His Brother's Ghost

1945 "Shadows Over The Valley Pointed To A Hidden Murder!"
His Brother's Ghost
5.5| 0h58m| NR| en| More Info
Released: 03 February 1945 Released
Producted By: Sigmund Neufeld Productions
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Budget: 0
Revenue: 0
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Synopsis

When a group of gunmen are running sharecroppers off their land, rancher Andy Jones sends for his friend Billy Carson to organise the sharecroppers to fight. Andy is soon mortally wounded by the gunmen, but before his death schemes for his no good twin brother Fuzzy to be sent for to impersonate him. The gunmen, witnessing Andy's funeral fear that Fuzzy is Andy's avenging ghost.

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Sigmund Neufeld Productions

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JohnHowardReid Producer: Sigmund Neufeld. Copyright 3 March 1945 by P.R.C. Pictures, Inc. No New York opening. U.S. release: 3 February 1945. Not theatrically released in Australia. 6 reels. 54 minutes.SYNOPSIS: A crooked sheriff and the local doctor employ a gang of outlaws to run homesteaders out of the valley.COMMENT: Not a single female in sight, so I think we can safely assume that this entry was wholly and exclusively intended for the moppet audiences of Saturday matinees. That's a pity, because the basic premise of the story holds more promise than the usual Billy "B", but it's largely worked out in a thoroughly bland and conventional fashion. True, Newfield's direction, complete with a few running inserts, is competent enough and it's always nice to see heavies like Charles King and Karl Hackett run through their familiar paces. And for once, St John gets a chance to shine, — in a dual role.OTHER VIEWS: Not a few directors and photographers would have grasped the opportunities presented by this entry for some atmospheric effects in the horror vein. But Newfield seems determined to play potential thrills not only as blandly as possible, but mainly to garner laughs from an easily titivated moppet audience. - JHR writing as "George Addison".
Dalbert Pringle Released in 1945 - His Brother's Ghost is just one of many, many Hollywood B-Westerns that turned me, as a youngster, into a devoted Cowboy-Junkie as I sat for hours in front of the TV set completely fascinated and entertained by these low-budget, rip-roarin' tales of the Old West.With its simple, straight-forward story that pitted the good guys against the bad guys, His Brother's Ghost also contained elements of comedy which certainly helped to move this gun-happy tale along at a light-hearted pace.Starring ex-Flash Gordon dude, Buster Crabbe (as good guy, Billy Carson), His Brother's Ghost tells the story of a crooked gang of ruthless marauders who are terrorizing the region by systematically murdering landowners and then taking possession of their ranches and farms.When these cut-throat bandits kill Andy Jones (Fuzzy's brother), Billy Carson decides to enlist Fuzzy as the ghost of his brother in order to frighten these easily-scared bad guys off.With this plan set into motion, Billy hopes to expose the gang-leader's identity, and thus bring peace to the valley and restore the stolen property to the rightful owners.Filmed in b&w, His Brother's Ghost had a very brief running time of only 52 minutes.This poverty-row picture was directed by Sam Newfield who, throughout the 1930s & 40s, literally turned out hundreds of similar, fast-paced B-Westerns with such titles as Stagecoach Outlaws, Prairie Badmen and Thundering Gunslingers.
Joe Bridge I really like this fairly short little movie. There's always something interesting about old comic "haunted" Westerns (even more-so when it isn't a "real" haunting). Al St. John effortlessly steals the show from Buster Crabbe and the absurdity of supposed twins (living away from each other) having identical beards doesn't really spoil it either.I also really like the titles and credits; the hand turning the pages (as in "Cat Ballou") of a big, interesting book, and that quick fumble of the title page. (I guess they could only do one take, heh, but it looks like they still practiced for a while.)The plot basically involves Al St. John in two roles, playing both Andy Jones and his twin brother who comes in to take over after Andy is shot, who plays the vengeful ghost angle rather amusingly against Thorn and his men, who are killing the sharecroppers. Fully enjoyable, even though much of the spoken line continuity makes little sense. For example, the brother having to be told that he is to play Andy's ghost after he already scares off two of Thorn's men by merely walking into the room and saying "boo", and an odd line about convincing them that Andy is "still alive" (contrary to the ghost angle) and the idea of the somewhat bumbling Andy having more ability to organize than many men working together (which is actually why Andy called Billy in in the first place).Some chair and wardrobe busting up during a fight in the final third. It wouldn't be Western without that.The music is pretty good as well and fits just right, and there's a better than average (and highly amusing) feel-good ending.Funny lines (what it SOUNDS like to me, anyway):Doc (seeming to partially forget his lines): "We didn't expect - all these...mer-ders...Thorn."Thorn: "Well what DID you expect? You hired me to get rid of the sharecroppers and I'm doing it."Doc: "Aw, I goes it's all-what (all-right?)..."There's one part near the end that almost made me fall out of my chair laughing; somehow a couple people "see" that it isn't really Andy Jones, even though it is the SAME actor, looking exactly the same. Heh."You better talk or that mug of yours is going to look like a spoiled custard pie..." Hahaha.8/10
rsoonsa This film is one of a series starring Buster Crabbe as Billy Carson, a rancher who spends a good portion of his time attempting to better the lives of sharecroppers and others who run afoul of varying murderous plotters; in this instance, a friend of Carson is killed and replaced by his twin brother, causing consternation amidst the villains who are convinced that the twin is a vengeful ghost. Most of this short (54 min.) work consists of two small groups of extraordinarily confident horsemen who canter about, chasing and shooting at each other, in essentially non-stop fashion; one's attention becomes drawn to spotting the interchangeability of the good and bad guys......nothing else here warrants a viewer's concentration.