ThomasWright reviews This films special effects were outstanding. There was no chance to take a breath from the violence as soon as it started. The killer uses a pair of scissors to attack almost every character, she uses these to pin hands to walls, jab kneecaps, shove in to groin area, slice face, even cut open a pregnant women and gut her after removing her baby, and so much more! Although the special effects were really well done, almost all of them were done in a house with no light except the bathroom. This means that it is really frustrating as it is really hard to see clearly what is going on. Also the stupidity of some of the characters was insane. They were ditching all common sense. One example is when one of the police officers realizes that there was this killer in the house and that there is a power cut but still goes in not alone, but with a criminal they had convicted earlier attached to him like a dog on a leash. Then when they see all of these graphically killed body's they are just looking for a way to turn on the power. Summary: This film has some amazingly graphic and cringy effects however these were overlooked by a rubbish story-line and character stupidity. And at the end I didn't really care about any of the characters or story.

Modern Monsters The Boy is MineBiblically simple, Inside has only five short expository scenes before The Whore is unleashed to attack The Mother, in a way Jean Eustache had never dreamed of – or have nightmares about. The Mother had a car accident in which she loses her husband, but the baby she's pregnant with is fine, confirms her obstetrician; she meets an ominous nurse, then her estranged mother on the hospital parking lot. Her boss confirms she's a a great photographer. Fast forward to almost delivery time, in a suburban home incongruously bearing a 666 address – no French house has such a number, but it displays some ambition from the film makers to transcend their national market. And so they do, in the best French horror movie of its decade.These initial scenes establish that Alysson Paradis (Vanessa's younger sister) is unable to act; fortunately what will be required of her in the rest of the movie is to scream, to crawl and be terrorised by The Whore, quite splendidly played by Beatrice Dalle, tapping deep into her inner witch. The Whore wants The Mother's baby, see, and nothing will stop her to rip it off her womb. There goes a tightly paced, gory thriller not quite any other.Inside, as its title indicates, is claustrophobic to the point of slapstick. The Mother hardly leaves the bathroom she has found refuge in, mostly being successful in keeping the Whore, well, outside. Various intruders unwillingly come to her rescue – her boss, her mother, a police team featuring a petty thief they have previously arrested – that The Whore dispatches by way of a firearm, a knife, a knitting needle or her weapon of choice, scissors. Big ones. Not that she doesn't go through hell herself in the process.The Mother is a survivor because she carries life; The Whore has nothing to lose she hadn't already. Both will inflict pain on the other, until the brilliant – and utterly logic, for once – finale, playing like an atrocious fairy tale. Inside is "mad, bad, and dangerous to know", to quote Mary Shelley about Lord Byron. It's definitely no date movie, or if it is, one of you puppies is definitely sick. Highly recommended.

morrison-dylan-fan After a long delay I decided to take a look at another title from The New Wave of France Horror.With having heard about the movie for ages,I decide that it was time to look inside.The plot:Driving home with her husband,Sarah and her unborn child get caught in a crash which kills her husband.4 months later:Christmas Eve: Spending Christmas Eve on her own,Sarah prepares herself to deliver the baby tomorrow.Getting set for an early night,Sarah hears a knock at the door.Checking the peephole,Sarah finds a women standing in the shadows saying that she needs to use the phone.Making up an excuse of her husband being asleep,Sarah is stopped in her tracks,when the stranger reveals that she knows Sarah's name,and also that she is pregnant with her dead husbands child. Threatening to ring the cops,Sarah soon finds out that the stranger is determined to get inside the house,and inside for Sarah's unborn child.View on the film:Locking Sarah and the handful of other characters down in the house,the screenplay by writers/directors Alexandre Bustillo & Julien Maury turn the house into a maze of dread,where every corner of the house reeks of a morbid atmosphere.Whilst the explanation for the attack does leave stretchmarks,the writers keep the tension tightly coiled,as the arrival of each new outsider leads to Sarah and the stranger taking more extreme measures in their battle.Covering every bit of Sarah's house in the New Wave of French Extreme Horror blood,the directors and cinematographer Laurent Barès give the film a wonderfully abrasive atmosphere,as each spilling of blood is joined by a chillingly stilted shot.Backed by a humming trance score from François-Eudes Chanfrault and pointed scissors editing by Baxter,the directors bask the title in an eerie supernatural atmosphere,as smog greens and yellows seep over the blood.Desperately trying to protect her unborn child, (shown in poorly done CGI) Alysson Paradis gives a great performance as Sarah,with Paradis pulling the horrified anguish across Sarah's face.Gliding round Sarah's house like a black widow, Béatrice Dalle gives an extremely creepy performance as the stranger,thanks to Dalle screeching out pig squeals with a devilish glee and keeping the strangers face stone cold,with no sign of humanity,as Sarah finds herself unable to stop the stranger from getting inside.

tkaine3 Well someone told me this movie was one of the most disturbing movies they've ever watched and someone else told me it was one of the worst so being as though this movie is 9 yrs. old and I have never seen it I wanted to give it a new review update. So in 2016 compared to a lot of movies I've seen with the so called disturbing reputation I think this movie is worth the reputation and all in all I liked the film a lot. Many movies take too long to get started they also fail to build build build until the final cut to black and then credits this movie does those things tremendously. It wasn't about having a heavy dose of story line but it was there enough so that you were not lossed in trying to figure things out even if you may guess of why things are happening or who the character doing these crazy things are it has a lot of suspense until you basically can't take anymore guessing and it's revealed in perfect timing. Someone giving this movie a 1 or 2 rating clearly can not understand horror and the art of gore in it's essence. Also if a review is longer than 2 paragraphs it's pretty clear when someone has so much to say about something they didn't like.Fast Paced☆/ Scary as heck☆/ original story☆/ surprising plot☆ Disturbing worthy☆/ Gore & Horror☆/ Effects & Camera☆/ Acting was up to par☆/ and the score or music was great☆. 9/10 for disturbing Horror flick definitely worth a watch other movies that are heralded as being disturbing barely made me squirm as much as this movie did,Great job to everyone who was involved in making this film.