SnoopyStyle Joan Rivers has never been shy and this is no exception. We see her warts and all. Normally, a documentary with a co-operating subject can be too one-sided. Joan is too happy to give both sides ... on most subjects.Joan is still doing the clubs and working hard. It's getting tougher and tougher. Kathy Griffin is taking the bigger gigs. Her biggest fear is an empty day planner. She's a workaholic with brass balls.For the inappropriate comedian, the most controversial part is probably her time with Johnny Carson. She has a specific take on the events. I just wish we get the other side. That's the only thing obviously missing. In general, we get a real insightful look into her life.

bdgill12 Whatever your opinion of her may be, you cannot deny the universal fame of Joan Rivers. One of, if not the, most recognizable female comedian the world has to offer, Rivers had been thrusting herself into the spotlight for the better part of the 50 years. And whether a rabid fan, an adamant hater, or somewhere in between, everyone knows Joan. Her sharp wit and wickedly crass material have been overshadowed by her commitment to plastic surgery and unfortunate career choices but at the same time, you have to credit her for still having a career at all this far into the game. On the verge of turning 75, "Piece of Work" details the life and times of Rivers from the highs to the lows and her rise to budding superstar and fall to Indian casino bookings.First of all it should be noted that I really wasn't interested in this movie. Obviously I love a good documentary but the thought of sitting through an hour and a half of Joan Rivers sounded only slightly less ominous than wearing Lady Gaga's famed meat suit into shark infested waters. My introduction to Joan Rivers came as a child when she appeared as an over-the-top makeup saleswoman in "The Muppets Take Manhattan," an appearance that left me shell-shocked for the last 25 years. That was enough for me. But when this doc popped up on my bi-weekly search for anything new worth watching on Netflix Instant, I figured it wouldn't hurt to add it to the queue even if I never watched it. (Note to movie studios: this is not the first time this has happened. Netflix Instant is a serious boon to your industry. Embrace it.) And then the weather and AT&T became allies and launched a dual-front attack against my house a couple of weeks ago, knocking out my cable while simultaneously making it impossible for me to leave my house. So when the Lady of the Box Office refused to be party to any of the movies I suggested (who doesn't want to have a "Star Wars" marathon on a snow day?!), we turned to "Piece of Work." Secondly, I was completely taken aback by how compelling I found this documentary to be. It provides not only a look at a comedian's creative process but also an insight into crippling insecurity. The preparation that this woman puts into her craft (comedy) and the seriousness with which she approaches it are remarkable. A wall full of card catalogues house a record of every joke Rivers has ever told and I found her editing methods to be fascinating. At the same time, the need for approval, for fame, for love (essentially) is the overwhelming message of the film. In many ways, Rivers has carved out for herself a remarkable legacy and yet all she can focus on are the rejections and the fragile state of her acting career. It's heart breaking, really, to listen to Rivers as she delves into the depths of her lack of overall confidence, something you'd never pick up for her act. "Piece of Work" also displays a strong if understated caring side to Rivers, particularly in scenes describing her kindness toward past and present employees and the continual badgering of her daughter, Melissa, concerning her smoking. Of course, being the rough-around-the-edges person that she is, her concern comes across as condescending but for me, that made these moments all the more genuine. "Piece of Work" allows the audience to view Joan Rivers as a human when most in my generation have only known her as a caricature-like presence. That humanism is where the movie makes its mark, really, and what sets it apart from other celebrity bio-docs I've seen in the past.My site: www.thesoapboxoffice.blogspot.com

Herag Halli This is an amazing woman with an even amazing career. The film is well done with incredible candor and introspection that only a comedian would share. Nothing is off limits-the conference calls with her manager (Jimmy Sammeth who seems to have a love and hate relation with her) and personal assistant on the speaker phone in disparate attempt to land a gig to support her "Industry" and her opulent life style. I don't know of any comedienne ever lives or lived like her. The apartment is ritzy with gilt galore and classly decorated and she is the queen who has to do her raunchy routine to pay for the luxury. I have seen her live..she really does not have new or good material but people see her at least once, for the pure shock value. She is not afraid to show very unflattering scenes(even scary!) where she appears without makeup for a woman who thrives on vanity and plastic surgery. It becomes quite evident by the end of the film that she really does not have any close friends or family. Her daughter Melissa (not a very likable personality herself!) has no real love for her and her manager Jimmy Sammeth, who ends up quitting (it is ironic that the only tears she ever sheds in front of the camera is for him, and not for her husband who committed suicide in a philadelphia hotel.) Comedians become subtle and subdued as they get older but Joan, is the reverse. She is more daring and raunchy than ever. There were two other comedians, who maintained an extensive joke files like Joan..Bob hope and Milton Berle and they performed to their 90's. She says the actors fade out when they get to be fifty but comedians never fade..once a comedian always a comedian. The best scene in the movie is when she is sitting in the limo making faces to a voice over when she muses to a failed Play. The only thing I am not sure, is the therapy sessions with her daughter Melissa, was real or taken from a movie. I really enjoyed the movie. The two women producers have a great potential. They should do the same with Jerry Seinfeld!

dayXexists Very depressing look into the life and career of 75+ year old Joan Rivers who is so clearly starving for attention and acceptance but more often just gets crapped on by the industry, her fans, the press and public. It's pretty sad to see what the business will do to someone and how even nearing 80 years old she is still willing to take any booking, even a roast of herself where people call her a the c word and say things about her vagina, just so she can stay relevant. It was very sad when she got bad reviews for her play because you can tell it hurts her so much that people generally do not respect her or take her seriously. I would recommend it because it is an interesting look at the business and shows how addicting it really is for the people that it chews up and spits back out.