thehumanskeleton As I read these reviews, I wonder if we were watching the same documentary or if those above watch many of them. I don't say that arrogantly, but rather I've seen some documentaries on great subject matters which have sadly fallen short due to bad editing or meandering paths with no seeming point in sight.The documentaries which are similar to this one in which the subject matter was amazing but the film making fell short include "Billy Childish is Dead" and "Danielson: A Family Movie (or, Make a Joyful Noise Here)".This documentary starts off well enough with many photos of a young Shane and sad interviews with his parents who carry their age much better than Shane. But this film features random bits of Shane signing shirts of middle aged ladies, about four or five complete music videos and a very odd meandering style which really was not conducive to the story. The long and the short of it is that if you're not a Pogues fan, you might not want to have this be your intro to them. Go find your local Irish punk fan, get drunk with them on whiskey and rock out. It'd be better. I found myself knowing enough about Shane that I always seemed about 10 minutes ahead of the time line of the film because the film was that slow. I found myself being bored because it was another random few minutes of footage with hard to hear interviews and grainy inside shots of Shane in another bar. Overall, this documentary could have been 45 minutes shorter, had better paced editing and a more comprehensive set of interviewees. The five stars are for Pogues fans who will love this no matter what... the lack of five is for anyone else who doesn't know much about the band. You'd be better off watching the music videos on the bonus section of the DVD because that's about half the documentary right there.

gaffertape2002 One of the great singer-songwriters of our time, yet also an absolute trainwreck. I do think that this is a very important film, although its terribly sad to see how the years of alcohol abuse have taken a great toll on Shane. I normally discuss a film over pints of beer after seeing a film, but after this one - I couldn't.

Patrick McCormick (splat99) My one-line summary says it all. This movie is a must for fans of the Pogues and Irish music in general. The performance and video clips are fantastic. One of my particular favorites is the sequence where an incomplete collection of the band members, all quite young, are performing a raucous song (Waxy's Dargle) and Spider Stacy is using a drink tray as a tambourine by bashing his head into it. Looks like it would have been great fun to see live.As were the Pogues themselves, of course. I had the good fortune to see the band in concert four times between 1987 and 1991, and have seen the Popes twice since then (and tried a third time - see below.) In all cases it was a visceral experience. The music surged through my veins and Shane's almost completely unintelligible singing provided a counterpoint. (One generally had to know the lyrics to the songs pretty well to sing along with them; little help was to be expected from Shane. But that was part of the experience.) The highs in this documentary are high indeed.But the utter enjoyment is somewhat tempered by the footage of the current-day Shane McGowan. The alcoholism that eventually led to his ouster from the Pogues has had its predictable, ever-increasing effect on him. (The last time we tried to see the Popes, we got to the House of Blues in Chicago and were told at the door that Shane had not been able to make it out of Boston. Seeing this documentary, I think my suspicions as to why were more or less correct. Not that it was hard to deduce.) There is a tinge of sadness in watching recent clips and trying to decipher what he is saying. Were he not who he is, the observer would think he is seeing a barfly on a particularly bad night. But Shane is who he is; the Pogues would probably not have been the phenomenon they were had he been habitually sober. Genius is often driven by demons, and this is clearly the case here.When all is said and done, the tinge of sadness and pity is there, yet Shane does not come off as in any way pathetic, at least in my opinion. Ultimately you just appreciate all he has meant to the music world and wish him some more time to contribute.Bittersweet also describes the brief appearance of the late Kirsty McColl, singing her duet with Shane (the greatest Christmas song ever written, "Fairytale of New York." I'm only partially facetious in that statement.) I saw her in concert once, in 1995 or so. Great show. But she was run over by a speedboat in Cozumel just before Christmas a couple of years ago, in full view of her children. A damn shame.No question, this one's a must. 9/10P.S. There is a current band that comes close to filling the hole the Pogues left. They are called "Flogging Molly." The musical style and performance level is very close to the Pogues in their prime. I think it's not quite there, because they don't have the key ingredient of McGowan's booze-soaked voice, but they're damn good. Buy some CD's and give them a listen - you won't regret it. (And, no, I am not employed by them!)

CRAFT_Club As a Pogues fan, I really appreciated this intimate look at Shane MacGowan. Although Shane's sweet side comes out in his lyrics, I never really knew too much about the man. Yes, the one on one interviews w/ Shane were very hard to understand, but it's worth watching nonetheless. The film cast Shane as the sweet drunk at the party, both witty and romantic. Obviously not all the results of Shane's relationship w/ "the drink" were shown, especially as it related to his leaving the band. It's in impossible for me to rate this film objectively as Shane is one of those artists who really spoke to me as a teenager and I've loves his work ever since.