Inside the Third Reich

1982
Inside the Third Reich
7.3| 5h23m| en| More Info
Released: 09 May 1982 Released
Producted By: ABC Circle Films
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A dramatization of the life of Albert Speer, Hitler's young architect and onetime confidant, and his meteoric rise into the Nazi hierarchy. Based upon Speer's own monograph of the same title.

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cdmixon Inside The Third Reich is a great movie. Of course the central character of the movie is Hitler played by Sir Derik Jacoby. He does a masterful job of portraying Hitler. From reading a lot about the Third Reich time period and Speer's book, the film is true to the book, and to history.Many people have wondered why Speer was not hanged at Nurenberg. I think I know why the court spared him when the others were hanged. He was one of the few remaining Nazis that could attempt to explaining Hitler from a human point of view. The movie is fast moving and gripping. A great screen occurs at a lavish party when Hitler makes Blythe Danner(Speer' wife)shudder as he kisses her hand and fawns over her. She says to her husband Speer, I may attend parties for him but I will not have him in my house! This is one movie you will want in your house.
grahamsj3 This is an adaptation of Albert Speer's autobiography by the same name. The story itself is, of course, told from one point of view, Speer's. However, it is a riveting story overall. But I didn't think that Rutger Hauer had his heart in this one. His performance just seemed a bit off and he, unfortunately, was the star, playing Albert Speer. I thought that Derek Jacobi did a wonderful job as Adolph Hitler and he even sort of looked like him. The story is a pretty strong one, and the film holds up pretty well even given Hauer's somewhat lame acting. The remainder of the cast, which includes Sir John Gielgud, Blythe Danner, Randy Quaid, Elke Sommer and Ian Holm, all do a pretty good job and the film is overall fairly enjoyable. However, as I mentioned, it is told from only one viewpoint. A good film but not a great one.
goya-4 Rutger Hauer brilliantly plays the Nazi architect Albert Speer in a made for tv movie based on his memoirs. Being based on Speer's memoirs obviously Speer is presented in a better light than the other nazi heads of power, but the drama is evenly balanced and indeed interesting. 6 of 10
Rosabel This movie is a fine adaptation of Albert Speer's autobiography of the same name. It is at its best when showing us the vicious backstabbing and tawdry competition among Hitler's top men. Speer walks among these power-hungry vipers like an aristocrat among peasants; indeed, the movie can be faulted for taking Speer too much at his own evaluation, and not showing how he was corrupted and influenced by the company he kept. Some of the other characterizations are not quite accurate either - Speer's wife, Marguerite, in reality was not the voice of conscience continuously warning him that what he was doing was wrong and they were all doomed. Other biographies have revealed her to be generally uncritical and in some ways pleased with her elite position as the wife of one of Germany's top men. And while Speer's father was a liberal and against the Nazis, their relationship was not as warm and open as shown here, and Speer was not greatly influenced by him. In fact, it is hard to believe that Speer could have easily followed the path he did in life if all the most important, beloved and admired people in his life had been as clear-sighted and vocal about his mistakes as they are shown to be here. The movie thus falsifies some of the historical atmosphere, and overlooks to what extent perfectly respectable middle-class people in Germany thought Hitler was wonderful. But these flaws are outweighed by the movie's strengths - Derek Jacobi gives a stunning performance as Hitler. One can almost imagine how charismatic and appealing he must have been, as he switches from charm to humour to passion as required. A wonderful scene is just before the Nuremberg Rally, where Hitler stands in front of a series of mirrors, practicing his trademark gestures - arms folded, fists clenching - while talking quietly to Speer about the great future ahead of them. The nature of Hitler as a performer and actor has never been shown as clearly. Ian Holm also gives a great performance as Goebbels - repulsive, unshakeably fanatical and cold-blooded, yet also dangerously intelligent and even witty. This is a view of WWII from a particular angle, and it thus has a lot of gaps (for instance, Speer claimed never to have really known what was happening to the Jews) but it is still engrossing and well worth watching.