Clay Loomis This flick is only viewable by those that have a huge amount of pot, and even then, it's a tough go. For guys, there is some redeeming value at being able to see Cher before she had her face screwed up by a doctor. And she DOES have a nice singing voice.The late 60's were a strange time for movies, and this is a really good example. Far out, groovy, and bitchin' don't quite describe it. Jaw-dropping in its silliness, apparently nobody had any shame in 1967 Hollywood.And Sonny, with that shaggy Beatles hair! Gosh, we were odd back then.Best avoided if ANYTHING else is on.

DKosty123 Yes, the movie has good music, but when you compare this with Sonny & Cher's other work, this is the worst I have seen. The film is stuffed with visual montages, & a meaningless plot. Sadly the movie has a lot of eye candy but not enough shots of a young, prime hard bodied Cher. The film does not have any humor which is what made their Variety show go. That element missing is the biggest problem, as I can only wonder why it was left out. Drama from Sonny & Cher puts you to sleep, & serious scenes from a couple whose only serious accomplishments in their lives is their music just doesn't work. The only thing that gets 1 point from me is the nostalgia value because other than that, this film is a total zero.

moonspinner55 Pop-singing duo (and mod-dressed lovebirds) Sonny & Cher are tapped to star in their own movie, but the couple are distressed over the corny script. Sonny Bono's soundtrack to "Good Times", which he produced and arranged (impeccably so), sounds like the very best of Phil Spector; the songs may give non-fans a glimpse at true musical genius. Unfortunately, all this aural greatness comes at the expense of a wayward, throw-away feature. Sonny & Cher spend most of their time on-screen bickering in a too-real example of marital discord. Debuting director William Friedkin stuffs the proceedings with eye-candy, but he can't get any momentum going in the fantasy scenes and they just peter out. It's a strenuous comedy, the biggest mistake of which was to plunk the leads down in the middle of so much unhappiness. They don't want to make the movie, they're being forced to make the movie, they fight about compromising their ideals about making the damn movie. Only the opening and closing montages are sunny, the rest is much too heavy--even with all that groovy music in the background. ** from ****

DenBoy-3 This is the starring debut for Sonny and Cher (their screen debut being WILD ON THE BEACH). It is a hodge-podge of Sonny's fantasies of a movie-star career and Cher's not wanting to have any part of it (a carry-over from real life... ironic, huh?) It has one of their best songs DON'T TALK TO STRANGERS, and Sonny's comedy timing is surprisingly good. They could have done a lot better with a real script, I feel, but it WAS 1967...