TxMike This is a very nice documentary made by Denny Tedesco, to honor the memory of his father, Tommy Tedesco who died in 1997 at the age of 67. Tommy was arguably the best studio guitarist back in the 1950s and 1960s and was part of a rag-tag group of studio musicians in Los Angeles that became affectionately known as "the wrecking crew." It was a name older coat-and-tie musicians bestowed on them, as in they were wrecking the established image of studio musicians.This documentary is especially poignant for a guy like me, who is also a musician and who grew up on the music of the 1960s. You see, the wrecking crew played the backup music in studio recordings of many of the biggest hit records of the late 1950s and the 1960s. When we listened to a hit record back then we never gave much thought to where the backup music came from. I suppose we just figured that the singer or the group had some musicians and we were hearing them play.That absolutely was NOT the way it worked. The 20 or 30 or so guys and gals that collectively were known as the wrecking crew were hired to play for recording sessions for all the big groups and most of the record labels. They were real musicians, they may only have a chord sheet or a simple line to work with and they would often invent musical lines that they thought would work well with the song. Seeing this documentary also makes it clear why groups often lip synced their records when they made live appearances or were on a TV show. Their traveling band could not play what was recorded in the studio, if they had tried to do it live it just wouldn't sound very good.Excellent film, I really admire those musicians and will think of them every time I now listen to music recorded in the 1960s.

dddmi7-1 I will try to put into a few words about this tribute to some of the finest studio musicians who ever recorded music on vinyl. Denny Tedesco's diligence, hard work, and love not only for his Father but the other musicians enshrined here shows through on every frame of film. The legacy of these musicians can not be overstated. If you lived in the USA in the 50s, 60s, 70s and into the 1980s you've heard their music, songs, hits, jingles, film soundtracks, and TV themes. They seemed to be everywhere all at once, but mostly anonymous when it came to actual credit on film and the backs of album covers. From Sam Cooke, to the Beach Boys, Buffalo Springfield, The Monkees, and beyond you heard their riffs, rhymes, and splendid musicianship. As a percussionist I've admired their music without knowing their faces or names (for the most part). Now, thanks to this labor of love I can connect those distant memories with the people who created them. This appears to be more than just a film but a mission for the director and his film company. Purchasing the rights to air the music The Wrecking Crew played is very expensive. Mr. Tedesco needs viewers like the IMDb community to support this film by giving it the high ratings it deserves here on IMDb and on online services like Net flix. Through that support he is able to raise money to keep making improvements by including more and more of the volumes of material this group of professionals created nearly round the clock for 2 full decades. This music may take you back to your teen years, and fill in the spaces as to who actually created the music of your youth.

texshelters If you have ever heard "Happy Together" by the Turtles, The Byrds "Mr. Tambourine Man", "Day Dream Believer" song by the Monkees, or "Close to You" by the Carpenters, you have heard the group of studio musicians called "The Wrecking Crew." They were regular contributors to hit songs in Los Angeles from about 1958 to 1965. The composition of the Crew varied, but if you lived in Los Angeles and needed bass, drums, guitar, horns or other instruments for your recording, you called on the in The Wrecking Crew. According to the film, the musicians got the name "Wrecking Crew" from jazz musicians who felt they were "wrecking" music with their rock and pop stylings. Whatever they case, this group of musicians were called if you wanted to record a hit song. The film features interviews with the players, old footage of them performing together and interviews with musical luminaries such as Cher and Brian Wilson of the Beach Boys. Wilson used The Crew for most of the backing tracks on the seminal album, "Pet Sounds." The crew could read musical scales, take direction, and write parts for the songs if needed. They were flexible and served the client first even if they talked about them behind their back after the session and on camera during the film. And as the film implies, the Crew was responsible for more than one song becoming a hit. The footage and interviews in the film proves how important these musicians were to popular music of the late 50s and early 60s. In the 60s, bands such as the Beatles, Rolling Stones, The Doors, and so forth, left the Wrecking Crew with fewer jobs, for they had the talent to play their own instruments. Some of the musicians from the Crew, notably father of the director, guitarist Tommy Tedesco, got jobs playing for film soundtracks other records after the studio jobs dried up. Other members went on to record their own records, some even becoming big stars on their own such as Leon Russell and Glen Campbell. Yes, those stars were part of the Crew. The film shares a unique time of music and a unique set of musicians with us. Watching the film gives us a view of the inner workings of one of the greatest groups of studio musicians in the history of popular music. And it entertains us all the way. The set and filming is nothing scream and shout about, but the music leaves us with Good Vibrations. Rating: Pay Full Price. People who play or like music will enjoy by this film.Peace, Tex Shelters

caraisin Secrecy, deception, lies, conspiracies, aliases, big money, celebrity careers and reputations constantly on the line.....With plot elements such as these built in, the story of The Wrecking Crew had the potential to be Oliver Stone-d to the realm of the Twilight Zone by veering off into absurd theories. As a documentary, it also had the potential to bore viewers into unconsciousness with excessive facts and figures. Or, thankfully, it had the potential to be what it is: ninety-five thoroughly enjoyable minutes of getting acquainted with people you thought you knew, but were actually others who you may have never heard of.Confused? That is exactly what, for decades, the music industry executives and most of their star performers wanted you to be. We were intentionally misled into accepting that all credit for what we listened to and purchased in the form of vinyl discs with holes in the center was entirely the work of those whose names appeared on the record labels. Unless you moved in certain circles or had access to the right sources, you had no idea how far from the truth you were.In the late 1950's rock and roll music caught on and consumer tastes changed. With money to be made, record labels sought to crank out the greatest amount of product for the least amount of investment. That meant using musicians who could deliver quality recordings within a minimum of studio time.Most of the established studio musicians either could not or would not work for rock and roll sessions. This opened the door for the new breed of studio players who began arriving in Los Angeles around that time. Being less formal and eager to play anything (even rock and roll!), the status quo was convinced that these new people were destined to wreck the music business. The Wrecking Crew name stuck, and so did the new musicians. From the late '50's into the 70's, Wrecking Crew personnel provided instrumental tracks for just about every hit song that was recorded in L.A. The list of Wrecking Crew-driven hits and number ones on the charts is huge! And with each gold record, their individual and collective reputations soared higher and higher.They were the machine that all but guaranteed success for recording artists, and the producers of rock/pop stars knew that. Wrecking Crew members got the majority of calls for studio sessions, not only for records, but also for television and movie soundtracks and commercial jingles. They even recorded instrumental songs of their own (under fictitious names) that charted, and bands were later recruited to do these tunes at live shows and accept credit for the Wrecking Crew's work.Fast forward to the late 1990's. Tommy Tedesco, an extraordinary guitarist who had been one of those upstart musicians, was diagnosed with cancer. Denny Tedesco, his son whose own skills lay in the film industry, embarked on a mission to accurately document the astounding, yet unsung, contributions that his father and coworkers made in supplying the "soundtrack of our lives." It was a quest that took years to complete.The Wrecking Crew was never an organized band; they were individuals who trickled into the L.A. music studios between the late '50's and mid 60's. The number of those who should be counted as Crew members has been estimated at up to two dozen. They covered the typical instruments heard on rock records: guitar, bass, keyboards, drums, horns, and other percussion. Many played multiple instruments. While the Wrecking Crew alumni identified in the film may be mostly unknown to the general public, you might recognize some names. Besides Tommy Tedesco, they include: Carol Kaye, Joe Osborn, Julius Wechter, Leon Russell, Billy Strange, Glen Campbell, Earl Palmer, Al Casey, Plas Johnson, Steve Douglas, Don Randi, Larry Knechtel, Don Peake, Bill Pitman, and Hal Blaine.Playing music was how they earned a living, while those they backed frequently became stars and household names. They often worked long shifts and odd hours, mostly for scale. Yet, they were the right people, at the right place, at the right time. We are the beneficiaries of their skill, talent, intuition, creativity, and camaraderie, plus a love and passion for what they were doing.I am not going to tell you the whole story, I am going to urge you to see this film. Denny Tedesco has assembled a phenomenal tribute to his late father and the Wrecking Crew. Told through archival footage, still photos, interviews, and (of course) the music itself, the film has just enough historical data, just enough humor, and just enough pathos. As good as it is, the forthcoming DVD with added outtakes should be that much better.After viewing this film, you will likely find yourself listening to these songs in a way you never have before. Denny Tedesco has succeeded in preserving important details in the history of modern American popular music with this wonderfully entertaining film.