hoyayer In "Joe's Palace", the power of Joe's actual palace appears to be supreme and irresistible.Entire lives have been defined for generations according to the social parameters, class distinctions, and boundaries exemplified by this magnificent home. The individual's inability to comprehend the extent to which this mansion exerts its power is the gist of the story.The house can be seen as a surrogate for religion or the monarchy, or the most worshipful possible love for England and its history. The building has a force of personality that cannot be resisted, and everyone whose path crosses it understands perfectly -- even Joe. Ultimately, the house is a monster that seizes control of those who enter. It rips them from themselves and then leaves them diminished or humiliated. Joe fares best, apparently because he sees the hold that the house exerts on people, but himself does not experience it.

Paul Evans Joe takes on an unusual job, looking after an unused house for wealthy millionaire Elliot Graham,who curiously lives across the road. Without any residents Joe resides in his palace, which boasts masses to explore. Elliot could be described as the idol rich, Joe is from a humble background. As time goes on Joe hosts MP Richard Reece, and his mistress Charlotte.I'll admit to being a Poliakoff addict, his writing and artistry for telling a story is spellbinding. Every piece of work he's done has captivated me, it's a toss of a coin between Joe's Palace and Perfect Strangers which I'd give top billing.There's a wealth of talent, Kelly Reilly, Michael Gambon and Rupert Penry Jones are all wonderful, but it was the relatively unknown talent of Danny Lee Wynter that blew me away, one of the best acting performances I think I've seen. Why is he not better known?A wonderful scene featuring the Antiques Roadshow team, the pieces are beautiful, I love the way that segment plays out.I don't quite know how to put into words just how much I enjoyed this, it's moving, funny and somehow addictive. Only Poliakoff can tell a story like this. I miss this style of 90 minute drama.Not often do you feel like you're watching a film through the eyes of a character, with Joe you do. A fabulous character study 10/10

rampaginghulk2003 I've seen the movie twice, some years back, and just recently 3/24/2016. Joe's ENTIRE character was not my favorite. I never liked the way he was so aloof about life. Very "meh," kind of depressed, had no friends, but then again...he kind of reminds you of the character Mr. Graham in that they are both so very alone, and socially awkward. Joe's character: He seems to not have much going for him, no friends, socially outcast, but when he gets his new job he seems to become more naive to the fact that he is all alone in a great big house.There is something about the mansion that captures you, even simply watching them go from priceless room to room you can see how easily this mansion can fill you with wonderment. Later you start to see a trend that everyone who comes in that house soon becomes changed.I think if you are just watching the film and not really vested into the background, and the characters, then you might easily not get the movie.

AlanJenney Several years have passed since his father's death and a billionaire (played by Gambon) finds himself stuck, unable to make a decision about what to do with his inherited fortune that he suspects was built on ill-gotten funds. Everything has been put on hold in his life including a house (once the family home), which is still staffed and cleaned despite being largely empty, opposite his place of residence in London.The "Joe" of the title is employed to work as doorman at the vacant house. He mumbles his words and has a vacant look throughout the film. Through his uninspiring diary entries, we listen to the lives of those who come and go.Many of the characters connected to the house are lonely in one way or other: the doorman that Joe replaces; the cabinet minister who brings a mistress to the empty house to "make use of an upstairs room"; the housekeeper and her oppressed staff; the homeless man and the night security guard; Mr. Graham himself. You wish for some drama to happen and although each has their own scene in the sequence of events, nothing of real consequence happens.This depressing atmosphere runs through the entire film. So the one moment of real emotion that occurs is heightened by this empty background.The main plot line is that Elliot Graham recalls moments from his childhood and suspects his father accepted money and gifts from the Nazis. Researchers turn up nothing out of the ordinary in his financial dealings but one of his father's diary entries is discovered by the shop assistant from the local Delicatessen. The diary speaks of his father witnessing the humiliation of Jews whilst arranging a business deal in a park in Germany. Days later, Graham heads off to a castle and Joe tags along. It turns out Graham has gone there to commit suicide. In the only poignant scene of the film, Joe sees a gun in Graham's hand and he rushes him.Strangely, we are then robbed of the chance to see the struggle between man and boy. From this point until the end of the film, things just fall down into sentiment.Much of this film seems then appears unlikely or uninspiring...(a) The politician's mistresses are a long-lasting sub-plot which begs to go somewhere, but instead it fades away.(b) It seems bizarre that the historians and researchers do not turn up anything about the Third Reich business arrangements and it's only the diary entry that says anything about it. The implication is that they are either afraid of Mr. Graham or do not make any connection to what he wants to know.(c) Despite all the other information that comes his way, Joe does not enquire about the only interesting thing that is discovered about Mr. Graham before the suicide attempt. Yet in the closing monologue, Joe professes to have been behind the old man's rehabilitation. Really, he's been a bystander to much of what happened.(d) Elliot Graham comes out of his reclusive state simply by returning the trinkets to relatives of the family they were taken from. This seems to place little consequence on the circumstances in which they were taken and makes his earlier indecision and suicide attempt appear extreme. After all, exactly what he suspected had been uncovered.Disappointingly, it is only Michael Gambon's welcome appearances that hold a lot of this together. Without him, there's barely anything to commend about this story.