jjsoltis The first half of season 1 was looking pretty good. Then the writers ran out of ideas and showed their true colors. Plot spoiler alert! The military are demons, the "occupy" anarchists are heroes and the bad guys are actually the good guys. Oh and the "best" part...the NYT reporters are honest journalists. HA!Typical liberal garbage. What a pile of crap.

teneraj I loved this show! I think since there was no real reason as to why it was canceled it has to do with the American Government telling NBC to take it off the air. I am sure Netflix would love to pick up the series and make it a series on there's like they did with the House of Cards. I say keep making this show! It has a lot to do with our troops and it what they possibly go through and what our government does to them. I am almost positive NBC is controlled by the American Government and takes pay offs. PLEASE BRING THIS SHOW BACK! There are millions of fans that are mad that this got taken off the air FOR NO REASON! It has a good story line and it is a very good show.

afortiorama The biggest problem of this show is that most of the characters are too trustworthy to the point of stupidity or just too plain stupid. In particular the activists who one could really nickname dumber&dumber, but also the corporate lawyer. Then again most people would probably behave the same. Said that I really liked all the part in Africa involving Odelle, the main character, the diversity of characters albeit some unbelievable, like the publicly transgender uncle, their relationships and the fact that they spoke a mixture of English, French and Arabic. I quite liked also the way it ends, though that was meant to be only a mid-season finale and not a series finale.

jc-osms I waded through this 13-part US import which like so many of these latter-day mega-series, as opposed to mini-series, has to fill a lot of minutes and didn't really do so very successfully in my view.The connections between the various stories just never rang true, like US soldier Anna Friel's tortuous journey home where she somehow avoids serious harm at every turn, her motherly relationship with a young local boy, the straight-arrow clean-cut corporate accountant who uncovers and then seeks to make known the plot to silence Friel's story, his connection with of all people, the new female Greek Prime Minister, the geeky youngsters who also can scent the big cover-up and the female inside agent who inveigled herself into the hackers little gang of truth-tellers only to be revealed later as an assassin with a heart of pure mush...is that enough for you?Coincidence follows coincidence with succeeding regularity, the viewer meant to recognise the topicality of military actions in the war against ISIS / Al Quaeda, the black-ops of multi-million multinational companies which put dollars over lives, with enough clout to get a three-star general in their pocket, the timely tie-in of the Greek debt crisis and the treatment of Western hostages by insurgents.This was all just too much to believe and though I watched it all the way through, I never remotely believed any of it. The acting was no great shakes either, particularly the two teenage American children, who somehow talk like they're 10 going on 25. Anna Friel just doesn't convince as a multi-lingual, battle-hardened soldier and Peter Falconelli has no personality at all as the whistle-blower Peter Decker.There was some good cinematography, especially Friel's escape through the desert but in the main, I found the cross-cutting between one plot strand and another somewhat contrived and even confusing. The theme of big-business corruption, a complicit US armed forces and techy-nerds able to hack into the most secure official filing systems just piled on the clichés as did the turned-out-all-right ending although the mystifying final shots of Friel re-entering the country under a newspaper reporter's name were obviously inserted as a teaser for a hoped-for second series that didn't materialise.Which I think is about right. With its army of strange and unusual characters (I haven't even mentioned yet the Muslim transvestite TV personality, the hulking, can't-be-killed paid mercenary and the homosexual uber-geek with his housebound mother), for me it just never gelled, never felt remotely real plus the addition of the word "American" to the title by the producers just smacks of desperation, trying to capture the homeland patriot audience. This is one 12 hour tour-of-duty it's really not worth soldiering all the way through.