Mr. Moto's Gamble

1938 "TRAGEDY STRIKES THE ARENA AS FISTIC CHAMPIONS FALL BEFORE UNSEEN GLOVES!"
6.6| 1h12m| NR| en| More Info
Released: 07 April 1938 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Celebrated as supersleuth, Mr. Moto comes out fighting when a brutal boxing match turns into cold-blooded murder! Assisted by detective-in-training Lee Chan, Moto sets out to track down the killer based on a single ominous clue: a poisoned boxing glove! But when Moto's hunch points to a corrupt gambling syndicate, he's forced to wager his very life to unmask the culprit—or go down for the count...permanently!

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Reviews

Hitchcoc This sorry boxing movie was a great disappointment. Because of necessity, Peter Lorre must take up the mantle of Charlie Chan. In the first two films, he is a riveting character with a complex mind and a murderous impulse. Here he plays straight man to a bunch of gamblers and buffoons. A young boxer is trying to get a title bout when his opponent dies and he is charged with the murder. Lee Chan (Keye Luke) and Slapsy Maxie Rosenbloom pair up to do the silly stuff. Moto even delivers lines like Chan. There are gamblers coming out of the walls, talking to the fighters before the bouts. John Hamilton, Perry White on "The Adventures of Superman," has a lot of irons in the fire as to a whole bunch of other bettors. It just becomes so weak as the thing goes along, including Chan trying to punch Rosenbloom so he can remember where he got a gun.
utgard14 Mr. Moto (Peter Lorre) investigates a murder during a boxing match, with unwanted help from Charlie's Chan's "Number One Son" Lee (Keye Luke). Most people probably know this, but originally this was intended to be a Charlie Chan film. But when troubled Chan star Warner Oland walked off the set, they reworked the story and turned it into a Moto movie. This explains the appearance of Lee Chan. It also explains why Mr. Moto is less edgy than in his first two films. Here he resemble a more traditional detective like Charlie Chan.While I love Charlie Chan, Peter Lorre is kind of wasted in this type of role. He's better suited to roles with a little menace to them. Keye Luke is fine but the chemistry and rapport he had with Warner Oland is missing. Also appearing are Harold Huber, Douglas Fowley, and beautiful Lynn Bari -- each no stranger to the Charlie Chan series. In addition, there's Ward Bond, George E. Stone, and Maxie Rosenbloom. Lon Chaney, Jr. has a small part. Given the troubled backstory behind the movie, I'm surprised it turns out as well as it does. But a good cast goes a long way with these old detective movies.
MartinHafer In the first two Mr. Moto films, Moto was a complex and rather amoral man. If someone tried to kill him, often Moto killed that person instead. Additionally, you weren't always sure who Moto worked for or his motivations. I liked this, as it made his character a bit mysterious and quite a bit unlike the studio's other Asian crime fighter, Charlie Chan. However, with MR. MOTO'S GAMBLE the transition to a Charlie Chan clone has occurred. Why? Well the answer is that this film originally WAS a Charlie Chan film and shortly into shooting it was obvious that Warner Oland (Chan) was not emotionally fit enough to finish the film. So, instead of scrapping the film, they just altered it slightly to make it a Moto film.So was this a successful move by the studio? Well, in some ways definitely not. The comic relief for the film was provided by Max 'Slapsie Maxie' Rosenbloom--playing a guy even more annoying and unrealistic than Mantan Moreland would play in the later Charlie Chan films. Frankly, I hated Rosenbloom in the film because he detracted from the mystery with his antics. Additionally, it seemed very strange for the Japanese detective to be teamed with Charlie's #1 Son, Lee Chan (Keye Luke). In fact, you will probably notice that Moto treats Lee pretty much the way Charlie did and it just feels odd. And, since Moto was essentially playing Chan, he had much less to do in this film than in previous ones. Like Chan, he was NOT the focal point of the film and aside from a couple judo flips, you'd barely notice him in the film. In essence, Mr. Moto was dead.Despite this obviously being a Chan film (and second-rate due to the dominant presence of Rosenbloom), the film is still pretty good--provided you don't mind that it's not a Moto movie. The mystery itself isn't bad (though the squirt gun angle was pretty dumb) and the film worked pretty well. While the mechanical gun at the end was overly complex, how Moto used this was pretty neat. Overall, I give it a 6. It's interesting and fun but suffers a severe case of too much Rosenbloom and multiple personality disorder! By the way, there are some famous faces buried within the film. Ward Bond (famous for his many appearances in support of John Wayne) plays the Champion, George E. Stone ('Runt' from the Boston Blackie films) and a young Lon Chaney, Jr. is in a bit role.For more on how this film came to be, watch the DVD extra included along with MR. MOTO'S GAMBLE. MR. MOTO MEETS MR. CHAN is indispensable for die-hard fans like myself to understand the very troubled process through which this film was made.
JoeKarlosi I'd consider this one of the better of Peter Lorre's eight Mr. Moto films, with a good story of ringside gambling and crooks. The mysterious Japanese investigator must unravel what happened when a boxer was killed during a match. This one's got a well rounded cast too, beginning with Keye Luke making an appearance as none other than Charlie Chan's son, who is enrolled in a class which Mr. Moto is teaching. Also featuring Lon Chaney Jr. as a thug, and John Hamilton (Perry White on TV's SUPERMAN), too. Former real-life boxer-turned-actor Maxie Roosenbloom is the dimwitted comic relief. While watching and enjoying this entry I had the feeling that this was not in the same mold as previous Moto films I've seen. It was after the movie ended that I learned why via an informative bonus feature on the DVD -- MR. MOTO'S GAMBLE was originally scripted to be another Warner Oland Charlie Chan film for Fox, but Oland was having problems at the time, so the script was rebooted as a Mr. Moto film, with Peter Lorre practically doing Warner Oland. *** out of ****