Legionnaire

1998 "A fugitive from a killer. A remote outpost. A fight to the death."
Legionnaire
5.5| 1h38m| R| en| More Info
Released: 03 December 1998 Released
Producted By: Quadra Entertainment
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Alain Lefevre is a boxer paid by a Marseille mobster to take a dive. When he wins the fight he attempts to flee to America with the mobster's girlfriend Katrina. This plan fails and he seeks escape by joining the foreign legion. As part of the legion he tangles with abusive lieutenant Steinkampf and bonds with legionnaires Luther, Mackintosh and Rosetti.

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jonathanruano Legionnaire is an entertaining film about a French boxer Alain Lefevre (Jean-Claude Van Damme) who tries to escape from his troubles with some Mafiosos by joining the French Legion and fighting for French colonialists in Morocco. Van Damme has never been good with challenging roles, which is why it was a good idea to saddle him with the relatively safe and likable character of Alain with little margin for error. The filmmakers also did something else that was smart: they surrounded Van Damme with interesting characters (played by rather good actors), which automatically raises the interest-level for this film. Steven Berkoff is clearly having a lot of fun with the villainous character Sergeant Steinkampf and we have just as much fun watching him. An under-appreciated talent, Adewale Akinnuoye-Aghbaie, does a really decent job playing Luther who decides to join the French Legion to escape the racism of the South along with a bogus murder charge. Then there is Nicholas Farrell who delivers a wonderfully well conceived performance as the British recruit Mackintosh, a man with a compulsive gambling habit, who is renowned for his witticisms, and even capable of speaking a few Arabic phrases (which are most useful in a brothel). The Arabic phrases are completely unnecessary, but much appreciated all the same. Finally Ana Sofrenovic makes for a beautiful love interest, Katrina, who we would like to see reunited with Alain and broken free of the clutches of the evil mob boss. As a result of all these factors in addition to some great cinematography and some pretty good action and survival in the desert scenes, Legionnaire hums along quite entertainingly right until the end.7/10
Dirty Harry First of all, we got to know this is a Van Damme movie. Taking that into consideration, it is a very good movie. I've watched it several times now, and it really has something special, at least for me. I watch those ratings, like everybody do, when I'm searching for films to watch. But, the ratings are often very misleading, in both ways. So, I'm watching really bad and boring films with ratings 8, and I get turned off of perfectly good films with ratings from 4.5 to 6. Unfortunately, we can't watch all the films, and there will be missed good films, and a lot of bad films watched, but if you want an interesting story, not expecting too much, and have a lot of nice scenes, then don't miss this one. Give it a chance, it's a good film.
DigitalRevenantX7 The Story: France, 1925. Alain, a French boxer, reneges on a deal to lose a match. Framed for murder, he joins the Foreign Legion. There he is sent to Algeria where, along with an African-American, a British major & a love-struck Frenchman, he is thrust into a platoon fighting a losing battle against Algerian freedom fighters.This is not the first time that Jean-Claude Van Damme has played a Legionnaire, having done so in "Lionheart / Wrong Bet". In that film, he deserted the Legion. Here though, he has decided to stay the course.The film is directed by Peter MacDonald, who is no stranger to hard action films, having done "Rambo III". The script comes written by Sheldon Lettich, a veteran when it comes to making films with Van Damme. Together the two have done "Lionheart", "Double Impact", "The Order" & "The Hard Corps".After what could be called a mediocre lead in, with the usual nonsense about gangsters & fixed boxing matches, the film picks up with some fairly good acting, especially from Van Damme, as well as his friends. Characterisations are better than average, with a wide variety of different characters. There's the veteran British soldier with a shady past, the African-American drifter & the Frenchman who joins the Legion to prove himself to his fiancé. Steven Berkoff, another "Rambo" veteran, commands as the borderline sociopathic Legionnaire commander. The film's biggest problem is the ending, which ends abruptly & fails to finish the story. Also, Van Damme being spared by the Arabs solely because he is brave is a contrived plot point.
lost-in-limbo It's 1924; in Marseilles, France and boxer Alain Lefevre goes on to win a fight that he was supposed to take a dive in. He had it all planned out that he would win and then leave with his old girlfriend (who's now with the mobster) to head to America. However things go terribly wrong, and this leads to Alain joining the Foreign Legion to mould a new identity to escape from those mobsters. Although this second chance is going to be a hell of an ordeal. What good can come from a straight-to-video, Jean-Claude Van Damme action film? Well, you know won't be expecting a masterpiece or even a great movie. So it gotta crash and burn. But wait a minute. "Legionnaire" actually breaks that trend, to be one of Van Damme's better movies of recent years. Hey, it's probably my favourite of his and that's saying a lot when compared to "Time Cop", "Universal Cop" and "Nowhere to Run". I don't know why I enjoyed this film so much, but even with my second outing, it delivered the minor goods in a simple, flourishing formula. There's no escaping the old-hat concept creaking in the set-up. It might be a change of scenery. Although, it's no different from a ordinary war film with an assortment of token characters setting up a loyal partnership to pull together when it gets tough going. There's no pretensions to its clichéd material and while, its contrived and heavily laced with them. It seems to get away this dramatic edge and its survival of the fittest message is passionately orchestrated. Most of these men are burdened souls, escaping from life or trying to prove something. This is why these comrades hold a strong emotional rapport with each other, as they know when they signed up there was no release clause to fall back on. The gleefully, corn-riddled script provides plenty of overstrained melodrama and electrically campy banter. The camera-work is swiftly executed and an elegant music score that could turn fiery in an instance are resourcefully worked in. The performances aren't anything special, but surprisingly competent and workable. Vann Damme is *cough* … solid, yes that's true. He's portrayal is quite convincing and subdued in his blistering like attitude. There's good turns by Nicholas Farrell, who chimes in as an optimistically, witty British man, Mackintosh and Daniel Caltagirone as the fickle Guido. Adewale Akinnuoye-Agbaje is an excellent character-actor and he does wonders with a plain stereotypical character, Luther. They were quite a likable bunch that we got to know. Steven Berkoff is compulsively good as the hot-wired Sgt. Steinkampf.When watching Van Damme flicks we know there's must be some kick-ass martial arts when he's wiping the floor of the bad dudes. Oh no, that hardly happens here at all. There are a couple of moments, but they are short lived. It plays for a meaningful war film, where its main focus is the high-octane battle scenes than just one-on-one combat. Sometimes the action does play second fiddle to the inner-goings of the men, but the loud, relentless war scenes were well organised and made for a more believable rough 'n' tumble foray. This just proved how much the French army were out of their league when facing the skilfully quick and deadly Arabs on their turf. Here he's no potent individual, but relies on his comrades to look over his back. Few surprises occur and knee-jerk jolts find there way into the warfare. When it came to the final minutes it seemed to lose a bit of creditability, to what has happen before it. An ambitious detour to the formula for Van Damme, but it mostly worked out and delivers undemanding entertainment.