Spikeopath I Wouldn't Be in Your Shoes is directed by William Nigh and adapted to screenplay by Steve Fisher from a story by Cornell Woolrich. It stars Don Castle, Elyse Knox, Regis Toomey and Charles D. Brown. Music is by Edward J. Kay and cinematography by Mack Stengler.Hoofer Tom Quinn (Castle) is convicted of murder on circumstantial evidence. Sentenced to death row, Tom must hope his wife Ann (Knox) can find the proof of his innocence before his date with death.Pretty routine noir exercise this one, but definitely of interest to film noir lovers looking for something they may not have seen before. In true noir fashion fate and coincidences play a huge part in the narrative drive, as does a bit of obsessive yearnings and questionable moral standing. The look is nifty, very noirish when the prison or the church is involved, or the nighttime shots in general, while there's a quirky edge to proceedings that always keeps the pic interesting. The ending is a disappointment (in true noir terms), and apart from the always reliable Toomey, the acting only just about passes muster, but it's worth a look see, even if it isn't the under seen gem some would have you believe... 6/10

kidboots By the late 1940s due to the success of "I Wake Up Screaming" Woolrich's former pulp writer friend Steve Fisher was in Hollywood writing scripts for "Lady in the Lake" and "Dead Reckoning". He was given a Monogram assignment to adapt Cornell Woolrich's "I Wouldn't Be In Your Shoes". It was a huge task as Cornell's story was full of ambiguities and he had deliberately left the ending unresolved!! Woolrich worked fast, did not revise or polish and often didn't even re-read the finished piece. He also often abruptly closed the story without thinking about the fate of his characters. Fisher sought out his friend to see if they could come up with a solution that would satisfy movie goers but Cornell, whose talent was now on a downward spiral, couldn't care less about what they did to his story - he even told Steve to make up whatever ending he pleased.Don Castle and Regis Toomey who had both starred in another Woolrich adaptation - "The Guilty" were reteamed and beautiful Elyse Knox was Ann Quin. A married couple are at the end of their rope. She works in a dance hall, he is an unemployed dancer - both are hoping that California holds their pot of gold but it is only a pipe dream. When Tom (Castle) throws his one and only pair of shoes at some fighting cats his nightmare begins!! His shoes are mysteriously returned the next morning - but there is also news of a murder, an old janitor with a secret stash of old fashioned money and who lives in the same neighbourhood. Out the back Det. Judd (Toomey) finds a shoe print and the killer is almost in the bag. The shoe is unusual - it is a dancer's shoe that has been used for regular footwear (wonder whose it can be??) and to make matters worse Tom finds a wallet packed with money of (you guessed it) the old fashioned sort!! He is all for handing it over to the police but Ann..... and of course they do things her way!!When the police finally come calling Ann recognises Judd as being a regular at the dance hall - one who tips generously to those girls who prove sympathetic listeners. Adapted from Woolrich's moody novelette from a 1938 Detective Fiction Weekly, the ending was very different and in keeping with Woolrich's mysogynistic thoughts. This film is a gritty noir with lots of twists and turns.

The_Void This film would appear to have been 'lost' since it's release in 1948, and that's a shame as while it's certainly not the best film of the 'film noir' era; it's a good one, and a lot better than many of the more popular noirs. The film features the trademark noir gloomy atmosphere, and this is excellently complimented by the shots of the city at night. The plot focuses on the idea of bad luck, as many noirs do, and the title is a lot more literal than you may think. The plot isn't full of ideas, and mostly just focuses on the central theme; which is a bonus if you ask me as it means that the director can spend more time building up the central situation and as a result; the film is ultimately more thrilling. We focus on a pair of characters; both out of luck dancers. One night, they are being kept awake by cats outside their apartment and so, as you do, he throws his shoes out the window to shut them up. He retrieves them the next day, and soon after their luck changes when he finds a wallet containing two thousand dollars. However, the police come to believe that the money belongs to a murdered man; and the husband soon comes under suspicion for the murder.The idea that the plot focuses on is good, and the shoes of the title are the centrepiece object - which helps the film as it gives it a real sense of irony. The acting isn't the best, but all the performers do well in their respective roles. Don Castle convinces as the unlucky law abiding citizen, while Elyse Knox gets most of the plaudits for her central role as his put-upon girl. Regis Toomey, who has previously worked with the likes of Frank Capra and Alfred Hitchcock rounds off the cast nicely, and takes a lot of the focus away from Don Castle with his linchpin role. The plot plays out well, and even though the film only runs for seventy minutes; it has to be said that the film explores most of the implications of the plot, and this is always interesting since there isn't any padding. Director William Nigh does well in creating mystery and suspense, and the plot all builds to a satisfying and somewhat shocking conclusion that sees all the characters get a fitting comeuppance. Overall, this isn't a great film, noir; but it's well worth seeing and hopefully it'll be uncovered soon and given a DVD release!

Carolyn Paetow This rediscovered little dilly wouldn't walk away with any awards, but it's the sort of grade-B fare that makes film noir aficionados jump for joy! As is remarkably common in such flicks, the fog of confusion comes in on little cat feet--this time in the presence of two fighting felines on a fence. The protagonist flings his shoes at them, and fate suddenly starts tromping roughshod over him and his hapless spouse. The plot is somewhat plodding by modern standards, but its patient unfolding allows realization to creep slowly over the viewer, so that the conclusion is all the more credible and satisfying. Fans of crime and mystery films of the forties and fifties should find this offering to be a runaway pleaser!