blanche-2 Shadows on the Stairs is a B mystery film from Warners and, despite some of the British accents, it was filmed in Hollywood on the Warners lot. It's a light mystery that probably was just what the Brits needed as war was raging.Based on a Broadway play produced in 1929, the story concerns a boarding house, the Armitage, where a murder takes place. The victim is one Joe Reynolds (Paul Cavanagh), who was up to something no good with another lodger, Ram Singh (Turhan Bey) and also having a clandestine relationship with Mrs. Stella Armitage (Frieda Inescourt) herself.Ram Singh, we learn, is a patriot attempting to free India from the British. His group is to get $500,000 British pounds with Joe's help, but Joe is a racketeer.Mrs. Armitage is a wreck about Joe's business affairs and lets him know she's determined to put a stop to them. Little does she know that her husband Tom (Miles Mander) saw her and Reynolds embracing. So he's another suspect, right along with Stella and Ram Singh.Other characters include a recently fired maid, Lucy (Phyllis Barry) who was also involved with Joe. The only ones who don't seem involved are the Armitage's daughter, Sylvia (Heather Angel), and a playwright (Bruce Lester) who is in love with her. Then there's the spinster, Phoebe Martin Saint John Snell (Mary Field).With a second murder, the problem becomes even more difficult to figure out for the inspector.And the denouement will surprise you.Very well done mystery that will bring a smile to your face. The acting is delightful, with the exception perhaps of Frieda Inescourt, who seems to be playing to the last row of the National Theatre.An unusual film for Warner Brothers, but entertaining just the same.

bkoganbing The second line members of the Hollywood British colony got together and were cast in this B picture murder mystery. Miles Mander and Frieda Inescourt own a boardinghouse in London and there are a lot of strange doings happening at their establishment. Too bad there was no butler in the plot lest the solution be easy.Best in the cast is the prim and proper spinster lady Mary Field who is most self conscious about being interviewed by the police in the persons of Lumsden Hare and Charles Irwin. Turhan Bey casts a mysterious presence as an Indian student boarding there who may be up to no good. India was not yet free from Great Britain and not everyone followed Gandhi's philosophy of non-violence.For the solution in Shadow On The Stairs a knowledge of the American theater is required. The audience in 1941 would have figured it out immediately. But the solving of the mystery is not the end of film.Shadow On The Stairs ain't the Maltese Falcon, it sure has a whole lot less values in it. But it's a competently made film and I'm sure complimented the Falcon well as a B film in a double feature.

Terrell-4 This old-dark-house movie...well, old-dark-boarding-house movie...is a lot of fun. If you're willing to accept that it's dated and the acting is clunky, you'll be rewarded with something either suspicious, threatening or violent going on almost every minute, with genteel accents by the main characters plus a twist at the end that should have you smiling. In London in 1937 the Armitage rooming house is run by Mrs. Stella Armitage (Frieda Inescort) with help from the maid (Phyllis Barry) and from her daughter, Sylvia (Heather Angel). Her husband, Tom Armitage (Miles Mander), is an older, distracted man who concentrates on solving chess puzzles. Among the roomers is a mysterious young man from India, Ram Singh (Turhan Bey); a smooth older man, Joe Reynolds (Paul Cavanaugh), who seems to know Mrs. Armitage rather well; a handsome writer, Hugh Bromilow (Bruce Lister), who is keeping something secret and who has eyes for Sylvia; and a talkative spinster, Miss Phoebe Snell (Mary Field), who loves describing her romantic dreams at length to anyone who'll listen. Right at the start we learn that there is some sort of skullduggery that involves Ram Singh, Joe Reynolds and a heavy chest Singh spirits into his room from the foggy London docks. The last character is the rooming house itself, a three story dwelling filled with heavy furniture and dark corners, balustrades and carved oaken doors, dim lamps and pots of aspidistra. The movie is only one hour and five minutes long. In those 65 minutes we have murder, suicide, presumed adultery, corpses, disappearing lodgers, locked rooms, smuggled gold, a creeping specter with a shawl over its head, comic bobbies and bemused inspectors, threats and counter threats...and young love. Frieda Inescort does a fine job. She has a young face, a matron's body and an overwrought acting style that can move as fast as a snake from hysteria to barking out orders like a drill sergeant. Paul Cavanaugh is a practiced hand at playing doubtful smoothies. He and his pencil mustache are always amusing to watch. Turhan Bey, in his first movie, was only 19. He has a handsome, baby face, a mellow voice and a surprising amount of gravitas. He's also a dab hand at throwing a knife. Bey became something of an exotic star in the Forties, but saw his career fade away in the Fifties. He returned to Turkey, became a prosperous commercial photographer, then began playing television character parts in Hollywood during the Nineties. Shadows on the Stairs, especially with that unexpected ending, is more of a romantic/ comedy mystery than an old dark house scarum. For two first-rate old dark house movies you should see the 1927 version of The Cat and the Canary and 1932's The Old Dark House. The latter was directed by James Whale and has fine performances by, among others, Boris Karloff, Melvin Douglas and, especially, Ernest Thesiger. He is one of the Femm family, and a stranger bunch of siblings speaking some of the ripest dialogue there never has been since. Says Rebecca, the Femm sister, "They were all godless here. They used to bring their women here -- brazen, lolling creatures in silks and satins. They filled the house with laughter and sin, laughter and sin. And if I ever went down among them, my own father and brothers, they would tell me to go away and pray, and I prayed -- and left them with their lustful red and white women." Now that's a family in an old dark house to avoid.

cinema_universe With a cast like this, a B-movie mystery just can't miss. But first you must skip over the juvenile leads, both male and female, and look beyond them to the talented, polished and very-experienced supporting cast.Frieda Inescort, past her girlish good-looks stage, gives an outstanding performance as the duplicitous, cheating landlady of the boarding house where the murder takes place. Turhan Bey, then a young actor of considerable skill with an already notable acting history, plays another ethnic role-- the sort in which he was most typecast- that of the mysterious "easterner" --turban and all.Veteran actors Paul Cavanagh and Miles Mander round out this superb cast. You may recognize both from many 1940's supporting roles; Mander was also a director of early silents.Beware of nay-sayers who are always trying to compare films of this era with today's output-- Phrases like "it does (or doesn't) show it's age" or "it does (or doesn't) hold up today" are meaningless when viewing films of this genre. In fact, such comparisons are boring and tedious.This is a fun low budget effort, with an able cast, a crazy plot-line (why not?), and a few hysterical scenes (like the boarder who won't talk to the police because she's lost her false teeth).Recommended. Don't miss it.