renatajohnsonqueenbae This movie is damn hot. Ok yes, the main dude is not all that likeable, but the passionate love scenes are creative and steamy as hell. Even the prison ones are legit hot. Or maybe I'm just kinda sick. But this really is a well acted and poetically shot movie - based on a little known but super tight book. I loved this film, which sends all kinds of messages and makes you think about loyalty in a way that will leave your jaw hanging open.

f-fire This movie really surprised me. I had my doubts about it at first but the movie got better and better for each minute. It is maybe not for the action seeking audience but for those that like an explicit portrait of a very strange criminal, man, lover and husband. If you're not a fan of bad language or sexual content this really is not for you. The storyline is somewhat hard to follow sometimes, but in the end I think it made everything better. The ending was unexpected since you were almost fouled to think it would end otherwise. As for the acting I think it was good. It will not be up for an Oscar award for long but it at least caught my eye. Gil Bellows portrait of a prison man is not always perfect but it is very entertaining. Shaun Parkes portrait of Bellows prison mate Clinique is great and extremely powerful. On the downside I think I will put Esai Morales portrait of Markie.Take my advice and watch this movie, either you will love it or dislike it!

xanmaximus The movie uses a cutting edge title for a lame story. Kill Kill, would have been nice. The movie incorporates taboo scenes to make the viewer move back in their chairs. The scenes are unnecessary and choppy. The movie is something a novice screen writer could have conjured. Just a waste of movie props and network money. I have to write 10 lines of text to critique this film when it is not worth 10 lines of my time, but I have to push on to let the people know to avoid the nonsense. If people are counting on you to choose a good movie for movie night, pick something else. If you have a soul don't damage it by subjecting yourself to this filth.

Jonathan Ross I was lucky enough to be invited to a pre-release screening of KKFF and where so many of these occasions have been disappointing, this was ninety-odd minutes well spent to say the least. Based on the novel by Joel Rose of the same name, it's the story is of Joe One-Way, a recovering heroin addict and convicted killer who is granted early parole due the arm-twisting, string-pulling antics of New York movie producer Markie Mann. Markie read the play Joe wrote whilst inside and wants to make it into a film. Things seem on the up for Joe until he meets Markie's wife, Fleur whose past is not unlike his own and their immediate connection seems to burn up the furniture from the off. Through a series of flash-backs, we see Joe go from being the young-and-in love occasional smack-dabbler, through to full-blown addict whose young wife can no longer bear to live with him and subsequently, the prison inmate who becomes inspired to write through his relationship with Clinique, his Jamaican cell-mate (played with a combination of cutting dry humour and eerie menace by Shaun Parkes). Upon his release Joe has to make good and combat his demons while at the same time putting them to paper as the pressure mounts for him to complete his script.While the film is exceptionally dark in places - Director Gareth Maxwell Roberts pulls very few punches in highlighting the obviously negative aspects of drug-abuse and prison life - it's an ultimately brilliant and touching tale of a man seeking redemption for the many terrible things he's done. Gil Bellows (who we've seldom seen on the big screen as of late) really comes into his own with the portrayal of such a conflicted character, seemingly leaving behind forever the fluffy, handsome persona he'd carved out during his years on Ally McBeal. Other notable performances are from Esai Morales whose presence as Markie is electric from the minute he arrives spouting producer talk with borderline-Wiseguy attitude, and Lisa Ray as Fleur whose sole purpose for being seems to be making every man in the audience fall in love with her.I'm told the film is being geared up for release in late 2008 and my advice to any self-respecting film lover is to see it at your earliest opportunity.