Kung Fu Killer

2008 "Between mind and body, a warrior is born."
Kung Fu Killer
4.8| 1h33m| NR| en| More Info
Released: 17 August 2008 Released
Producted By: Reunion Pictures
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Synopsis

China is in unrest, as the Republic falls prey to Warlords like Kahn Xin, who holds an entire province hostage to the opium trade—and destroys all who oppose him. Only the revered Wudang monks dare stand in Kahn’s way in order to protect the very soul of China. Among them is the Westerner, White Crane, a spiritual master of the martial arts and protector of the innocent. Revenge is not in Crane’s heart—until a mercenary army storms the temple and slaughters the beloved female Grandmaster Myling. Out of the ashes of the temple ruins, Crane rises—with vengeance in his heart. Crane comes upon Jane Marshall, a New York lounge singer and her gangster boss Bingo Quo. But it’s Bingo’s dangerous professional ties to Kahn that draw both Crane and Jane deep into the Warlord’s lair. Now torn between the spiritual Wudang teaching and the cold-blooded life of an assassin, Crane is about the cross the fine line between justice and revenge.

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Leofwine_draca Review of Part One: KUNG FU KILLER is a TV movie that seeks to win viewers by re-teaming two stars of Tarantino's KILL BILL films, David Carradine and Daryl Hannah. The result is a mostly unsuccessful little feature that lacks excitement or intrigue, happy instead to follow well-worn plot routes instead of carving out new territory.The biggest flaw with this film is the pacing. The film's frankly boring, a little action here and there not doing anything to change that. The film is book-ended by a couple of half-decent, large scale battles – owing much to the graphic climax of Stallone's RAMBO in terms of editing and choreography – but throughout the middle section, little occurs. David Carradine is playing pretty much the same character as he did in his television series KUNG FU, but he's a lot older here. Watching a guy in his 70s fight is not exactly something I enjoy doing, but Carradine acquits himself well and shows he's still got it. Sure, he's doubled on occasion, but I found his fight scenes more convincing than those in a recent Steven Seagal movie, for instance. The supporting cast don't make much of an impact, and Daryl Hannah, doing her own singing in the role of a, well, singer, is frankly terrible.KUNG FU KILLER's biggest strength is that it was actually filmed in China, so a lot of the scenery and locations are authentic. Sadly, these do little to distract from the ho-hum storyline. This was originally conceived of as a two-part miniseries, and a sequel, KUNG FU KILLER 2, follows the same characters in a new story. To add insult to injury, the version I saw was the heavily-edited children's version, which omits ALL of the graphic violence and bloodshed. This is another good reason for me not to like it.Review of Part Two: KUNG FU KILLER 2 is the second part of a miniseries that was broken down into two separate feature films for television release. The first in the series was a middling period martial arts would-be epic that had plenty of wasted potential; much the same can be said of the sequel. As the story kicked in I realised I was enjoying this a lot more than the first movie. There's a stronger storyline, even if it does follow the basic 'journey' template meted out by countless kung fu flicks of old, but it has incident, character, and extremely attractive surroundings. Added to that, the fight choreography seems slightly better and less choppy, too.Sadly, things fall apart in a big way at around the halfway mark, so much so that the film grinds to a halt and only lifts slightly for a lacklustre climax. There are heroes, villains, and some characters mid-way between the two, but by this time we can't really care about what's going on as the director has long before lost us. All of the first film's lead actors reprise their roles to middling effect, and of the new cast members, only Anya makes an impression as a layered villainess; she's great in the part.There isn't much of note here. Carradine hangs around and is surprisingly decent in the acting stakes, but he does little. Daryl Hannah is a complete waste of space, again. There are one or two genuinely decent fights, one or two bizarre interludes (such as the bits where the party fall foul of some killer courtesans and angry lepers), some lesbian undertones, and a muddled, gloomy ending. It's not absolutely awful, and the money's up on screen, but as with the first film, this could have been so much more.
TheLittleSongbird Kung Fu Killer did seem interesting concept-wise and for the two most well-known stars of the mini-series David Carradine and Daryl Hannah. Execution-wise, Kung Fu Killer is very lacking and could have been much better but it isn't a complete waste of time. The best things about it are the scenery, the production design and Carradine. The scenery is absolutely gorgeous and makes you wish you were there, the production design and costumes are equally handsome and give a real sense of time and place and Carradine plays his role with authority and dignity. Anya is very charismatic as well, and while not as memorable Osric Chau is above average as well. The same cannot be said for Hannah though, whose role is almost completely needless and she looks disconnected throughout, she has also looked much better than she does here. The choreography and violence is well-choreographed and exciting on the most part, but more finesse in the editing and less of a hard-to-take approach would have been welcome, parts did feel very unsubtle and too much. While the scenery and production look great, the photography is murky and the editing isn't always completely smooth. The music is not sluggish or forgettable as such, in fact there are some memorable parts and there is a sense of tempo, but it has an oft tendency of drowning out the dialogue and could have been toned down more. The dialogue isn't really all that much to write home about, a lot of it is corny and simplistic with need of more flow. Outside the concept and some of the action sequences the story isn't really all that engaging, it could have done with more tension and heart and it does have a dull and meandering feel to it. There are worse characters around, however more time could have been spent with getting to know them and relate to their situation, Carradine's is an exception, and then there are others who are pretty much irrelevant especially Daryl Hannah's(essentially a love interest and nothing more). All in all, there's definitely worse but a rather mediocre mini-series. 4/10 Bethany Cox
tvroller This rocks! Can't believe Spike went all the way to China to do one of its movies. Most of their stuff is lame but this looks like a real movie. Not a big Fan of Darryl Hannah but she did okay. Carradine was good, looked pretty strong. The Chinese girls were HOT. The story was solid but the best part was the action. Some of the fighting was insane and bloody so I got my moneys worth. Spike usually plays buckets of these old martial art movies but its good to see they're making them now. I'm just wondering what's the deal with the two movies. Was this supposed to be a series or something? If it is then maybe I'll watch it. My only complaint is they didn't show more of the hot girls.
gridoon2018 "Kung Fu Killer"'s main drawing card is that it reunites two big names from "Kill Bill" - David Carradine and Daryl Hannah - but let's face it, this is not the shining moment in either of their careers: Carradine is getting too old and static to participate in continuous action scenes, and Hannah has a rather thankless "object of desire" role. The real reason for which I would recommend seeing this film is the presence of Anya as a henchwoman. Apparently she had a near-fatal car accident in 2003, but she returned to her career, and despite a couple of remaining scars, she still looks stunningly beautiful. She also seems to have worked on both her martial arts skills (impressive) and her acting (arguably the best in the film - though her character suffers at points from poor writing, and it seems as if the writers wanted to suggest that she is lesbian but not go "all the way"). The story is kind of slow and plain, but the production values are passable, and there is some good fighting at certain points; I liked how the choreographers incorporated choking / grappling techniques in the fights - particularly when Lin Tong Hsu (the Head Siren) used them! (**)