Armand adventures. friendship. love/hate/words/choices/questions/meetings/a ballerina.another "L'Auberge espagnole". same Romain Duris. new versions of life lessons. in a single word, another chapter of an old story. not boring, not sensational, not interesting or strange. the image of Europe is more small. the feeling of Xavier are on top. and the result is not bad but the charm of first movie is enough. in this case, ambition to tell a profound tale is too much. complicated options, the life as storm , a nudity scene on street, in night, in desperate run, the mixture of a Russian character, the fight between past and present, all is a fragile huge construction. but the good intentions are almost perfect refuge. so, a nice movie. about friendship, love, choices, a wedding, few drops of feelings.

secondtake Russian Dolls (2005)You have to like such an inventive, fast, witty, and all the same convincing movie. This is funny in that fast, off the wall way "Amelie" was funny, though here I think it gets another level of complexity that not only makes you pay attention, but rewards your attention.Leading man Romain Duris is subtle and charming (and what American girls would call "cute"), and he the thread through time in a long multi-tasking flashback with lots of editing and framing liberties. He seems to fall in love but not know what love is. He is a struggling writer who finds enough success to work on scripts that also become part of the movie. Though we start firmly in Paris, the story takes us many times to London, and to Russia, which makes for a tale of four cities in the best way. The whole cast is pretty amazing, both comic and touching and convincing at the same time. People are chic and cool but flawed and quirky, too. And the cast is large, with a final party scene that brings most of them together (and for a little too long). It's a love story, and a good one.

nycritic Continuing where L'AUBERGE ESPAGNOLE left off, Russian DOLLS fast-forwards five years into the future and presents us a Xavier we thought we wouldn't be seeing: the professional who has a sordid job writing bad soap opera, far from the successful novelist he had originally planned to be, his life mired in confusion and hovering immaturity. At age thirty he has had unsuccessful relationships with women -- several of them who make their re-appearances from the previous film, among them Audrey Tautou (Martine) and Irene Montalá (Neus) -- and who fate seems to be directing him towards Wendy (Kelly Reilly) who is also involved in a self-destructive affair with a controlling nobody. Along the way, he reconnects with Isabelle in a cheeky sequence that could be a male's fantasy (as it involves lots of lesbians and Durin himself dons a dress and wig), but this leads him to a botched affair with Kassia (Aïssa Maïga) and the pursuit of superficial beauty under the persona of a supermodel (Lucy Gordon). Along the way we also see Wendy's brother William (Kevin Bishop) find love and marital happiness with the Russian ballerina Natascha (Evguyenya Obraztsova), and a reunion that finds all of the original cast members together. However, this is mainly Romain Durin, Kelly Reilly, and in a lesser way, Cecile de France's movie -- a fragmented soap opera that displays the continuing adventures of these young people as they move through life and try to find relative happiness in the adult world.

gradyharp Russian DOLLS ('Les Poupées russes') is the full of love folllowup by Cédric Klapisch to his highly successful 2002 film 'L'Auberge Espagnole', the film that tossed multinational young people together in a Barcelona apartment and watched them interact and create some sense out of the havoc that was their lives. Klapisch has fine comic timing, a sense of spontaneity, and a cast lifted from his previous film - all ingredients for a fine little spin on current relationships. If the film is too much in love with itself, (the self-indulgent multiple split screen viewing and back and forth pacing tends to be a bit cutesy), in the end there is so much fun and wry wisdom to spread around that many of the holes in the script can be forgiven.The story focuses on events five years after the Barcelona doings in 'L'Auberge Espagnole' and yet as the main character Xavier Rousseau (Romain Duris) narrates the current tale he finds the need for flashbacks to explain current circumstances. William (Kevin Bishop), the bigot from before who labeled roommate Tobias (Barnaby Metschurat) as a Nazi, has smoothed out a bit and in fact has found love in a Russian girl Natacha (Evguenya Obraztsova), a Russian ballet dancer who lives in St. Petersburg and the current story is supposed to be about their wedding in St. Petersburg which will also be a reunion for all the roommates from Barcelona. Xavier is a writer who is forced to be a ghostwriter for celebrities who want to publish memoirs because he has difficulty writing a silly television love series and is stuck in his writing of his own novel. He cannot keep relationships (but then very few in this group of friends can) and he teeters between his allegiance to his ex Martine (Audrey Tautou), while moving in on one of the celebrity interviewees Celia (Lucy Gordon). He is warned by his lesbian roommate Isabelle (Cécile De France) about his wanton ways but Xavier uses Isabelle as cover for his 98-year-old grandfather (Pierre Gérald), who insists he marry. Xavier toys with a beautiful black girl Kassia (Aïssa Maïga) and is rejected, and just about the time when Xavier feels as though he will never find the right girl ('You just keep opening them like Russian nested dolls hoping that the one in the center will be your choice'), his script is picked up by BBC and he flies to London to work with Wendy (Kelly Reilly - William's attractive sister, unsuccessful in finding a decent mate) and voila! The rest of the intrigue is best left to the viewer: it does become complicated and multilingual and hilarious...and touching.Weaving all the cast members form his first film into the resolution of the second film proves to have some problems in continuity, but then this is not great writing nor was it meant to be. This is French comedy in fine form and is a thoroughly entertaining film and the chance to watch some beautiful people display how crazy relationships today have become. Grady Harp