bkoganbing Let's Make It Legal is an amiable lightweight comedy that gave Marilyn Monroe a featured role in her days on the rise as a legend. The stars are Claudette Colbert and MacDonald Carey who are calling the marriage quits after over 20 years. Waiting in the wings is an old beau of Claudette, Zachary Scott who lost Claudette to Carey back in the day and has gone on to become a captain of industry and awaiting a presidential appointment besides.The reason for the divorce is Carey's drinking and gambling. His only other indulgence is his garden where he's grown some prize rose bushes.Two other interested parties are their son-in-law Robert Wagner and daughter Barbara Bates who live with Claudette with their baby girl. Bates won't leave the mother alone and wants her parents back together. Wagner wants to have their own home and if she won't get back together with Carey, Wagner will push a marriage with Scott.Carey should have done more comedy in his career, he had a nice light touch and does a marvelous drunk act. Colbert is a veteran comedy performer and the part was definitely no strain on her. Still Let's Make It Legal will never be among her top fifty. And Scott is shown up to be something of a cad in the end.The nucleus of this story is how Carey won her and what he does to win her back. Fans of the main players should enjoy Let's Make It Legal and others will to.

edwagreen 1:17 didn't do justice to this movie. The scenes with Zachary Scott of Mildred Pierce fame with Claudette Colbert were ridiculous. You expected Colbert to look the way she did in 1951, but Scott looked like he could be his son, especially with that tan.The plot was funny with a couple about to have their divorce become final and the sudden reappearance of the boyfriend (Scott) after a 20 year absence.MacDonald Carey and Colbert had excellent chemistry as the couple whose marriage has gone awry. Ditto for Robert Wagner, their son-in-law and the end of All About Eve's Barbara Bates. Wagner shows that he can be a little uptight and downright nasty in some scenes.Too little use was made of Marilyn Monroe. Now, if she had been made Carey's really young girlfriend with some romantic scenes, the laughs would have increased.

writers_reign It's not beyond the realms of possibility that some future Cultural archaeologist will note the large percentage of timber amongst actors of the late forties and fifties. God knows we had our share in England; Keiron Moore, John Gregson, Richard Pasco, Laurence Harvey, Michael York, but the virus was just as active in Hollywood, John Derek, Wendell Corey, John Ireland, Gary Merrill to name only a handful. Hugh Marlowe even managed to luck into two 'classic' films in the same year (1950), having featured roles in both All About Eve and Twelve O'Clock High. Here we have another in the shape of Macdonald Carey. Sending him in as leading man against Claudette Colbert is like sending in Banksy against Toulouse Lautrec. The poor sap hasn't a chance. You're never wasting your time watching Colbert (well, hardly ever, Texas Lady anyone) but apart from a roster of mostly uncredited 'character' actors she's the only decent thing in this piece of cheese albeit it was co-written by Izzy Diamond and directed by Richard Sale. Robert Wagner is an embarrassment, Barbara Bates a disaster, Zachary Scott walks through it and ... oh the hell with it, cross it off your list.

Nick Zegarac (movieman-200) "Let's Make It Legal" is the delightful little comedy about a grandmother (Claudette Colbert) who, after divorcing her husband, Hugh (Macdonald Carey) discovers that an old flame, Victor (Zachary Scott) still has the 'hots' for her and intends on turning his flame into an inferno with a vengeance. Robert Wagner costars as Colbert's devilish son-in-law. So where's Marilyn Monroe in all this? She's the sexy siren in hot pursuit of Vic's affections. But he's all ice when it comes to her charms. Go figure. It's a good thing this film wasn't included as part of Marilyn Monroe: The Diamond Collection because for all its cutsie cuddliness, this one's more cubic zirconium.TRANSFER: Lots to smile about here. The black and white picture genuinely sparkles. Blacks are solid, the gray scale is perfectly balanced and age related artifacts are, for the most part, nonexistent. Minor edge enhancement and some video noise (particularly in plaid patterns) crop up now and then but truthfully, this is a superb looking transfer. The audio has been re-channeled to two stem stereo with predictable limited range. Nevertheless the soundtrack is smooth.EXTRAS: Come on, what did you expect for a film of this limited appeal. You get some Marilyn trailers. Enjoy! BOTTOM LINE: Even if you're not a fan of Monroe (and I'd like to meet the man who isn't!) this silly little programmer is easy on the eyes and tingly all over, but especially on the heart.