gridoon2018 It's no wonder that most posters of "Jesse James' Women" have the catfight that occurs in the middle of the film front and center; it seems to be the set-piece that the entire first half of the film is building to, and when it's over the second half seems to have nowhere to go. The catfight itself is relatively long and raw, however it could have been even longer and rawer; in any case, it's considerably better than a male boxing match near the end of the picture, as even the spectators of both events admit themselves! Peggy Castle is quick both with a gun and with her fists, and the newcomer who plays her opponent is quite the match for her. Star-director-co-writer Donald Barry plays Jesse, and he's the object of desire for these beautiful women and more; you can call this a bit of a vanity project, but then again, you'd probably do the same thing if you were in his place. An aimless but watchable Western - though the DVD prints are badly in need of remastering. ** out of 4.

classicsoncall Well somewhere, some time, someone must have thought this was a good idea for a Western film treatment. Instead of terrorizing banks and stagecoaches, Jesse James (Don Barry) turns into a Don Juan and uses his dubious charms to romance a passel of gals out of their money. I guess since the title states "Jesses James' Women", there had to be a bunch of them, and so there was. Peggie Castle led the cast here as Golden Bell saloon gal Waco Gans, conducting a reasonable tryout for her 'Lawman' TV series run as Lily Merrill. Castle takes part in two of the picture's highlights - a knock down, drag out catfight with Betty Brueck, and later on an actual gunfight showdown with the same opponent going by Cattle Kate Kennedy. That one was a bit of a let down to my thinking, but still a creative effort on the part of the principals.The other contenders for Jesse James' affection include Lita Baron as saloon singer Delta, and Joyce Barrett as Caprice Clark. Probably outshining them all just by her sheer innocence was the sheriff's daughter Angel, winsomely played by Laura Lea, who managed to get the outlaw Jesse to show his human side. Ironically, they had their final conversation right in front of a wanted Poster offering ten thousand dollars for Jesse and his gang.For a quick change of pace, there's also a nifty boxing sequence in the latter half in which Jesse attempts to pull off a thousand dollar payday against barnstorming boxer Champ O'Toole (Alton Hillman). Not to be outdone by a resounding knockout, Jesse simply decides to rob the champ's entourage as they head out of town the next day. I guess if you want something offbeat and don't mind tampering with your Western outlaw legends, this could fit the bill. Just don't raise your expectations too high and you'll probably be OK.

Leslie Howard Adams A couple of southern theatre exhibitors decided they could make a western (or, in this case, a Southeastern) just as bad as the worse of those coming from Hollywood and proceeded to prove they could be not only as bad, they could be much worse. They ensured their success at obtaining this goal by hiring Don Barry as the director. Barry was the best choice, as only the egotistical-and-sad Barry could direct (or believe) a film in which he starred as a lady-killer whose charms women could not resist.(The Susan Hayward real-life swimming-pool incident not withstanding.) Jesse James (Don Barry), leaves Missouri for Mississippi, and immediately charms all the women in the cast out of their bloomers and garters, even though three of them towered over him. His first conquest is the banker's daughter who helps him loot the bank in exchange for a promise of marriage; he wanders over to the saloon and runs the crooked partner of the proprietress out of town, takes all of his-and-her money and leaves her, between kisses, hounding him for her share; the third one, the saloon singer, actually makes a mark out of him as she cons him into a boxing match against a professional fighter and he loses the fight and his money, but he holds the singer and the fighter up as they leave town and gets his money back; and then he romances and swindles Cattle Kate, a replay of what he had done somewhere before to Kate and the "gotcha-again" Kate even ends up behind bars. But no film that contains a cat-fight between Peggie Castle and Lita Baron can be called a complete waste of time

cindy-hillman Al Hillman is Champ O'Toole, not Clem Botts the Sheriff. Please check credits on film. Al Hillman died in 1965 at age 42 from cancer. In his memory, please correct the misprint on the IMDb profile. He did not play the role of the sheriff, but was the colorful boxer, Champ O'Toole, and this can be verified by the credits on the film itself. I found the movie to be fun and full of mischief. The Mississippi setting gives the film an authentic feel for the nature of the far from plush lifestyle of outlaws on the run. The female stars are vivacious and did not mind letting go of their vanity for a little cat fight, which in the 1950's was brazen!