did not occur, an unsatisfactory finish to a work that is rapidly paced, easy to watch, and easy to forget. There are a good many such minor productions being reissued with fresh packaging to cash in on the burgeoning popularity of DVDs. This one should probably have remained wherever it was mouldering.

elevator_opratr I didn't hate this as much as some of the comments here, but it's nothing to write home to mom about either.The weirdest part was the ending. It just ended! Talk about an unsatisfied feel! Upon reading up on the movie, I learned it was meant to be a pilot for a series, and I guess that dumb ending was meant to be picked up. Unfortunately, I think the writers shot themselves in the foot in that the movie and the ending was so odd, it never wound up living past its first show! Good only if you want to see a creepy, low-budget horror flick on a lonely night, and you don't mind an ending that's as weird as the VCR getting unplugged halfway through.