jlgAltman I'LL BE SEEING YOU (1944) will, for once and for all, change all perceptions of Hollywood during WWII. This very adult, mature and touching film deals with a soldier suffering from PTSD and a woman on furlough from prison for the holiday season. Devoid of all sentimentality, I'LL BE SEEING YOU deals frankly with the impact of war on soldiers while equally dealing with the hardships facing Americans during the war and in particular the plight of women, not as they wait for their men to return but as they are exploited both for labor and sex. What's perhaps best about I'LL BE SEEING YOU is that it stays clear of easy plot points and conflicts you may expect and instead paints a portrait of sadness and hardship but simultaneously the true and right way we humans should behave. Simply stellar!

calvinnme I'll Be Seeing You captures the loneliness of two people who - besides their own serious problems - just don't fit into the bustling wartime image we often see of America in film during that time.The opening scene is in a busy train station. We quickly focus in on two travelers. She (Ginger Rogers as Mary Marshall) is uncomfortable when she tries first to buy a stick of gum and then a chocolate bar and is rebuffed by the sales clerk as though she had been asking to buy gold bullion at a five and dime. He (Joseph Cotten as Zachary Morgan) is uncomfortable because he wants to buy reading material and all that is available is full of news about the war and images that you can tell make him squeamish.Zach is suffering from what would be called PTSD today due to battle fatigue, and he's ashamed of that fact, afraid of winding up like the shell-shocked WWI soldier he knew as a boy.Mary is a convict out on Christmas furlough, although what she is serving time for will probably be a shock to modern sensibilities - I know it was for me. She is also ashamed - understandably perhaps for being a convict, not so understandably for what she did to become one. I'll let you watch the movie and see what I'm talking about here. Against this backdrop of people who feel badly for the positions they are in due to social mores of the 1940's - soldiers are always brave and good girls never get themselves into the position Mary got herself into, these two lonely people find each other and connect. At first Zach lies to Mary about his situation, but then tells her the truth. Mary chooses to keep the truth from Zach, partly because she loves him and doesn't want to lose him, but mainly because her company is making him well - he says her self-confidence is giving him confidence - and she doesn't want to set back his recovery.Mary is staying with her aunt, uncle, and cousin during the holidays, and this warm family setting has both of them healing just a bit. Shirley Temple plays the cousin that is too young to know why Mary is in prison or wear lipstick according to her parents, but is apparently old enough to go out unchaperoned with a Lieutenant on leave who is probably five years older than she! Spring Byington plays the aunt who is supportive overall but still drops phrases from time to time that leave you wondering about the overall wisdom of her advise. For example, she keeps telling Mary to settle for second best and pretend it's first best - that's what she did!. Rather wacky advice by today's standards, but maybe mainstream feelings for people who married during the roaring twenties, and then raised a family during the depression and world war. I highly recommend this sentimental favorite of mine. I'm rather surprised it hasn't become more of a Christmas standard, because even though in many ways it is a unique snapshot in time, the story of two lonely people finding each other in a world that would probably judge them severely if they were open about their problems is universal.

edwagreen Ginger Rogers gives a restrained performance as a quiet victimized young lady who is sent to prison after accidentally pushing her drunken boss out the window.While on furlough, she meets Joseph Cotten, who is battle scarred. The two strike up a memorable friendship, and Rogers tries to keep it from him where she is going back to.Tom Tully and Spring Byington are just wonderful as the aunt and uncle she goes to during her leave. She brings Cotten to their home and they accept him with dignity and kindness. They are a wholesome couple promoting wonderful family values. Shirley Temple is their teenager daughter, outspoken, but kind in this 1944 film.Of course, the picture proves that you can't hide things; they have a way of coming out. Nevertheless, the performances by Cotten and Ms. Rogers are warm and memorable.

Alex da Silva Mary Marshall (Ginger Rogers) is let out of prison for a few days to stay with her aunt's family. On the train, she meets soldier Zach (Joseph Cotton) who is having a few days holiday before he returns to a psychiatric hospital. They embark upon a romance before they must both return to their institutions....It's a romantic film that is well acted as we follow how two misfits come together and fall in love. A downside for me is having Shirley Temple play Barbara Marshall, Mary's younger cousin. I just find her ghastly. There are good scenes between Rogers and Cotton as we believe the love that they feel for one another. Although Cotton comes clean about his situation, Rogers' character keeps her secret to herself and this causes a misunderstanding at the end. It's a good heartwarming story.