huggibear I appreciated the 'Latino' flair, different for the holidays. The story line is touching and you'll know why at the end. This movie gave me a decent feel of what I might expect if I wanted to some day join a Puerto Rican family for the rest of my 'Gringo' life. I thought being with Puerto Rican lady would be kind of neat, so I watched the movie and now I understand more how it may be for me with that family. Debra Messing plays the 'Gringo', which would be me in this case as I join my future family in all its splendor and mysteries. I must say, I look forward to it...well, a girl can dream anyway!

museumofdave Some reviewers find this film not typical cheery holiday fare, comparing it to what they viewed as a happy Christmas film--It's A Wonderful Life--which, while a Christmas classic, could hardly be thought of as mindlessly cheerful, dealing as it does with the leading character's possible suicide and the likelihood of a divided town becoming a Potterville--where Lionel Barrymore and his bank win all the chips. Sure, the Capra tale has a happy ending, but the grim possibility of the little people losing their beloved homes to the banks seems a little prophetic in light of contemporary political gridlock and the foreclosure scandal. Its A Wonderful Life Is a fairy tale. A nice one, but a fairy tale. Nothing Like The Holidays is not. This little drama, hardly a comedy, is not typically mindless holiday fare, but an enjoyable watch, zeroing in on the problems that accumulate when a son returns at Christmas from Iraq to a family where his parents are considering divorce, a sister unable to make it as an actress, and a brother whose values seem to contrast with the Puerto Rican roots of his family. With Freddy Rodriguez, Alfred Molina, Debra Messing and John Leguziamo all giving strong and likable central performances, and a script that holds the attention from start to finish, this is probably a more accurate portrayal of the way families spend their Christmas today--the good and the bad things that happen when folks get together hoping for the best but knowing that there are ghosts in the closets that may slip out now and then--and while no masterpiece, the 98 minutes seem to be an honest reflection that perhaps will comfort those of us not living a fairy tale.

Ed Uyeshima If you can envision mixing Thomas Bezucha's "The Family Stone" (2005) with Lin-Manuel Miranda's "In the Heights" (still running on Broadway), you will get a rough idea of what this 2008 family drama is all about. It's refreshing to see a holiday feature focused on the vibrancy of the Hispanic community, and director Alfredo De Villa does an energetic job celebrating the ethnicity found in Chicago's Puerto Rican-dominated Humboldt Park neighborhood. However, he gets little help from the by-the-numbers screenplay by Rick Najera and Alison Swan, which is mired in clichés and stock characters. The story works strictly within predictable convention by using a Christmas family reunion as an excuse for melodramatic revelations and confrontations among its members.The plot elements are laid on thick. The Rodriguez family is headed by jovial bodega owner Edy, whose recently secretive behavior has convinced his hot-tempered wife Emma that he is having an affair. She unceremoniously announces at the family dinner table that she wants to file for a divorce. Oldest son Mauricio has become a smug, rather insufferable New Yorker and brings with him his high-powered wife Sarah, an uptight gringo on the verge of managing her own $300 million hedge fund. Much to Emma's chagrin, they have decided to put off having children to focus on their careers. Looking battle-weary and acting disengaged, younger son Jesse has just come home from a tour of duty in Iraq to find his ex-girlfriend settled down with another man. Daughter Roxanna is a struggling actress in LA whom the neighborhood thinks is going to be the next big star. Her life gets complicated by a budding romance with ex-gang member Ozzy, who is tormented by the shooting death of his brother. And as if it isn't obvious, an old, ugly tree in the Rodriguez front yard stands as a symbol of the family's solidarity.All the characters are sketched in broad strokes rather than developed with nuance, so the film feels more suitable as a TBS TV show. Nonetheless, the cast is likable and sometimes a bit more when given the chance. Alfred Molina ("Spider-Man 2"), a Brit of Spanish-Italian ancestry, has mastered a diverse array of ethnic roles in his career and plays Edy with convincing Latino flavor. Elizabeth Peña ("Lone Star") is a welcome sight as Emma. A surprisingly restrained John Leguizamo ("Moulin Rouge!") plays Mauricio, and an unsurprising Debra Messing ("Will and Grace") plays to type as Sarah. Effective albeit limited work comes from Vanessa Ferlito ("Grindhouse") as Roxana, Jay Hernandez ("World Trade Center") as Ozzy, and Luis Guzmán providing comic relief as a jokester cousin obsessed with his hair. The film's best performance comes from Freddy Rodriguez (Federico in "Six Feet Under") who realistically conveys Jesse's pain with a minimum of help from the trite script. Paul Oakenfold contributes the percolating soundtrack. The 200 DVD offers an entertaining commentary track from De Villa, Rodriguez, and producer Robert Teitel; a 12-minute featurette that reunites some of the cast members to discuss the making of the film; the original theatrical trailer; and the inescapable blooper reel.

dbborroughs Latino family gets together for Christmas and to welcome home one of their number from Iraq.Good solid family drama Shines thanks to a super cast (Alfred Molina, Elizabeth Pena, John Leguizamo, Luis Guzman, etc etc). To be certain the story is a bit cliché but the cast handless it with a great skill and they turn all of their characters into real people. Even Debra Messing as the one Caucasian in the bunch is fine once she sheds the fish out of water shtick she's handed. Its so nice to see what real actors can do to turn a well worn tale of a holiday home coming into something touching and affecting.Worth a look and repeated revisits,