Charlie Chan in Reno

1939 "THE CASE OF THE MURDERED DIVORCEE!"
Charlie Chan in Reno
7| 1h10m| NR| en| More Info
Released: 16 June 1939 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Mary Whitman has gone to Reno to obtain a divorce. While there she is arrested on suspicion of murdering a fellow guest at her hotel (which specializes in divorcers). There are many others at the hotel who wanted the victim out of the way. Charlie comes from his home in Honolulu to solve the murder.

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bkoganbing Before Las Vegas exploded in growth after Ben Siegel opened the Flamingo Hotel and it became the gambling capital of the USA, Reno, Nevada was the state's largest city and it's business was divorce and quickie marriages. As sheriff Slim Summerville remarked when the original suspect for the murder is being arrested, one thing she won't have any trouble in finding is a lawyer. They practically grow like cabbages out in the desert.Pauline Moore is in Reno getting a divorce from Kane Richmond and is accused of murdering Louise Henry, the woman set to marry Richmond. She has a scene in the beginning of the film where she makes herself such an obnoxious Miss Thing that half the would be brides and divorcées want to kill her. But it's Moore found over the body and Moore the one looking like she has the motive and opportunity.Of all things Charlie Chan is called by Richmond still concerned for his wife. It turns out that of course Henry had a ton of enemies and acquaintances and a shady past with connections to others in the cast. It's up to Sidney Toler in his second Chan feature to ferret all those out.I have to say some of them come out of left field, still the film is a decent Charlie Chan feature. Although the homicide captain Charles D. Brown is grateful for the help, country sheriff Slim Summerville spends most of the time bewildered by how rapidly the Oriental mind works. He's the comic relief in a good mystery that provides us with only one murder and a foiled attempt at another.
MartinHafer The films Charlie Chan films that Sidney Toler made for Fox were very good--much better than the later cheaper series from Monogram Pictures. In fact, these Fox films were good enough that the public warmly embraced the actor who took over the role following Warner Oland's death. Now this doesn't mean that Toler was exactly like Oland--there were definite differences in the characterizations. First, there were less of the wise Chinese sayings and more cranky comments (usually directed at #2 Son, Jimmy). Second, Toler seemed less passive and more like a real detective. Still, I missed Oland but must admit that Toler was the right man to fill in for him.As for this film in particular, Toler and Jimmy are just fine and I have no complaints about their acting or characters. However, when it comes to the murder plot, this one was much more convoluted and tough to believe than most. When they find the actual murderer at the end, you are left feeling like they just picked that person at random--especially since the motivation this person had seemed tenuous at best. Still, not a bad film at all--enjoyable throughout.
mlraymond This holds up well as a good Charlie Chan mystery, with a lot of suspects and fairly involved plot. Toler is very good in one of his early outings as Chan, and the Reno, Nevada background is a different type of location than the usual exotic, foreign setting. The supporting players are good ,and the whole thing is tightly written and directed.My only complaint is with Eddie Collins as the talkative cab driver, who is meant to be annoying, but succeeds a little too well. His character belongs to a type of Thirties humor that doesn't hold up well with the passage of time. Such irritating characters turn up frequently in a lot of Depression era films, and have to be accepted as part of the period, along with wise guy reporters, hardboiled cops, tough dames and grouchy editors . My tolerance for this type of individual in real life no doubt has something to do with it.This is a minor complaint about a pretty good film. Enjoy it as a good Charlie Chan mystery, where even the annoying characters are a part of the fun.
admjtk1701 After a poor start with "Charlie Chan in Honolulu", Sidney Toler made a good come back with this, his second Chan film. This one is set in the divorce mecca. It has a particularly effective, atmospheric sequence in a ghost town. Ricardo Cortez is good in a supporting role. And Sen Yung is fun as Jimmy. Toler was just warming up for his masterpiece, the next film in the series, "Charlie Chan at Treasure Island."