naseby Not anything to write home about, but I've always like Conrad Phillips in these budget-flicks from 'Butcher's films' which seem to be doing the rounds on obscure Satellite/Freeview channels and, put out by 'Reknown Films' on DVD.A pretty thin story, of a reporter, Jack Moir (Phillips) who constantly bothers a local hoodlum nicknamed 'The Duke' Dukelow, with bad publicity about him. Needless to say, the latter has him put out of the way by framing him for a mail-train robbery of around £60,000. Moir is sentenced to 20 months in prison and swears/exacts revenge on his release. It's pretty staid to be honest. Two points, as Malcolmgsw points out, that 20 months for robbery of £60,000 especially involving coshing a cop, is a ludicrously short sentence, which would probably start at least eight years plus, even if you didn't serve the full term of it. Another load of rubbish surely is, as has also been said elsewhere, that the police (led by Mike Pratt) would surely not expect him to be hanging around waiting to be pinched with the evidence that was 'planted' on him (that he hadn't known about until they unearthed it). Of course, though, cops are cops 'We're a very narrow-minded lot' as was quoted in the film 'Villain' from Inspector Matthews. From an interest point of view, Ballard Berkeley as Moir's Newspaper boss puts in an early appearance before his 'famous' one as 'The Major' in Fawlty Towers. Anita West, 'The Duke's' resident singer and floosie disappeared as a character actress (sorry, actor) sometime in the seventies/eighties (Crossroads) but puts in a welcome appearance too. A pretty laughable ending is also had to add to the purile writing of the story. Again, bad skiffle and jazz music as well as short back-and-sides and Brylcreem add to the atmosphere but worth it only for a curious look of B-support movie featurettes..

Leofwine_draca Butcher's Film Productions are the chaps behind a series of low-rent, low budget British thrillers made throughout the 1950s and '60s, but IMPACT is very much a lesser product even by their low standards. This is a lifeless thriller with a simple storyline and not much in the way of incident or intrigue to recommend it.The storyline sees journalist Conrad Phillips being framed and sent to prison for a crime he didn't commit. He's eventually released, at which point he swears revenge on the man responsible: crime boss George Pastell (Hammer's THE MUMMY). Unfortunately the revenge plot is hardly an exciting one, and despite a fist fight or two this is very low key and a film where barely anything happens.The film features a role for Ballard Berkeley (FAWLTY TOWERS's Major) as a newspaper editor and a few scene-setting moments of the era. Pastell is the best thing in it and the only person who seems to be making an effort in terms of his performance. This is still entirely forgettable, though.

Prismark10 This is a 1960s B movie short. Its a poor film which starts interestingly enough but quickly loses impact.It is low budget, inspires to be some type of American gangster flick and has some straightforward performances, s dicey script with more holes than a colander.It is rather surprising to see Ballard Berkeley better known as the Major in Fawlty Towers as a younger and a rather straight talking newspaper editor.Conrad Phillips plays Moir, an experienced crime reporter who has been pursuing a gangster known as the Duke. The Duke in retaliation fits him up for a train robbery and the police arrest him and he is sentenced to two years in jail. In jail Moir plots his revenge.I have big doubts how the police would think a well known crime reporter can suddenly get involved in a train robbery. As for the revenge plot where the climax takes place in a cold storage warehouse is underwhelming in its sheer hokeyness. I think the film-makers got bored as it suddenly ends.

realthog *SPOILERS* Note that the plot summary given by one earlier reviewer is wrong in almost every conceivable respect. Phillips is an experienced reporter who's been hounding nightclub owner/crook Pastell, who in retaliation frames him for a train robbery. Phillips does 20 months for the crime and, on leaving jail, with the help of his cellmate Rees and some powerful refrigeration equipment (and without the help of his ineffectual girlfriend Marlowe) forces Pastell to sign a confession to all his crimes.The script's no masterpiece but what really lets the movie down is the acting. Pastell is quite good and West, as his floozy, is perfectly adequate, but most of the rest are of amateur-theatrical standard.