vandwedge The worst part about being a Rina Takeda fan is that you will never find a movie properly showcasing her abilities, because nobody ever made one (and, by now, probably never will).She's awesome. Very talented, and a great screen presence, which are the most important traits of an action star. But she just doesn't have any writers/directors/producers caring to capitalize on that. High Kick Girl was a nice if deeply flawed first effort. Fans were hoping Karate Girl would be the one to get it right, but it ended up being a huge step backward, as too were her subsequent films, but let's stay focused.What is wrong with KG? Problem #1: not enough Rina! We want to see Rina taking up as much of her film as Jackie Chan takes up of his films. This was a noticeable problem in High Kick and even worse in KG.Problem #2 is what KG fills the holes with: a lot of plot. Plot isn't inherently bad, but it is when it's so repetitive and boring. I don't know how many times I can listen to the bad guys have the same conversation. I don't know why they want me to try.Problem #3 is her co-star, the fourteen-year-old Tatsuya Naka. For a fourteen-year-old, she's extremely talented. She has some remarkable acrobatic moves. But the issue is she reads as having impressive agility, not impressive force, and the movie asks us to believe in her force. We watch her incapacitate a room full of large, muscular adults by lightly kicking each of them once, and it just doesn't work. She should be in the movie, just not in this way, and not for this much screen time. The film treats her with the same importance as the person used to market the film, both on the cover and in the title!A lot of martial arts films are enjoyable with fast forwarding (for example, High Kick Girl). KG is disappointing even then. It has a couple of good moments, and Rina does the best one could hope for with this material, but the final product simply isn't a good one, unfortunately.If I had reviewed this when I first saw it in 2011, I'd end with "I can't wait for her third film-maybe they'll get it right next time!" But since I'm writing this after my 2018 rewatch, we already know how that one turned out.

Paul Magne Haakonsen Having just seen "High Kick Girl", it was with a certain amount of dread of expectation of disappointment that I sat down to watch "Karate Girl" (or "K.G."). However, those disappointments and fears were quickly swept away, as this movie was a rather nice step up compared to the other movie - both story-wise, production-wise and entertainment-wise.The story in "Karate Girl" was rather enjoyable and had quite more depth to it, than what was seen in "High Kick Girl". The story is helped along nicely but more well-choreographed martial arts and better acting. The story told in this movie is about a legendary martial arts master whose belt is coveted by some 'bad guy'. He invades a dojo and kills the martial arts master here in order to obtain it, as well as killing one of his two daughters, while kidnapping the second to raise and turn into a killing weapon. Having survived the ordeal, Ayaka (Rina Takeda) grows up carrying around her family secret, and comes face to face, literally, with her past.And one of the best things about the movie was the fact that they had moved away from having to show the same scene two times over, in either slow motion or in a slightly different angle. Sure, it does still happen every once in awhile here in this movie, but not like "High Kick Girl".If you have seen "High Kick Girl", I strongly suggest you forget all about it and move on to watch "Karate Girl", as it is better in every single aspect, despite having a fair amount of faces appear from "High Kick Girl" in this movie as well."Karate Girl" is actually good entertaining, though not amongst the highest ranking martial arts movies, but still, it delivered and entertained.

dee.reid To start things off in "Karate Girl" (2011), there's a murder and a kidnapping. Tatsuya Kurenai (Tatsuya Naka) is a descendant of the legendary Sojiro Kurenai, an Okinawan Karate master of almost mythical stature/status who was also the founder of the Kurenai-style of Karate - which is so deadly it can easily kill a person with only a single blow. Tatsuya has trained his two daughters Ayaka and Natsuki in this style. At the beginning of the film, Tatsuya is murdered by henchmen belonging to Shu Tagawa (Keisuke Horibe), a vile gangster who wants Sojiro Kurenai's black belt for himself. He not only succeeds in killing Tatsuya, but he also succeeds in slaying eldest daughter Ayaka and kidnapping younger daughter Natsuki.We later learn, 10 years down the road, that Ayaka (now played by Rina Takeda, star of the similarly-themed 2009 kick-'em-up "High-Kick Girl!"), now 18, not only survived Tagawa's attempted assassination, but is now a Karate master in her own right and is now the only known living Kurenai descendant around. She has been adopted by another family, and is forced to use her deadly skills to stop a pair of purse snatchers at the movie theater where she works part-time. As expected, the footage of her drubbing the thugs is caught on camera and soon goes viral on the Internet.The news of this catches Tagawa's attention and he soon sends his Karate-trained thugs to deal with her and finally retrieve the coveted Sojiro Kurenai black belt once and for all. Let the martial arts fighting sequences begin!One thing that really caught my attention about this movie was the amount of detail paid to the underlying philosophy of Karate as simply more than a form of self-defense. Much attention is focused on how Karate practitioners are trained never to strike first, only to react to a threat accordingly – because, as we are later told in the movie, a well-trained Karate expert could very easily kill a person with a single well-aimed punch or kick. It is also clearly explained how Karate could also be used for protection, whether it be a person or an object or an ideal. This is why I feel that this film's director, Yoshikatsu Kimura, made a better movie than "High-Kick Girl!," which I also enjoyed but was ultimately disappointed by its third act.I did not feel that way with this movie, directed by Yoshimatsu Kimura. Many will complain about the slow pace, but I find that great care was taken in showing that although Karate is mostly about self-defense (OK, that is its primary purpose, overall), there is a lot more to it than simply fighting. I have not seen this much attention paid to the underlying philosophy of a martial art in the movies since, incredibly enough, the American-made martial arts film "The Karate Kid" (1984). I find that when a martial arts movie gives us something more than just fighting sequences and actually tries to show the audience more about the art itself (italicized), it makes the overall experience a lot more enjoyable.And in terms of fighting, this movie has many. Rina Takeda is a young and highly skilled martial arts actress. It is clear that she is developing into a real dramatic performer, in addition to a young female a**-kicker. She is also an extraordinarily beautiful young woman. She performs many of her own stunts (which do appear to be based on real-life Karate forms), which is about the most authentic thing about her various choreographed action sequences. They are quite extraordinary and beautiful to watch. The action scenes are actually a lot more brutal, too, than they were in "High-Kick Girl!". The only problem is that it suffers from the same predilection (as in "High-Kick Girl!") for slow-motion replays of the fighting sequences, hurting the pace of the on-screen action. Thankfully, this is done only minimally here."Karate Girl," I feel, is a better movie than its predecessor "High-Kick Girl!" and is just as ambitious in showcasing both the dynamic fighting and underlying philosophies of Karate. I honestly hope that Rina Takeda is on her way to America soon!8/10

chrichtonsworld With the compulsory dramatic intro scene you immediately get to know the villain of the movie and the younger versions of the Karate Girls. Come again two Karate girls. Yes,two of them. And both who actually know Karate. The story is very simple. Yet the director thought it necessary to explain what Karate should be about in almost every talking scene. Even in some of the action scenes there seems to be too much talking. The action scenes are adequate but do look very choreographed. Sometimes far too slow and too much breaks during fights. Since the pace of the movie is quite slow it only makes the movie even seem slower. It surely doesn't help that the movie takes itself far too seriously. Especially when the acting is real bad.It is a shame really that the director failed to put in some real excitement. The trailer for this movie looks promising. But like most trailers they put in the best scenes from the movie in there. So in this case you are better off watching the trailer.